Sol LeWitt


Book Description

"Books are the best medium for many artists working today," Sol LeWitt (1928-2007) once declared. A pioneer of artist's books, and co-founder of New York's Printed Matter bookstore in 1976, LeWitt is closely identified with the book as an art form. Starting with 1967's Serial Project No. 1 (from Aspen magazine), and closing with Chicago (Morning Star Publications, 2002), this book reproduces covers and spreads from Sol LeWitt's massive oeuvre of artist's books, almost all of which are now rarities. As artist's book historian Clive Phillpot notes, "the principle attribute of LeWitt's books is one common to all books: a dependence upon sequence, whether of families of marks or objects, or of single or permuted series which have clear beginnings and endings." Critical observations from LeWitt himself and a variety of scholars make this volume the most sustained treatment of LeWitt's prolific activity in this area to date.




Sol LeWitt


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"This catalogue is published in conjunction with the exhibition Sol LeWitt: the well-tempered grid, Williams College Museum of Art, Williamstown, Massachusetts, September 15-December 9, 2012."




Sol LeWitt


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Om den amerikanske kunstner Sol LeWitt, født 1928







Sol Lewitt


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This catalogue gathers images of the works installed at the Foundation Carriero (Milan) and a previously unpublished biography on LeWitt, illustrated with personal and archive images, many of which have never been seen before and compiled for the publication by Sofia LeWitt, the artist's daughter.One decade after the death of Sol LeWitt the exhibition, Between the Lines aims to offer a new perspective on the American artist's practice, exploring its confines -- though always adhering to the underlying norms and principles of his ideas -- and singling-out the most interesting moments of the method of investigation and the processes that may arise.Curated by Francesco Stocchi and renowned architect Rem Koolhaas (his first time as curator) in close partnership with the Estate of Sol LeWitt, the exhibition is based on a powerful and innovative key to interpretation, aimed above all at reformulating the idea that a work must adapt to the architecture, thereby challenging the very notion of site-specificity.Between the Lines aims to move beyond the division that traditionally separates architecture and art history and which characterizes the artist's entire body of work, aimed more at the process than at the final result, free from any aesthetic or idealist opinion.Published on the occasion of the exhibition, Sol LeWitt: Between the lines at Fondazione Carriero, Milan (17 November 2017 - 24 June 2018).English and Italian text.




Autobiography Sol LeWitt 1980


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Sunrise & Sunset at Praiano


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LeWitt photographed sunrises and sunsets over the sea in Praiano, Italy, and arranged the images in grids, four per page, on thirty pages.




Sol Lewitt Books, 1966-1990


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Incomplete Open Cubes


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Tiré du site Artgallery : "The "Incomplete open cubes" are a sequence of open-sided cube structures, each missing between one and nine of their sides. At once repetitive and varied, this series lays out 122 possible variations on the concept. The 'Incomplete open cubes' exemplify LeWitt's conceptual practice and have been widely interpreted as embodying systematic rationality; they are based on an arithmetic concept which they then take to its logical extreme. While they are internally consistent, they also manifest an irrational, obsessive quality reflected in LeWitt's own comment that "irrational thoughts should be followed absolutely and logically". Here he presents a binary between the rational and the irrational."




Sol LeWitt


Book Description

An intimate portrait of a renowned conceptual artist Sol LeWitt (1928-2007), one of the most influential artists of the twentieth century, upended traditional practices of how art is made and marketed. A key figure in minimalism and conceptualism, he proclaimed that the work of the mind is much more important than that of the hand. For his site-specific work—wall drawings and sculpture in dozens of countries—he created the idea and basic plan and then hired young artists to install the pieces. Though typically enormous and intricate, the physical works held no value. The worth was in the pieces of paper that certified and described them. LeWitt championed and financially supported colleagues, including women artists brushed aside by the bullies of a male-dominated profession. Yet the man himself has remained an enigma, as he refused to participate in the culture of celebrity. Lary Bloom's book draws on personal recollections of LeWitt, whom he knew in the last years of the artist's life, as well as LeWitt's letters and papers and over one hundred original interviews with his friends and colleagues, including Chuck Close, Ingrid Sischy, Philip Glass, Adrian Piper, Jan Dibbets, and Carl Andre. This absorbing chronicle brings new information to our understanding of this important artist, linking the extraordinary arc of his life to his iconic work. Includes 28 illustrations.