Aurores et crépuscules dans la Thébaïde de Stace


Book Description

The open access publication of this book has been published with the support of the Swiss National Science Foundation. Ce livre propose une étude intertextuelle des descriptions d’aurores et de crépuscules dans la Thébaïde de Stace. Les images poétiques de l’Aurore aux doigts de rose ou du char solaire plongeant dans l’Océan cachent un travail minutieux sur la tradition littéraire antérieure. Les remarquables aurores et crépuscules de la Thébaïde illustrent parfaitement la façon dont les caractéristiques traditionnelles du motif peuvent être détournées pour transmettre un nouveau message. Chaque chapitre de cet ouvrage examine en détail un des aspects lié aux aurores et aux crépuscules : expressions formulaires, rôle structurant, fonction lumineuse et temporelle, potentiel métaphorique. This book offers an intertextual study of dawn and dusk descriptions in Statius’ Thebaid. Poetic images such as rosy-fingered Dawn and the fiery chariot of the Sun sinking into the Ocean are the result of learned work on the previous literary tradition. The striking dawn and dusk descriptions in the Thebaid offer a perfect illustration of the way in which the traditional characteristics of the motif can be remodelled to produce new meaning. Each chapter in this monograph examines one of the aspects associated with dawns and dusks: formulaic diction, structuring role, relation to time and light, allegory.




Lucan and Flavian Epic


Book Description

Roman imperial epic is enjoying a moment in the sun in the twenty-first century, as Lucan, Valerius Flaccus, Statius, and Silius Italicus have all been the subject of a remarkable increase in scholarly attention and appreciation. Lucan and Flavian epic characterizes and historicizes that moment, showing how the qualities of the poems and the histories of their receptions have brought about the kind of analysis and attention they are now receiving. Serving both experienced scholars of the poems and students interested in them for the first time, this book offers a new perspective on current and future directions in scholarship.







Virgil, Aeneid 11


Book Description

This is the first comprehensive commentary on Aeneid 11. The commentary treats fully matters of linguistic and textual interpretation, metre and prosody, grammar, lexicon and idiom, of Roman behaviour, social and ritual, as well as Virgil’s sources and the literary tradition. New critical approaches and developments in Virgilian studies have been taken into account with economy and fairness. The Latin text is presented with a facing English translation. The commentary is followed by an appendix on Penthesilea and the Epic Cycle and a second appendix which discusses the weaknesses of Aeneid 11. The book concludes with English and Latin indices. In approach and learning, this commentary continues Nicholas Horsfall’s impressive work as a commentator and will advance our understanding of the Aeneid and the poet Virgil.




Narrators, Narratees, and Narratives in Ancient Greek Literature


Book Description

This is the first in a series of volumes which together will provide an entirely new history of ancient Greek (narrative) literature. Its organization is formal rather than biographical. It traces the history of central narrative devices, such as the narrator and his narratees, time, focalization, characterization, description, speech, and plot. It offers not only analyses of the handling of such a device by individual authors, but also a larger historical perspective on the manner in which it changes over time and is put to different uses by different authors in different genres. The first volume lays the foundation for all volumes to come, discussing the definition and boundaries of narrative, and the roles of its producer, the narrator, and recipient, the narratees.




American Gardening


Book Description




Performance in Greek and Roman Theatre


Book Description

Drawing on insights from various disciplines (philology, archaeology, art) as well as from performance and reception studies, this volume shows how a heightened awareness of performance can enhance our appreciation of Greek and Roman theatre.




A Narratological Commentary on the Odyssey


Book Description

Comprehensive commentaries on the Homeric texts abound, but this commentary concentrates on one major aspect of the Odyssey--its narrative art. The role of narrator and narratees, methods of characterization and scenery description, and the development of the plot are discussed. The study aims to enhance our understanding of this masterpiece of European literature. All Greek references are translated and technical terms are explained in a glossary. It is directed at students and scholars of Greek literature and comparative literature.




Illuminations


Book Description

This uncompleted suite of poems by French poet Arthur Rimbaud was first published serially in the Paris literary review magazine "La Vogue." The magazine published part of "Illuminations" from May to June 1886. Paul Verlaine, Rimbaud's lover, suggested the publication of these poems, written between 1873 and 1875, in book form. All forty-two of the poems generally considered as part of "Illuminations" are collected together here in this edition. Of these forty-two poems almost all are in a prose poem format, the two exceptions are "Seapiece" and "Motion," which are vers libre. There is no universally defined order to the poems in "Illuminations," while many scholars believe the order of the poems to be irrelevant, this edition begins traditionally with "Après Le Deluge" or "After the Flood." Albert Camus hailed Rimbaud as "the poet of revolt, and the greatest." The worth of this praise for Rimbaud can be seen in "Illuminations," one of the most exemplary works of his poetic talent.




A Season in Hell


Book Description

A Season in Hell is an extended poem written and published by French writer Arthur Rimbaud. The book had a considerable influence on later artists and poets, for example the Surrealists. Henry Miller was important in introducing Rimbaud to America in the sixties. He once attempted an English translation of the book and wrote an extended essay on Rimbaud and A Season in Hell titled The Time of the Assassins. The poem is loosely divided into nine parts, some of which are much shorter than others. They differ markedly in tone and narrative comprehensibility, with some, such as "Bad Blood," 'being much more obviously influenced by Rimbaud's drug use than others, some argue. Academic critics have arrived at many varied and often entirely incompatible conclusions as to what meaning and philosophy may or may not be contained in the text, and will continue to do so.