Awful Disclosures


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Awful Disclosures of Maria Monk- In a Narrative of Her Sufferings.


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Awful Disclosures of Maria Monk- In a Narrative of her sufferings, during a residence of five years as a novice, and two years as a black nun, in the Hotel Dieu Nunnery at Montreal. Includes additional infomation and confirmation.. To which is added, the Nun or six months' residence in a convent- by Rebecca Theresa Reed. PREFACE. It is hoped that the reader of the ensuing narrative will not suppose that it is a fiction, or that the scenes and persons that I have delineated, had not a real existence. It is also desired, that the author of this volume may be regarded not as a voluntary participator in the very guilty transactions which are described but receive sympathy for the trials which she has endured, and the peculiar situation in which her past experience, and escape from the power of the Superior of the Hotel Dieu Nunnery, at Montreal, and the snares of ,the Roman Priests in Canada, have left her. My feelings are frequently distressed and agitated by the recollection of what I have passed through, and by night and day I have little peace of mind, and few periods of calm and pleasing rccollection. Futurity also appears uncertain. I know not what reception this little work may meet with, and what will be the effect of its publication here or in Canada, among strangers, friends, or enemies. I have given the world the truth, so far as I have gone, on subjects of which I am told they are generally ignorant and I feel perfect confidence, that any facts which may yet be discovered, will confirm my words whenever they can be obtained.







Listening to Early Modern Catholicism


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How did Catholicism sound in the early modern period? What kinds of sonic cultures developed within the diverse and dynamic matrix of early modern Catholicism? And what do we learn about early modern Catholicism by attending to its sonic manifestations? Editors Daniele V. Filippi and Michael Noone have brought together a variety of studies — ranging from processional culture in Bavaria to Roman confraternities, and catechetical praxis in popular missions — that share an emphasis on the many and varied modalities and meanings of sonic experience in early modern Catholic life. Audio samples illustrating selected chapters are available at the following address: https://doi.org/10.6084/m9.figshare.5311099. Contributors are: Egberto Bermúdez, Jane A. Bernstein, Xavier Bisaro, Andrew Cichy, Daniele V. Filippi, Alexander J. Fisher, Marco Gozzi, Robert L. Kendrick, Tess Knighton, Ignazio Macchiarella, Margaret Murata, John W. O’Malley, S.J., Noel O’Regan, Anne Piéjus, and Colleen Reardon.




The Forbidden Body


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"Throughout history, the religious imagination has attempted to control nothing so much as our bodies: what they are and what they mean; what we do with them, with whom, and under what circumstances; how they may be displayed-or, more commonly, how they must be hidden. Religious belief and mandate affect how our bodies are used in ritual practice, as well as how we use them to identify and marginalize threatening religious Others. This book examines how horror culture treats religious bodies that have stepped (or been pushed) out of their 'proper' place. Unlike most books on religion and horror, This book explores the dark spaces where sex, sexual representation, and the sexual body come together with religious belief and scary stories. Because these intersections of sex, horror, and the religious imagination force us to question the nature of consensus reality, supernatural horror, especially as it concerns the body, often shows us the religious imagination at work in real time. It is important to note that the discussion in this book is not limited either to horror cinema or to popular fiction, but considers a wide range of material, including literary horror, weird fiction, graphic storytelling, visual arts, participative culture, and aspects of real-world religious fear. It is less concerned with horror as a genre (which is mainly a function of marketing) and more with the horror mode, a way of storytelling that finds expression across a number of genres, a variety of media, and even blurs the boundary between fiction and non-fiction. This expanded focus not only deepens the pool of potential examples, but invites a much broader readership in for a swim"--




Not Fit for Our Society


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In a book of deep and telling ironies, Peter Schrag provides essential background for understanding the fractious debate over immigration. Covering the earliest days of the Republic to current events, Schrag sets the modern immigration controversy within the context of three centuries of debate over the same questions about who exactly is fit for citizenship. He finds that nativism has long colored our national history, and that the fear—and loathing—of newcomers has provided one of the faultlines of American cultural and political life. Schrag describes the eerie similarities between the race-based arguments for restricting Irish, German, Slav, Italian, Jewish, and Chinese immigrants in the past and the arguments for restricting Latinos and others today. He links the terrible history of eugenic "science" to ideas, individuals, and groups now at the forefront of the fight against rational immigration policies. Not Fit for Our Society makes a powerful case for understanding the complex, often paradoxical history of immigration restriction as we work through the issues that inform, and often distort, the debate over who can become a citizen, who decides, and on what basis.




Culture and Redemption


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Many Americans wish to believe that the United States, founded in religious tolerance, has gradually and naturally established a secular public sphere that is equally tolerant of all religions--or none. Culture and Redemption suggests otherwise. Tracy Fessenden contends that the uneven separation of church and state in America, far from safeguarding an arena for democratic flourishing, has functioned instead to promote particular forms of religious possibility while containing, suppressing, or excluding others. At a moment when questions about the appropriate role of religion in public life have become trenchant as never before, Culture and Redemption radically challenges conventional depictions--celebratory or damning--of America's "secular" public sphere. Examining American legal cases, children's books, sermons, and polemics together with popular and classic works of literature from the seventeenth to the twentieth centuries, Culture and Redemption shows how the vaunted secularization of American culture proceeds not as an inevitable by-product of modernity, but instead through concerted attempts to render dominant forms of Protestant identity continuous with democratic, civil identity. Fessenden shows this process to be thoroughly implicated, moreover, in practices of often-violent exclusion that go to the making of national culture: Indian removals, forced acculturations of religious and other minorities, internal and external colonizations, and exacting constructions of sex and gender. Her new readings of Emerson, Whitman, Melville, Stowe, Twain, Gilman, Fitzgerald, and others who address themselves to these dynamics in intricate and often unexpected ways advance a major reinterpretation of American writing.




Culture and Redemption


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