Authors of Wales Today


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In the Shadow of the Pulpit


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Ranging from the nineteenth-century to the present, this book explores several central aspects of the ways in which the English-language poetry and fiction of Wales has responded to what was, for a crucial period of a century or so, the dominant culture of Wales: the culture of Welsh Nonconformity. In the introduction, the author reflects on why no sustained attempt has hitherto been made to investigate one of the formative cultural influences on modern 'Anglo-Welsh' literature, the Nonconformist inheritance. The importance of addressing this strange and significant cultural deficit is then explained, and a preliminary attempt made to capture something of the spirit of Welsh Nonconformity. The succeeding chapters address and seek to answer such questions as: What exactly did the Welsh chapels believe and do? Why have the English-language writers of Wales, from Caradoc Evans and Dylan Thomas to R.S. Thomas and the authors of today, been so fascinated by them? How accurate are the impressions we've been given of chapel life and chapel people in the English-language poetry and fiction of Wales? The answers offered may alter our views both of the Welsh Nonconformist past and of Welsh writing in English. One of the ideas advanced is that many of Wales' most important writers went to war with the preachers in their texts, and that their work is therefore the site of cultural struggle. Theirs was a war in words waged to determine who would have the last word on modern Welsh experience.




Welsh (Plural)


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Some of the most exciting writers in and from Wales consider the future of Wales and the UK and their place in it. What does it mean to imagine Wales and ‘The Welsh’ as something both distinct and inclusive? In Welsh (Plural), some of the foremost Welsh writers consider the future of Wales and their place in it. For many people, Wales brings to mind the same old collection of images – if it’s not rugby, sheep and leeks, it’s the 3 Cs: castles, coal, and choirs. Heritage, mining and the church are indeed integral parts of Welsh culture. But what of the other stories that point us toward a Welsh future? In this anthology of essays, authors offer imaginative, radical perspectives on the future of Wales as they take us beyond the clichés and binaries that so often shape thinking about Wales and Welshness. Includes essays from Charlotte Williams (A Tolerant Nation?), Joe Dunthorne (Submarine, The Adulterants), Niall Griffiths (Sheepshagger, Broken Ghost), Rabab Ghazoul (Gentle / Radical Turner Prize Nominee), Mike Parker (On the Red Hill), Martin Johnes (Wales Since 1939, Wales: England’s Colony?), Kandace Siobhan Walker (2019 Guardian 4th Estate Prize Winner), Gary Raymond (Golden Orphans, Wales Arts Review, BBC Wales), Darren Chetty (The Good Immigrant), Andy Welch (The Guardian), Marvin Thompson (Winner 2021 UK Poetry Prize), Durre Shahwar (Where I’m Coming From), Hanan Issa (My Body Can House Two Hearts), Dan Evans (Desolation Radio), Shaheen Sutton, Morgan Owen, Iestyn Tyne, Grug Muse and Cerys Hafana.




Why Wales Never Was


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Written as an act of protest in a Welsh-speaking community in north-west Wales, Why Wales Never Was combines a devastating analysis of the historical failure of Welsh nationalism with an apocalyptic vision of a non-Welsh future. It is the ‘progressive’ nature of Welsh politics and the ‘empire of the civic’, which rejects both language and culture, that prevents the colonised from rising up against his colonial master. Wales will always be a subjugated nation until modes of thought, dominant since the nineteenth century, are overturned. Originally a comment on Welsh acquiescence to Britishness at the time of the 2014 Scottish independence referendum, the book’s emphasis on the importance of European culture is a parable for Brexit times. Both deeply rooted in Welsh culture and European in scope, Why Wales Never Was brings together history, philosophy and politics in a way never tried before in Wales. First published in Welsh in 2015, Why Wales Never Was affirms the author’s reputation as one of the most radical writers in Wales today.




Writers Directory


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The Welsh Language


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The existence of the Welsh-language can come as a surprise to those who assume that English is the foundation language of Britain. However, J. R. R. Tolkien described Welsh as the 'senior language of the men of Britain'. Visitors from outside Wales may be intrigued by the existence of Welsh and will want to find out how a language which has, for at least fifteen hundred years, been the closest neighbour of English, enjoys such vibrancy, bearing in mind that English has obliterated languages thousands of miles from the coasts of England. This book offers a broad historical survey of Welsh-language culture from sixth-century heroic poetry to television and pop culture in the early twenty-first century. The public status of the language is considered and the role of Welsh is compared with the roles of other of the non-state languages of Europe. This new edition of The Welsh Language offers a full assessment of the implications of the linguistic statistics produced by the 2011 Census. The volume contains maps and plans showing the demographic and geographic spread of Welsh over the ages, charts examining the links between words in Welsh and those in other Indo-European languages, and illustrations of key publications and figures in the history of the language. It concludes with brief guides to the pronunciation, the dialects and the grammar of Welsh.




The Welsh Girl


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A WWII-era Welsh barmaid begins a secret relationship with a German POW in this “beautiful” novel by the author of A Lie Someone Told You About Yourself (Ann Patchett). Longlisted for the Man Booker Prize Set in the stunning landscape of North Wales just after D-Day, this critically acclaimed debut novel traces the intersection of disparate lives in wartime. When a prisoner-of-war camp is established near her village, seventeen-year-old barmaid Esther Evans finds herself strangely drawn to the camp and its forlorn captives. She is exploring the camp boundary when an astonishing thing occurs: A young German corporal calls out to her from behind the fence. From that moment on, the two begin an unlikely—and perilous—romance. Meanwhile, a German-Jewish interrogator travels to Wales to investigate Britain’s most notorious Nazi prisoner, Rudolf Hess. In this richly drawn and thought-provoking “tour de force,” all will come to question the meaning of love, family, loyalty, and national identity (The New Yorker). “If you loved The English Patient, there’s probably a place in your heart for The Welsh Girl.” —USA Today “Davies’s characters are marvelously nuanced.” —Los Angeles Times “Beautifully conjures a place and its people, in an extraordinary time . . . A rare gem.” —Claire Messud, author of The Woman Upstairs “This first novel by Davies, author of two highly praised short story collections, has been anticipated—and, with its wonderfully drawn characters, it has been worth the wait.” —Booklist, starred review




The Surnames of Wales


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Anglesey Blue


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This is the first book in the thrilling new DI Tudor Manx series.




Common People


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Working-class stories are not always tales of the underprivileged and dispossessed. Common People is a collection of essays, poems and memoir written in celebration, not apology: these are narratives rich in barbed humour, reflecting the depth and texture of working-class life, the joy and sorrow, the solidarity and the differences, the everyday wisdom and poetry of the woman at the bus stop, the waiter, the hairdresser. Here, Kit de Waal brings together thirty-three established and emerging writers who invite you to experience the world through their eyes, their voices loud and clear as they reclaim and redefine what it means to be working class. Features original pieces from Damian Barr, Malorie Blackman, Lisa Blower, Jill Dawson, Louise Doughty, Stuart Maconie, Chris McCrudden, Lisa McInerney, Paul McVeigh, Daljit Nagra, Dave O’Brien, Cathy Rentzenbrink, Anita Sethi, Tony Walsh, Alex Wheatle and more.