Notes and Queries


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Catalogue of Autographs, Etc


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Corcoran Gallery of Art


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This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.




Correspondence Primarily on Pamela and Clarissa (1732–1749)


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Samuel Richardson was one of the great letter-writers in English. His three great novels, Pamela, Clarissa, and Sir Charles Grandison were written in epistolary form, and Richardson himself was known in his time for the way he used his letters for both professional and personal purposes. As a printer, Richardson corresponded with authors, readers, and other printers and publishers. As a friend, he supported his correspondents when they were personally struggling. As a novelist, he engaged readers both before and after the publication of his works, soliciting their opinion and defending his own methods. Correspondence Primarily on Pamela and Clarissa (1732–1749) gives us Richardson the printer, the friend, and the novelist in the crucial early years of his unexpected success and fame as a literary writer, providing insight into how and why he created innovative works that changed the course of literary history.




Correspondence with George Cheyne and Thomas Edwards


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Samuel Richardson (1689–1761), among the most important and influential English novelists, was also a prolific letter writer. Beyond its extraordinary range, his correspondence holds special interest as that of a practising epistolary novelist, who thought long and hard about the letter as a form. The Cambridge Edition of the Correspondence of Samuel Richardson is the first complete edition of his letters. The present volume contains his correspondences with Dr George Cheyne and Thomas Edwards, linked not only by their pronounced medical content but also by their generally unguarded character. An early admirer of Richardson's Pamela (1740–41), Cheyne elicits some of the novelist's most significant statements concerning his own literary practice and tastes. Edwards, an astute literary critic as well as notable sonneteer, draws Richardson into expressing some remarkable insights as a close reader of poetry and prose.




Autograph Lists


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Catalogue


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Literary Collector


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