Baby Boomer Blues


Book Description

1970's college graduate Zinnia Frisch takes off on a free-spirited adventure through Europe and lands at the magical Spanish island of Ibiza. There, she discovers the exotic sexy cast of international characters who have made this place their home. With $500 and a backpack of belongings, she moves in with the in-crowd. So begins Zinnia's eventful journey as she cuts loose for unknown, forbidden places across four continents - and meets her own Prince Charming, Berend van Bos of the Netherlands. Berend, a millionaire entrepreneur, brings Zinnia into his jet-set life and into the midst of a huge hashish deal replete with Moroccan farmers, clandestine investors, dangerous cover-ups, and Interpol. Zinnia is a baby boomer who chose an alternative lifestyle, one that takes us on an almost unbelievable series of misadventures and surprises that couldn't happen in today's world. It's candid and refreshing, a splendid sun-drenched read with just the right touch of noir underpinning! You will find yourself in Zinnia and her adventures in those carefree early baby boomer days. Review by: Todd Mercer for ForeWord Magazine FOUR STARS 'Where have you been darling? ''Well Ma' I replied, 'I've been in prison in Morocco' She looked at me. 'You must be hungry' "Zinnia Frisch, an expatriate American, and her secretive Dutch husband Beri are preparing a huge transatlantic shipment of hashish from their beach resort in Tangier. They anxiously scan the waves for the running lights of a craft aptly named Wanderlust, half-expecting police to jump from the shadows. Such elongated moments of combined dread and anticipation make exciting lives and dramatic, self-searching fiction. The story backs up five years to 1970 to show how far the daughter of a cryptographer has come from her New York roots. Though she protests against the Vietnam War in college, and speaks vaguely against consumerism, specific ideologies aren't a lasting priority.




Baby Boomer Blues


Book Description

Here's a comprehensive look at all the aspects of a baby boomer's life, including values, religion, careers, marriage, family, and spiritual life.




Baby Boomer Rock 'n' Roll Fans


Book Description

Based on 18 years of sociological research and 52 years of rock 'n' roll fandom, Baby Boomer Rock 'n' Roll Fans: The Music Never Ends draws on data collected from participant observations and interviews with artists, fans, and producers to explore our aging rock culture throug...




Baby Boomers of Color


Book Description

Because researchers often treat baby boomers of color as belonging to one group, quality data on the individual status of specific racial populations is lacking, leading to insufficiently designed programs, policies, and services. The absence of data is a testament to the invisibility of baby boomers of color in society and deeply affects the practice of social work and other helping professions that require culturally sensitive approaches. Melvin Delgado rectifies this injustice by providing a comprehensive portrait of the status and unique assets of boomers of color. Using specific data, he grounds an understanding of boomers'financial, medical, and emotional needs within a historical, socioeconomic, cultural, and political context, resulting in tailored recommendations for meeting the challenges of a growing population. His research focuses on African American, Hispanic, Asian/Pacific Islander, and Native American older adults and addresses issues of financial security, employment stability, housing, and health care, which are often complicated by linguistic and cultural differences. Rather than treat baby boomers of color as a financial burden on society and its resources, Delgado recognizes their strengths and positive contributions to families and communities, resulting in an affirming and empowering approach to service.




Bars, Blues, and Booze


Book Description

Bars, Blues, and Booze collects lively bar tales from the intersection of black and white musical cultures in the South. Many of these stories do not seem dignified, decent, or filled with uplifting euphoria, but they are real narratives of people who worked hard with their hands during the week to celebrate the weekend with music and mind-altering substances. These are stories of musicians who may not be famous celebrities but are men and women deeply occupied with their craft--professional musicians stuck with a day job. The collection also includes stories from fans and bar owners, people vital to shaping a local music scene. The stories explore the "crossroads," that intoxicated intersection of spirituality, race, and music that forms a rich, southern vernacular. In personal narratives, musicians and partygoers relate tales of narrow escape (almost getting busted by the law while transporting moonshine), of desperate poverty (rat-infested kitchens and repossessed cars), of magic (hiring a root doctor to make a charm), and loss (death or incarceration). Here are stories of defiant miscegenation, of forgetting race and going out to eat together after a jam, and then not being served. Assorted boasts of improbable hijinks give the "blue collar" musician a wild, gritty glamour and emphasize the riotous freedom of their fans, who sometimes risk the strong arm of southern liquor laws in order to chase the good times.




Whose Blues?


Book Description

Mamie Smith's pathbreaking 1920 recording of "Crazy Blues" set the pop music world on fire, inaugurating a new African American market for "race records." Not long after, such records also brought black blues performance to an expanding international audience. A century later, the mainstream blues world has transformed into a multicultural and transnational melting pot, taking the music far beyond the black southern world of its origins. But not everybody is happy about that. If there's "No black. No white. Just the blues," as one familiar meme suggests, why do some blues people hear such pronouncements as an aggressive attempt at cultural appropriation and an erasure of traumatic histories that lie deep in the heart of the music? Then again, if "blues is black music," as some performers and critics insist, what should we make of the vibrant global blues scene, with its all-comers mix of nationalities and ethnicities? In Whose Blues?, award-winning blues scholar and performer Adam Gussow confronts these challenging questions head-on. Using blues literature and history as a cultural anchor, Gussow defines, interprets, and makes sense of the blues for the new millennium. Drawing on the blues tradition's major writers including W. C. Handy, Langston Hughes, Zora Neale Hurston, and Amiri Baraka, and grounded in his first-person knowledge of the blues performance scene, Gussow's thought-provoking book kickstarts a long overdue conversation.




The Blues


Book Description

What do modern blues fans get out of their love of the genre? A book about a Grounded Theory Study exploring the relevance of the blues in the 21st century




Beginning Delta Blues Guitar


Book Description

Get Fruteland Jackson's Guitar Roots: Delta Blues together with the Beginning Delta Blues Guitar DVD and save!




All About baby boomers


Book Description

Discover how you can live a completely fulfilling life and spread the radiance of joy and happiness all araound! Can You Avoid Aging? The Baby Boomers Brain The Baby Boomer's Diet




History by Generations


Book Description

Die Beiträge des vorliegenden Bandes gehen aus einer gemeinsamen Tagung des Graduiertenkollegs "Generationengeschichte" der Georg-August-Universität Göttingen und des Deutschen Historischen Instituts in Washington hervor. Verschiedene Generationenkonzepte standen sich hier gegenüber: die europäische Idee von "Jugendgenerationen" und "politischen Generationen" und die eher pragmatische amerikanische Lesart von den "demographischen Generationen" oder den "Konsumgenerationen". Immer, so scheint es, wird die generationelle Logik überlagert von nationalen Vorstellungen der Dazugehörigkeit. Sehr deutlich arbeiten die Beiträge aus Europa und den USA heraus, dass die historische Zeit wohl in Generationen gelesen wird, doch wird Geschichte nicht von Generationen gemacht.