Augustus Saint-Gaudens in the Metropolitan Museum of Art


Book Description

"The Metropolitan Museum of Art has some forty-five sculptures by Augustus Saint-Gaudens (1848–1907), the American Beaux-Arts sculptor who worked in New York, Paris, and Cornish, New Hampshire. The Museum’s collection fully represents the range of his oeuvre—from early cameos to innovative painterly bas-reliefs to reductions after public monuments for East Coast cities. Through the lens of the Museum's unparalleled holdings as well as some related loans, this exhibition offers a reappraisal of Saint-Gaudens's groundbreaking role in the history of late nineteenth-century American sculpture and the Aesthetic Movement."--The Metropolitan Museum of Art web site




Augustus Saint-Gaudens in the Metropolitan Museum of Art


Book Description

"The Metropolitan Museum of Art has some forty-five sculptures by Augustus Saint-Gaudens (18481907), the American Beaux-Arts sculptor who worked in New York, Paris, and Cornish, New Hampshire. The Museums collection fully represents the range of his oeuvrefrom early cameos to innovative painterly bas-reliefs to reductions after public monuments for East Coast cities. Through the lens of the Museum's unparalleled holdings as well as some related loans, this exhibition offers a reappraisal of Saint-Gaudens's groundbreaking role in the history of late nineteenth-century American sculpture and the Aesthetic Movement."--The Metropolitan Museum of Art web site.




Augustus Saint-Gaudens


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Augustus Saint-Gaudens


Book Description

The sculpture of Augustus Saint-Gaudens (1848-1907), called the American Michelangelo, has often been compared to the magnificent works of the Renaissance. As an advocate of new ideas and a new approach to sculpture, Saint-Gaudens played a preeminent role in developing America's cultural life and revitalizing the art of sculpture in the modern age. (1861-65), when numerous monuments were commissioned to commemorate the national crisis and subsequent unification. In addition, the amassing of private fortunes during the country's unprecedented economic and financial growth led to an interest in sculpture for personal collections. Saint-Gaudens contributed works of both types. His Shaw Memorial (1897), commemorating the Massachusetts Fifty-fourth Regiment, the first U.S. Army unit of African Americans, and his Lincoln Monument (1887) are among the most moving of the nation's Civil War monuments, while his Adams Memorial (1891) is one of the most evocative of his privately commissioned works. France and spent eight years in Europe, where he found a freer and bolder form of artistic expression. On his return to the United States in 1875, he used his European training to create a new American style incorporating simplicity of subject, realism of form, and strength of emotion. In addition to his monuments, his works also included interior decoration for some of the great houses of the Gilded Age, portrait reliefs, and medals and U.S. coinage. his and the subsequent generation of American sculptors through his teaching and his lead in establishing organizations for the support and training of American artists, including the Society of American Artists. His legacy, as both artist and educator, is nothing less than the shaping of American culture.




Augustus Saint-Gaudens, Master Sculptor


Book Description

Bibliography: p. 171.







Making The Met, 1870–2020


Book Description

Published to celebrate The Metropolitan Museum of Art’s 150th anniversary, Making The Met, 1870–2020 examines the institution’s evolution from an idea—that art can inspire anyone who has access to it—to one of the most beloved global collections in the world. Focusing on key transformational moments, this richly illustrated book provides insight into the visionary figures and events that led The Met in new directions. Among the many topics explored are the impact of momentous acquisitions, the central importance of education and accessibility, the collaboration that resulted from international excavations, the Museum’s role in preserving cultural heritage, and its interaction with contemporary art and artists. Complementing this fascinating history are more than two hundred works that changed the very way we look at art, as well as rarely seen archival and behind-the-scenes images. In the final chapter, Met Director Max Hollein offers a meditation on evolving approaches to collecting art from around the world, strategies for reaching new and diverse audiences, and the role of museums today.




ArtCurious


Book Description

A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.




A Walk Through the American Wing


Book Description

The Metropolitan’s renowned American Wing is where the Museum’s unsurpassed collection of American fine and decorative art is on permanent public display, from masterpieces of painting, sculpture, and drawing to exquisite examples of the finest American furniture, silver, glass, ceramics, and textiles. This handsome volume presents an overview of the collection and provides an informative walk through the American Wing’s richly furnished period rooms and stunning architectural displays. These include the magnificent marble façade of the Branch Bank of the United States—the entrance to the original American Wing when it opened in 1924—and the restored living room of a Frank Lloyd Wright prairie-style house. The comprehensive survey of paintings and sculpture begins with early colonial portraiture and from there follows the emergence and development of a national fine-arts tradition, including significant movements and genres such as the Hudson River School, neoclassical sculpture, and American Impressionism. -- Metropolitan Museum of Art website.




Outdoor Monuments of Manhattan


Book Description

Stop, look, and discover—the streets and parks of Manhattan are filled with beautiful historic monuments that will entertain, stimulate, and inspire you. Among the 54 monuments in this volume are major figures in American history: Washington, Lincoln, Lafayette, Horace Greeley, and Gertrude Stein; more obscure figures: Daniel Butterfield, J. Marion Sims, and King Jagiello; as well as the icons of New York: Atlas, Prometheus, and the Firemen's Memorial. The monuments represent the work of some of America's best sculptors: Augustus Saint Gaudens’ Farragut and Sherman, Daniel Chester French’s Four Continents, and Anna Hyatt Huntington’s José Martí and Joan of Arc. Each monument, illustrated with black-and-white photographs, is located on a map of Manhattan and includes easy-to-follow directions. All the sculptures are considered both as historical mementos and as art. We learn of furious General Sherman court-martialing a civilian journalist, and also of exasperated Saint Gaudens’ proposing a hook-and-spring device for improving his assistants' artistic acuity as they help model Sherman. We discover how Lincoln dealt with a vociferous Confederate politician from Ohio, and why the Lincoln in Union Square doesn't rank as a top-notch Lincoln portrait. Sidebars reveal other aspects of the figure or event commemorated, using personal quotes, poems, excerpts from nineteenth-century periodicals (New York Times, Harper's Weekly), and writers ranging from Aeschylus, Washington Irving, and Frederic-Auguste Bartholdi to Mark Twain and Henryk Sienkiewicz. As a historical account, Outdoor Monuments of Manhattan: A Historical Guide is a fascinating look at figures and events that changed New York, the United States and the world. As an aesthetic handbook it provides a compact method for studying sculpture, inspired by Ayn Rand’s writings on art. For residents and tourists, and historians and students, who want to spend more time viewing and appreciating sculpture and New York history, this is the start of a unique voyage of discovery.