Author : Daniel Stein
Publisher : Studies in Comics and Cartoons
Page : 306 pages
File Size : 44,88 MB
Release : 2021-08
Category : Art
ISBN : 9780814258026
Analyzes the evolution of the superhero genre by looking not only at the genre but also its reception.
Author : Jeffrey J. Kripal
Publisher : University of Chicago Press
Page : 392 pages
File Size : 38,98 MB
Release : 2011-11-15
Category : History
ISBN : 0226453839
"Account of how comic book heroes have helped their creators and fans alike explore and express a wealth of paranormal experiences ignored by mainstream science. Delving deeply into the work of major figures in the field - from Jack Kirby's cosmic superhero sagas and Philip K. Dick's futuristic head-trips to Alan Moore's sex magic and Whitley Strieber's communion with visitors - Kripal shows how creators turned to science fiction to convey the reality of the inexplicable and the paranormal they experienced in their lives. Expanded consciousness found its language in the metaphors of sci-fi - incredible powers, unprecedented mutations, time-loops and vast intergalactic intelligences - and the deeper influences of mythology and religion that these in turn drew from ; the wildly creative work that followed caught the imaginations of millions. Moving deftly from Cold War science and Fredric Wertham's anticomics crusade to gnostic revelation and alien abduction, Kripal spins out a hidden history of American culture, rich with mythical themes and shot through with an awareness that there are other realities far beyond our everyday understanding."--Jacket.
Author : Daniel Stein
Publisher : Walter de Gruyter GmbH & Co KG
Page : 543 pages
File Size : 11,70 MB
Release : 2015-04-24
Category : Literary Criticism
ISBN : 3110427729
This essay collection examines the theory and history of graphic narrative as one of the most interesting and versatile forms of storytelling in contemporary media culture. Its contributions test the applicability of narratological concepts to graphic narrative, examine aspects of graphic narrative beyond the ‘single work’, consider the development of particular narrative strategies within individual genres, and trace the forms and functions of graphic narrative across cultures. Analyzing a wide range of texts, genres, and narrative strategies from both theoretical and historical perspectives, the international group of scholars gathered here offers state-of-the-art research on graphic narrative in the context of an increasingly postclassical and transmedial narratology. This is the revised second edition of From Comic Strips to Graphic Novels, which was originally published in the Narratologia series.
Author : Paul Williams
Publisher : Univ. Press of Mississippi
Page : 256 pages
File Size : 30,70 MB
Release : 2010-11-11
Category : Literary Criticism
ISBN : 160473793X
Contributions by David M. Ball, Ian Gordon, Andrew Loman, Andrea A. Lunsford, James Lyons, Ana Merino, Graham J. Murphy, Chris Murray, Adam Rosenblatt, Julia Round, Joe Sutliff Sanders, Stephen Weiner, and Paul Williams Starting in the mid-1980s, a talented set of comics artists changed the American comic book industry forever by introducing adult sensibilities and aesthetic considerations into popular genres such as superhero comics and the newspaper strip. Frank Miller's Batman: The Dark Knight Returns (1986) and Alan Moore and Dave Gibbons's Watchmen (1987) revolutionized the former genre in particular. During this same period, underground and alternative genres began to garner critical acclaim and media attention beyond comics-specific outlets, as best represented by Art Spiegelman's Maus. Publishers began to collect, bind, and market comics as “graphic novels,” and these appeared in mainstream bookstores and in magazine reviews. The Rise of the American Comics Artist: Creators and Contexts brings together new scholarship surveying the production, distribution, and reception of American comics from this pivotal decade to the present. The collection specifically explores the figure of the comics creator—either as writer, as artist, or as writer and artist—in contemporary US comics, using creators as focal points to evaluate changes to the industry, its aesthetics, and its critical reception. The book also includes essays on landmark creators such as Joe Sacco, Art Spiegelman, and Chris Ware, as well as insightful interviews with Jeff Smith (Bone), Jim Woodring (Frank) and Scott McCloud (Understanding Comics). As comics have reached new audiences, through different material and electronic forms, the public's broad perception of what comics are has changed. The Rise of the American Comics Artist surveys the ways in which the figure of the creator has been at the heart of these evolutions.
