Ausias March


Book Description

Verse translations of selected works by Ausiàs March, the great fifteenth-century Valencian poet. The Valencian Ausiàs March [1400-1459] was one of the greatest poets writing in Europe in the fifteenth century. His work is characterized by a powerful and unique voice and by the constant innovation that allowed him not only todevelop traditional genres, but to compose poems that virtually created genres of their own. This selection includes poems on love, a cycle of six compositions on grief, a long poem on God and predestination, others of praise andvilification, or on philosophical themes. While March has previously been translated into English prose, this anthology offers translations that, more than an aid to understanding the medieval Catalan, aspire to be poems that can be enjoyed in English without constant reference to the original. The translator has worked for several decades on Ausiàs March, and has produced a critical edition and two anthologies, as well as prose translations. ROBERT ARCHER holds the Cervantes Chair of Spanish at King's College London. Published in association with Editorial Barcino




The Troubadours to Ausiàs March


Book Description

The purpose of Dr. Anna Alberni’s project is to reveal the poetic heritage of the BC from the troubadours to Ausiàs March, and to describe some of the most relevant pieces of that particular collection, such as the Cançoner Gil and Cançoner Vega-Aguiló. From the perspective of multiple authors, the book introduces us to the universe of Catalan troubadour poetry up until Ausiàs March, the culmination of the period under examination. The work includes interviews with Miriam Cabré, Antoni Rossell, Victoria Cirlot and Josep Pujol, together with some of Rossell’s musical performances and medieval poetry readings by Jesús R. Velasco, Miriam Cabré, Anna Alberni and Josep Pujol. The extensive bibliography provides a useful learning tool for all readers interested in Catalan poetry between the 11th and 15th centuries.




Ausiàs March


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Revue hispanique


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The Pervasive Image


Book Description

It is tempting to speculate that had Ausiàs March (1397-1459) written in Spanish instead Catalan, or rather the Valencian form of it which was his native tongue, he would by now undoubtedly be more widely recognised as the finest lyric poet in the Iberian Peninsula before the sixteenth century, and as one of the greatest in fifteenth century Europe as a whole. This study concerns one aspect of March's poetry: his use of analogy. March's poetry provides a large and varied working context in which to approach the simile as a poetic instrument in its own right, and it is almost as much to this broad aim as to the more specific matter of the use and function of the similes and allied forms of analogy in March's work that this study is addressed. Partly with the non-specialist reader in mind--someone with an interest in simile but not necessarily a direct concern with March--the quotations in Provençal and Catalan have been translated.







Festschrift


Book Description

Distinguished scholars from both sides of the Atlantic make a major contribution to medieval literary studies in contributions ranging from early epic to Fernando de Rojas. Studies on cuaderna via' verse and the poets of the cancionero' figure prominently, as do the Libro de buen amor' and Celestina'; these are complemented by individual essays on texts outside the mainstream, on the language and versification of the period, on the prose writers of the fifteenth century, and on literary activity in Catalonia, Galicia and Portugal. The collection demonstrates the range of interest and approach characteristic of recent Hispanic scholarship, and provides new insights into the medieval mind at work in the Iberian peninsula. IAN MACPHERSON is former Professor of Spanish, University of Durham; RALPH PENNY is Professor of Romance Philology, Queen Mary and Westfield College, University of London. Studies in Honour of Professor Alan Deyermond, Queen Mary and Westfield College, University of London. Contributors: LOLA BADIA, RAFAEL BELTRAN, CHARLES BURNETT, LLUIS CABRE, ROSANNA CANTAVELLA, PEDRO CATEDRA, JUAN CARLOS CONDE LOPEZ, MARTIN DUFFELL, JOSE FRADEJAS LEBRERO, JOSE MANUEL FRADEJAS RUEDA, JOHN GORNALL, L.P. HARVEY, THOMAS R. HART, LOUISE M. HAYWOOD, DAVID HOOK, VICTOR INFANTES DE MIGUEL, JEREMY LAWRENCE, HELDER MACEDO, IAN MACPHERSON, IAN MICHAEL, ALBERTO MONTANER FRUTOS, D.G. PATTISON, RALPH PENNY, STEPHEN RECKERT, FRANCISCO RICO, REGULA ROHLAND DE LANGBEHN, NICHOLAS G. ROUND, PETER RUSSELL, DOROTHY S. SEVERIN, COLIN SMITH, BARRY TAYLOR, ARTHUR TERRY, J.E. VAREY, JULIAN WEISS, GEOFFREY WEST, JANE WHETNALL.




The Crown of Aragon


Book Description

The Crown of Aragon. A Singular Mediterranean Empire recovers the history of an empire which was of great importance in the late medieval Mediterranean, but which has since been relegated almost to oblivion by the course of history. The Crown of Aragon was a Mediterranean crossroads: between west and east for the economy, and between north and south for culture and religion, drawing in many different peoples, covering Iberia to Greece. A new vision of the Crown of Aragon as a framework of overlapping identities facilitates its historiographical recovery, showcased in the chapters of this volume which analyse the economy, institutions, social evolution, political strategy and cultural expression in literature and art of the Crown of Aragon. Contributors are David Abulafia, Lola Badia, Xavier Barral-i-Altet, Pere Benito, Maria Bonet, Jesús Brufal, Alessandra Cioppi, Damien Coulon, Luciano Gallinari, Isabel Grifoll, Adam J. Kosto, Esther Martí-Setañés, Sebastiana Nocco, Antoni Riera, Flocel Sabaté and Antoni Simon.




On Book Design


Book Description

How is a book designed? What do book designers think about as they turn manuscripts into printed books? In this unique and appealing volume, the award-winning book designer Richard Hendel and eight other talented book designers discuss their approaches and working methods. They consider the problems posed by a wide range of projects--selection of a book's size and shape, choice of typeface for text and display, arrangement of type on the page, and determination of typographic details for all parts of the book within manufacturing and budget limitations. As omnipresent as books are, few readers are aware of the "invisible" craft of book designing. The task a book designer faces is different from that faced by other designers. The challenge, says Hendel, isn't to create something different or pretty or clever but to discover how to best serve the author's words. Hendel does not espouse a single philosophy of design or offer a set of instructions; he shows that there are many ways to design a book. In detailed descriptions of the creative process, Hendel and the eight other designers, who represent extensive experience in trade and scholarly publishing in the United States and Great Britain, show how they achieve the most effective visual presentation of words, offering many examples to illustrate their choices. Written not only for seasoned and novice book designers, this book will fascinate others in publishing as well as all readers and authors who are curious to know how books end up looking the way they do.