Australian Desperadoes (16pt Large Print Edition)


Book Description

The Coves - San Francisco's first organised-crime gang - were Australians: men and women with criminal careers in Australia who had come to the US, mostly illegally, during the gold rush. The Coves had come not to dig for gold but to unleash a crime wave the likes of which America had never seen. Robbery, murder, arson and extortion were the Coves' stock-in-trade, and it was said that the leader of the gang, Jim Stuart, had killed more men than any man in California. The gang's base, in the waterfront district, came to be known as Sydney Town. The area was a no-go zone for police - many of whom were in Stuart's pocket anyway - so, just as Capone would one day rule Chicago, the Coves ruled San Francisco. And more than once, just to make sure there was no doubt that Frisco was their town, they burnt it down. The Coves were hated and feared by the respectable citizens of San Francisco - who derisively called them 'Sydney Ducks' but never to their faces - and, realising that the forces of the law could not, or would not, take them on, decided lynch law was the only solution, and formed a vigilante group. The streets of San Francisco became a battlefield as the Coves and the vigilantes fought for control of the city, with gunfights and lynchings almost daily spectacles as the police stood idly by. Jim Stewart was arrested in Sacramento for killing a sheriff, but escaped to be involved in one the most celebrated cases of mistaken identity in the annals of American crime. When the smoke cleared, the Coves' reign of terror was over. Some were strung up from storefronts in the street, some fell in a deadly gunfight with Jonathan R. Davis, one of the fastest guns in the west, others escaped capture and returned to Australia. The story of the Sydney Coves is little-known, fascinating and well worth telling.




The Battlers (16pt Large Print Edition)


Book Description

The award-winning tale of the motley crowd of travelling 'battlers'. the flowers flared up from the ground unconquerable. the unrepentant gaiety of the weed, the burning blues and crimsons, set the hills glowing. 'It's a plant that's struck it lucky, ' the Stray said thoughtfully. 'It hasn't got no right, but it's there.' the Battlers is the story of Snow, a drifter and wanderer, the waiflike Dancy the Stray, from the slums of Sydney, and the other outcasts who accompany them as they travel the country roads looking for work. Like the weed Patterson's Curse, they 'haven't got no right', but they are there. Based on her own experiences of life on the roads in the 1930s, tennant tells the story of the motley crowd of travellers with compassion and humour. First published in 1941, the Battlers was awarded the Gold Medal of the Australian Literature Society and shared the S. H. Prior Memorial Prize. More than seventy years later, the book's message of survival against the odds is as relevant today as it was then




ALL FALL DOWN.


Book Description







Chronicles of Wasted Time


Book Description

This first volume of the autobiography of an inveterate journalist and communicator ends in 1933 when the author was 30.










Specimens of Type


Book Description




A Narrative of the Expedition to Botany-Bay


Book Description

DigiCat Publishing presents to you this special edition of "A Narrative of the Expedition to Botany-Bay" by Watkin Tench. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.




The Solotype Catalog of 4,147 Display Typefaces


Book Description

The author of many books on typography, Dan X. Solo was also the proprietor of his own typography shop in Oakland, California — an establishment dedicated to unusual typography and special effects. This comprehensive catalog offers graphic designers a dazzling selection of over 4,000 typefaces and optical effects available from Solotype Typographers. Here, in Solo's words, is "a great cast of characters" — the alphabet — abetted by a cornucopia of typographical ideas and an endless resource of letters, words, phrases, slogans, logos, humorous comments, headlines, and graphic symbols. Individual sections of the book display a rich variety of typefaces in categories such as Condensed, Victorian, Art Nouveau, Art Deco, Rustic, Thick-and-tin, Calligraphic, Uncials, Latins, and Blackletter. Samples are imaginatively presented. "Stagecoach," for example, is printed in Fargo typeface, evoking dusty trails, rawhide, and ten-gallon hats, while "Sizzling summer savings" appears appropriately in the flamboyant Firebug typeface. All typefaces are indexed for quick and easy reference. As entertaining as it is practical and useful, this impressive treasury of versatile typefaces and optical effects will be indispensable to busy commercial artists as an inexhaustible source of typographic ideas and a "swipe file" of words, phrases, and letters for use in graphic art projects.