Author : Marc Singer
Publisher : University of Texas Press
Page : 311 pages
File Size : 22,59 MB
Release : 2019-01-09
Category : Literary Criticism
ISBN : 1477317120
A CHOICE Outstanding Academic Title, 2019 Comics studies has reached a crossroads. Graphic novels have never received more attention and legitimation from scholars, but new canons and new critical discourses have created tensions within a field built on the populist rhetoric of cultural studies. As a result, comics studies has begun to cleave into distinct camps—based primarily in cultural or literary studies—that attempt to dictate the boundaries of the discipline or else resist disciplinarity itself. The consequence is a growing disconnect in the ways that comics scholars talk to each other—or, more frequently, do not talk to each other or even acknowledge each other’s work. Breaking the Frames: Populism and Prestige in Comics Studies surveys the current state of comics scholarship, interrogating its dominant schools, questioning their mutual estrangement, and challenging their propensity to champion the comics they study. Marc Singer advocates for greater disciplinary diversity and methodological rigor in comics studies, making the case for a field that can embrace more critical and oppositional perspectives. Working through extended readings of some of the most acclaimed comics creators—including Marjane Satrapi, Alan Moore, Kyle Baker, and Chris Ware—Singer demonstrates how comics studies can break out of the celebratory frameworks and restrictive canons that currently define the field to produce new scholarship that expands our understanding of comics and their critics.
Author : Jean-Paul Gabilliet
Publisher : Univ. Press of Mississippi
Page : 571 pages
File Size : 22,34 MB
Release : 2013-03-25
Category : Literary Criticism
ISBN : 1628469994
Originally published in France and long sought in English translation, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form. A thorough introduction by translators and comics scholars Bart Beaty and Nick Nguyen brings the book up to date with explorations of the latest innovations, particularly the graphic novel. The book is organized into three sections: a concise history of the evolution of the comic book form in America; an overview of the distribution and consumption of American comic books, detailing specific controversies such as the creation of the Comics Code in the mid-1950s; and the problematic legitimization of the form that has occurred recently within the academy and in popular discourse. Viewing comic books from a variety of theoretical lenses, Gabilliet shows how seemingly disparate issues—creation, production, and reception—are in fact connected in ways that are not necessarily true of other art forms. Analyzing examples from a variety of genres, this book provides a thorough landmark overview of American comic books that sheds new light on this versatile art form.
Author : Anne Rubenstein
Publisher : Duke University Press
Page : 228 pages
File Size : 11,15 MB
Release : 1998
Category : Comics & Graphic Novels
ISBN : 9780822321415
A history of Mexican comic books, their readers, their producers, their critics, and their complex relations with the government and the Church that discusses cultural nationalism, popular taste, and social change.
Author : Mark Fertig
Publisher : Fantagraphics Books
Page : 250 pages
File Size : 39,38 MB
Release : 2017-03-22
Category : Comics & Graphic Novels
ISBN : 1606999877
Between 1941 and 1945, Hitler was pummeled on comic book covers by everyone from Captain America to Wonder Woman. Take That, Adolf! is an oversized compilation of more than 500 stunningly restored comics covers published during World War II, featuring America’s greatest super-villain. From Superman and Daredevil to propaganda and racism, Take That, Adolf! is a fascinating look at how legendary creators such as Joe Simon, Jack Kirby, Alex Schomburg, Will Eisner, and Lou Fine entertained millions of kids on the home front and buoyed the spirits of GIs fighting overseas by using Adolf Hitler as a punching bag.
Author : Shane Denson
Publisher : A&C Black
Page : 313 pages
File Size : 50,7 MB
Release : 2013-05-23
Category : Literary Criticism
ISBN : 1441185755
Written by leading international scholars, this book surveys transnational dimensions of graphic narratives, covering popular comics and graphic novels from the USA, Asia and Europe.
Author : Marta Acosta
Publisher : Disney Electronic Content
Page : 176 pages
File Size : 16,26 MB
Release : 2013-06-18
Category : Fiction
ISBN : 140130494X
JANUARY 1 CURRENT STATUS: No job, no boyfriend, no permanent place to live, no car, and most of my clothes are held together with staples and duct tape. Bank account almost wiped out. Many of my former associates have expressed a desire that I never darken their doorways again for legal and financial reasons. She-Hulk got us got us kicked out of the Avengers Mansion. People keep posting videos online of her New Year's Eve shenanigans: twirling flaming telephone poles in Times Square, climbing the Empire State Building while dangling Anderson Cooper, dancing wildly at parties, and commandeering a motorcycle cop's ride to do wheelies across the Brooklyn Bridge. Saying there are two sides to Jennifer Walters's personality is an understatement. When she hasn't morphed into a 650-pound, crime-fighting, hard-partying superhero, she's a single lawyer trying to get her act together. Hilarious and action-packed, The She-Hulk Diaries tells her story, as she juggles looking for Mr. Right and climbing the corporate ladder by day with battling villains and saving the world by night. Maybe she'll finally take on a case that will define her career. Maybe she won't meet one Mr. Right, but two, and she'll have to choose. Maybe bad guys will stop trying to destroy the planet so she can read her Perez Hilton in peace.
