BBC Handbook


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BBC Handbook


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BBC Annual Report and Handbook


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Life On Air


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Radio Four has been described as 'the greatest broadcasting channel in the world', the 'heartbeat of the BBC', a cultural icon of Britishness, and the voice of Middle England. Defined by its rich mix, encompassing everything from journalism and drama to comedy, quizzes, and short-stories. Many of its programmes - such as Today ,The Archers, Woman's Hour, The Hitchhiker's Guide To the Galaxy, Gardeners' Question Time, and The Shipping Forecast - have been part of British life for decades. Others, less successful, have caused offence and prompted derision. Born as it was in the Swinging Sixties, Radio Four's central challenge has been to change with the times, while trying not to lose faith with those who see it as a standard-bearer for quality, authoritativeness, or simply 'old-fashioned' BBC values. In this first major behind-the-scenes account of the station's history, David Hendy - a former producer for Radio Four - draws on privileged access to the BBC's own archives and new interviews with key personnel to illuminate the arguments and controversies behind the creation of some of its most popular programmes. He reveals the station's struggle to justify itself in a television age, favouring clear branding and tightly-targeted audiences, with bitter disputes between the BBC and its fiercely loyal listeners. The story of these struggles is about more than the survival of one radio network: Radio Four has been a lightning rod for all sorts of wider social anxieties over the past forty years. A kaleidoscopic view of the changing nature of the BBC, the book provides a gripping insight into the very nature of British life and culture in the last decades of the twentieth century.




The BBC


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Sunday


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'Religion is very much part of life as it's lived now for lots and lots of people and, around the world, most people... Religion is not boring; I think that's what Sunday keeps reminding us.' David Winter, Producer of BBC Radio 4 Sunday Listeners all over the UK are likely familiar with Edward Stourton for his role on BBC Radio 4's iconic programme: the country's main religious and ethical news programme 'Sunday'. Now, avid Radio 4 listeners and curious newcomers alike have the chance to delve deeper into these broadcasts, as Stourton chronicles over fifty years of current affairs in his latest book, Sunday, in collaboration with BBC Producer Amanda Hancox. In Sunday, Stourton transmits half a century of Radio 4's iconic programme to paper. Featuring interviews with well-known figures such as Desmond Tutu, Rabbi Jonathan Sacks and Enoch Powell, the book traces the evolution of debate on a variety of key issues including sexuality, bioethics, nuclear weapons and many more. From the Church's answer to the cost-of-living crisis to the debate around female bishops, the abuse within the Catholic Church to the new wave of anti-Semitism - Sunday's interviewers cross-examine speakers with rigour and acuity. With expert insight, Edward Stourton provides critical reflection on how religion has impacted some of the world's most epoch-making moments. Covering a wide breadth of stories at the intersection of ethics, politics, and religion, Sunday features hundreds of stimulating discussions. It is a testament to how religion remains a powerful force in the lives of most people on our planet, whether people of faith or non-believers.




An Introductory History of British Broadcasting


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An Introductory History of British Broadcasting is a concise and accessible history of British radio and television. It begins with the birth of radio at the beginning of the twentieth century and discusses key moments in media history, from the first wireless broadcast in 1920 through to recent developments in digital broadcasting and the internet. Distinguishing broadcasting from other kinds of mass media, and evaluating the way in which audiences have experienced the medium, Andrew Crisell considers the nature and evolution of broadcasting, the growth of broadcasting institutions and the relation of broadcasting to a wider political and social context. This fully updated and expanded second edition includes: *the latest developments in digital broadcasting and the internet *broadcasting in a multimedia era and its prospects for the future *the concept of public service broadcasting and its changing role in an era of interactivity, multiple channels and pay per view *an evaluation of recent political pressures on the BBC and ITV duopoly *a timeline of key broadcasting events and annotated advice on further reading.




The BBC German Service during the Second World War


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This book, part media history and part group biography, tells the story of the BBC’s attempts to reach out to listeners in Nazi Germany at a time when Anglo-German relations were particularly strained. Who were the individuals behind the microphone, whose names could only be mentioned in whispered conversations on the continent? Who wrote the satirical sketches that offered comic relief to housewives struggling to obtain enough food to feed their families? And who made decisions about programme delivery and staffing? Drawing extensively on previously unexamined archival material, The BBC German Service during the Second World War: Broadcasting to the Enemy sheds light on the complex, often difficult working arrangements at the wartime BBC where people from different nationalities and socio-political backgrounds collaborated and argued about the delivery of an effective propaganda programme that would assist the Allies in defeating the Nazis.




Classical Music Radio in the United Kingdom, 1945–1995


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This book is the first comprehensive account of classical music on all British radio stations, BBC and commercial, between 1945 and 1995. It narrates the shifting development of those services, from before the launch of the Third Programme until after the start of Classic FM, examining the output from both qualitative and quantitative perspectives, as well as recounting some of the stories and anecdotes which enliven the tale. During these fifty years, British classical music radio featured spells of broad, multi-channel classical music radio, with aspirational and mainstream culture enjoying positive interactions, followed by periods of more restricted and exclusive output, in a paradigm of the place of high culture in UK society as a whole. The history was characterised by the recurring tensions between elite and popular provision, and the interplay of demands for highbrow and middlebrow output, and also sheds new light on the continuing relevance of class in Britain. It is an important and unique resource for those studying British history in the second half of the twentieth century, as well as being a compelling and diverting account for enthusiasts for classical music radio.