AUSSTELLUNG KHMER- UND SIAM-PLASTIK, DÜSSELDORF.
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Page : 16 pages
File Size : 31,78 MB
Release : 1955
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Page : 16 pages
File Size : 31,78 MB
Release : 1955
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Page : 0 pages
File Size : 29,48 MB
Release : 1955
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Author : Christoph Bernoulli
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Page : 0 pages
File Size : 24,36 MB
Release : 1955
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Author : Berenson Library
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Page : 700 pages
File Size : 30,60 MB
Release : 1972
Category : Art
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Page : pages
File Size : 16,50 MB
Release : 1955*
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Page : 720 pages
File Size : 18,34 MB
Release : 1972
Category : Art
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Author : Marco Armiero
Publisher : Ohio University Press
Page : 315 pages
File Size : 18,40 MB
Release : 2010-08-31
Category : History
ISBN : 0821419161
Marco Armiero is Senior Researcher at the Italian National Research Council and Marie Curie Fellow at the Institute of Environmental Sciences and Technologies, Universitat Aut(noma de Barcelona. He has published extensively on-Italian environmental history and edited Views from the South: Environmental Stories from the Mediterranean World. --
Author : United Nations
Publisher : UN
Page : 480 pages
File Size : 49,41 MB
Release : 2007-11-02
Category : Political Science
ISBN : 9789219003019
Author : Low Sze Wee
Publisher : National Gallery Singapore
Page : 487 pages
File Size : 25,34 MB
Release : 2017-12-31
Category : Art
ISBN : 9811419620
A constellation of thoughts by 25 established and emerging scholars who plot the indices of modernity and locate new coordinates within the shifting landscape of art. These newly commissioned essays are accompanied by close to 200 full-colour image plates.
Author : Kajri Jain
Publisher : Duke University Press
Page : 267 pages
File Size : 22,43 MB
Release : 2021-01-08
Category : Art
ISBN : 1478012889
In 2018 India's prime minister, Narendra Modi, inaugurated the world's tallest statue: a 597-foot figure of nationalist leader Sardar Patel. Twice the height of the Statue of Liberty, it is but one of many massive statues built following India's economic reforms of the 1990s. In Gods in the Time of Democracy Kajri Jain examines how monumental icons emerged as a religious and political form in contemporary India, mobilizing the concept of emergence toward a radical treatment of art historical objects as dynamic assemblages. Drawing on a decade of fieldwork at giant statue sites in India and its diaspora and interviews with sculptors, patrons, and visitors, Jain masterfully describes how public icons materialize the intersections between new image technologies, neospiritual religious movements, Hindu nationalist politics, globalization, and Dalit-Bahujan verifications of equality and presence. Centering the ex-colony in rethinking key concepts of the image, Jain demonstrates how these new aesthetic forms entail a simultaneously religious and political retooling of the “infrastructures of the sensible.”