Interpreting Deposits


Book Description

Caeculus IV opens with a dedication to professor Marianne Kleibrink on the occasion of her 60th birthday, followed by a complete list of her publications. The Proceedings of the 4th Fransum Colloquium start with an article of Christopher Smith, entitled "Ritualising the Economy". He presents a theoretical base for a correlation between ritual and economy. Smith outlines some recent theories which incorporate economic activity into ritual context, actions into thought or, as one could say, matter into mind. Furthermore, he tries to relate this theoretical framework to the archaeological evidence from Latium Vetus, the region on which his own research focuses. The results from the recent Dutch excavations in Italy at Satricum seem to correspond fairly well with the discussed theories. His paper offers, therefor, a suitable foundation for the following contributions, most of which concentrate on central Italy. The second contribution by Tsjeard Hoekstra deals with the biography of bronze hoards from Italy. Albert Nijboer continues the debate with a discussion of the significant changes in hoarding in central Italy from 800 to 500 BC. The fourth paper by Demetrius Waarsenburg and Hendrieneke Maas deals with the bronzes deposited in the early sanctuary at Satricum in Lazio. Jelle Bouma discusses the same shrine as the previous authors but during the subsequent period, the 5th and 4t centuries BC. He presents a report of his excavation of the second votive deposit at the main shrine of Satricum. Peter Attema presents in his paper evidence of a recent survey in the area around Sezze, ancient Setia. The paper by Marjan Galestin discusses Roman coin hoards in the Netherlands. The last paper, not related to the central topic of this issue, is by Patricia Roncoroni who studies children's graves in Latium during the early Iron Age.










Textiles and Cult in the Ancient Mediterranean


Book Description

Twenty-four experts from the fields of Ancient History, Semitic philology, Assyriology, Classical Archaeology, and Classical Philology come together in this volume to explore the role of textiles in ancient religion in Greece, Italy, The Levant and the Near East. Recent scholarship has illustrated how textiles played a large and very important role in the ancient Mediterranean sanctuaries. In Greece, the so-called temple inventories testify to the use of textiles as votive offerings, in particular to female divinities. Furthermore, in several cults, textiles were used to dress the images of different deities. Textiles played an important role in the dress of priests and priestesses, who often wore specific garments designated by particular colours. Clothing regulations in order to enter or participate in certain rituals from several Greek sanctuaries also testify to the importance of dress of ordinary visitors. Textiles were used for the furnishings of the temples, for example in the form of curtains, draperies, wall-hangings, sun-shields, and carpets. This illustrates how the sanctuaries were potential major consumers of textiles; nevertheless, this particular topic has so far not received much attention in modern scholarship. Furthermore, our knowledge of where the textiles consumed in the sanctuaries came from, where they were produced, and by who is extremely limited. Textiles and Cult in the Ancient Mediterranean examines the topics of textile production in sanctuaries, the use of textiles as votive offerings and ritual dress using epigraphy, literary sources, iconography and the archaeological material itself.




The Hero Cults of Sparta


Book Description

This book examines the hero-cults of Sparta on the basis of the archaeological and literary sources. Nicolette Pavlides explores the local idiosyncrasies of a pan-Hellenic phenomenon, which itself can help us understand the place and function of heroes in Greek religion. Although it has long been noted that hero-cult was especially popular in Sparta, there is little known about the cults, both in terms of material evidence and the historical context for their popularity. The evidence from the cult of Helen and Menelaos at the Menelaion, the worship of Agamemnon and Alexandra/Kassandra, the Dioskouroi, and others who remain anonymous to us, is viewed as a local phenomenon reflective of the developing communal and social consciousness of the polis. What is more, through an analysis of the typology of cults, it is concluded that in Sparta, the boundaries of the divine/heroic/mortal were fluid, which allowed a great variation in the expression of cults. The votive patterns, topography, and architectural evidence permit an analysis of the kinds of offerings to hero-cults and an evaluation of the architecture that housed such cults. Due to the material and spatial distribution of the votive deposits, it is argued that Sparta had a large number of hero shrines scattered throughout the polis, which attests to an enthusiastic and long-lasting local votive practice at a popular level.




Heroic Offerings


Book Description

Heroic Offerings sheds light on the study of religion in Sparta, one of Greece’s most powerful city-states and the long-term rival of Athens. Sparta’s history is well known, but its archaeology has been much less satisfactorily explored. Through the comprehensive study of a distinctive class of terracotta votive offerings from a specific sanctuary, Gina Salapata explores both coroplastic art and regional religion. By integrating archaeological, historical, literary, and epigraphic sources, she provides important insights into the heroic cults of Lakonia and contributes to an understanding of the political and social functions of local ritual practice. This volume focuses on a large group of decorated terracotta plaques, from the sixth to fourth centuries BCE. These molded plaques were discovered with other offerings in a sanctuary deposit excavated near Sparta more than fifty years ago, but they have remained unpublished until now. They number over 1,500 complete and fragmentary pieces. In technique, style, and iconography they form a homogeneous group unlike any other from mainland Greece. The large number of plaques and variety of types reveal a stable and vigorous coroplastic tradition in Lakonia during the late Archaic and Classical period. Heroic Offerings will be of interest to students and scholars of Greek history, art, and archaeology, to those interested in ancient religious practice in the Mediterranean, and to all inspired by Athens’ chief political rival, Sparta. This volume received financial support from the Archaeological Institute of America.







Landscapes Through the Lens


Book Description

This volume presents the rich, but under-utilised and in parts inaccessible, archival historic aerial imagery, traditional photographs and those captured from satellites, for the exploration and management of cultural heritage. An unparalleled resource, for archaeologists and all with an interest in landscapes, images spanning the second half of the 20th century provide an unrivalled means of documenting and understanding change and informing the study of the past. Case studies, written by leading experts in their fields, illustrate the applications of this imagery across a wide range of heritage issues, from prehistoric cultivation and settlement patterns, to the impact of recent landscape change. Contemporary environmental and land use issues are also dealt with, in a volume that will be of interest to archaeologists, historians, geographers and those in related disciplines.




Mouldmade Bowls of the Black Sea Region and Beyond


Book Description

This book opens up a new window into the Hellenistic world through a close study of mouldmade bowls, their places of production (both in the Black Sea and the Mediterranean), iconographies and distribution. The author’s unique access to material in the Black Sea Region provides the backbone to a rare comparative approach to an important type of vessel that traditionally has been studied in local isolation.




Nero


Book Description

The Roman emperor Nero is remembered by history as the vain and immoral monster who fiddled while Rome burned. Edward Champlin reinterprets Nero's enormities on their own terms, as the self-conscious performances of an imperial actor with a formidable grasp of Roman history and mythology and a canny sense of his audience. Nero murdered his younger brother and rival to the throne, probably at his mother's prompting. He then murdered his mother, with whom he may have slept. He killed his pregnant wife in a fit of rage, then castrated and married a young freedman because he resembled her. He mounted the public stage to act a hero driven mad or a woman giving birth, and raced a ten-horse chariot in the Olympic games. He probably instigated the burning of Rome, for which he then ordered the spectacular punishment of Christians, many of whom were burned as human torches to light up his gardens at night. Without seeking to rehabilitate the historical monster, Champlin renders Nero more vividly intelligible by illuminating the motives behind his theatrical gestures, and revealing the artist who thought of himself as a heroic figure. Nero is a brilliant reconception of a historical account that extends back to Tacitus, Suetonius, and Cassius Dio. The effortless style and artful construction of the book will engage any reader drawn to its intrinsically fascinating subject.