Backvalley Ferrets


Book Description

Twice declared extinct, North America's most endangered mammal species, the black-footed ferret (BFF), is making a comeback thanks to an evolving conservation regimen at more than thirty reintroduction sites across the continent. Lawrence Lenhart lingers at one such site in his proverbial backyard, the Aubrey Valley in northern Arizona. He clocks hundreds of hours behind the wheel, rolling over ranch ruts as he shines a spotlight over dusky sage steppe in the hopes of catching a fleck of emerald eyeshine. The beguiling weasel at the center of this book is more than a charismatic minifauna; it is the covert ambassador of a critical ecosystem that has dwindled to 1 percent of its former size. In a landscape menaced by habitat fragmentation, bacterial plague, settler colonialism, and soil death, a ferret must be resilient. Lenhart investigates the human efforts to sustain the species through monitoring, vaccination, captive breeding, and even cloning. Lenhart balances this lens of environmental witness with personal essaying that captures the parallel story of his wife's pregnancy as he realizes the ferret's conservation story is dramatically synchronized with her trimesters. In preparing to raise a child in the Anthropocene, Lenhart takes stock of his own ecosystem and finds something is amiss. Through an ethic of "deeper ecology," Lenhart must hone his ecological interest in the black-footed ferret to assure it isn't overshadowed by his own paternal interests.




Backvalley Ferrets


Book Description

Twice declared extinct, North America’s most endangered mammal species, the black-footed ferret (BFF), is making a comeback thanks to an evolving conservation regimen at more than thirty reintroduction sites across the continent. Lawrence Lenhart lingers at one such site in his proverbial backyard, the Aubrey Valley in northern Arizona. He clocks hundreds of hours behind the wheel, rolling over ranch ruts as he shines a spotlight over dusky sage steppe in the hopes of catching a fleck of emerald eyeshine. The beguiling weasel at the center of this book is more than a charismatic minifauna; it is the covert ambassador of a critical ecosystem that has dwindled to 1 percent of its former size. In a landscape menaced by habitat fragmentation, bacterial plague, settler colonialism, and soil death, a ferret must be resilient. Lenhart investigates the human efforts to sustain the species through monitoring, vaccination, captive breeding, and even cloning. Lenhart balances this lens of environmental witness with personal essaying that captures the parallel story of his wife’s pregnancy as he realizes the ferret’s conservation story is dramatically synchronized with her trimesters. In preparing to raise a child in the Anthropocene, Lenhart takes stock of his own ecosystem and finds something is amiss. Through an ethic of “deeper ecology,” Lenhart must hone his ecological interest in the black-footed ferret to assure it isn’t overshadowed by his own paternal interests.




My Withered Legs and Other Essays


Book Description

My Withered Legs and Other Essays is a collection of personal essays by Sandra Gail Lambert that reflects upon her experience becoming a writer alongside discussions of disability, queerness, and aging. A seventy-year history of disability is threaded throughout these essays and intertwined with writing that celebrates lesbian love, explores the slapstick moments of life, and shares the obstacles and triumphs of becoming a writer later in life. The essays chronicle times of interruption and then adaptation as the disability skill of always just figuring it out becomes tested with age and with illness. Throughout the book, Lambert engages with topics of ageism and ableism through storytelling rich with wit and contemplation. From childhood Lambert believed as a disabled person she was “ice floe material” rife for abandonment, and during the pandemic she ticks off the additional comorbidities—age, fatness, cancer, a heart attack—that groups her with the expendable. In the essay "Gimp Humor," she is threatened with a ticket for not coming to a full stop while strolling along in her wheelchair. Underpinning the humor is an analysis of whiteness and the wariness that can be lodged, or not, in a body. Other essays reimagine the meaning of "Old Lady Dabbler," recount kayaking among a hundred alligators, and tell the romantic, laden-with-power-dynamics tale of two lesbians in their sixties who fall in love. Another essay explores the family story, truth embellished with fiction, of Lambert’s mother finding an unexploded bomb nestled in her parents' bed. This tale of the London Blitz delves into the increasingly common experience of "emergence" after a disaster and the necessity of becoming, especially for marginalized communities, our own first responders.




Nola Face


Book Description

Early in Brooke Champagne’s childhood, her Ecuadorian grandmother Lala (half bruja, half santa) strictly circumscribed the girl’s present and future: become beautiful but know precisely when to use it; rationalize in English but love in God’s first language, the superior Spanish; and if you must write, Dios help you, at least make a subject of me. Champagne’s betrayal of these confounding dictates began before they were even spoken, and she soon started both writing and hiding the truth about whom she was becoming. The hilarious, heartbreaking essays in this collection trace the evolutions of this girlhood of competing languages, ethnicities, aesthetics, politics, and class constraints against the backdrop of a boozy New Orleans upbringing. In these essays, Champagne and members of her family love poorly and hate well, whip and get whipped, pray and curse in two languages, steal from The Man and give to themselves, kiss where it hurts, poke where it hurts worse, and keep and spill each other’s secrets—first face-to-face, then on the page. They believe and doubt and reckon with the stories they tell about themselves and where they come from, finally becoming most human, most alive, in their connections to one another.




The Wet Wound


Book Description

This debut essay collection is inspired by the grief Maddie Norris experienced in the wake of her father's death from cancer when she was seventeen. Norris uses a medical lens to examine the anguish that followed and likens mourning to wound care. These linked essays examine grief from different angles, resulting in a multilayered exploration of why, contrary to popular belief, keeping wounds open is the best way to care for them physically and emotionally. Norris approaches the narrative through various topics—the investigation of body preservation, the history of skin grafts, and a deep dive into physical pain—all of them related to how she carries this fundamental loss. By centering on the importance of mourning (a long-term practice frowned upon in Western culture), the essays unsettle conventional wisdom as the text pushes against the stereotypical notion of "letting go" and "moving on." The Wet Wound: An Elegy in Essays thus unpacks the question: What happens when, instead of following steps prescribed by those outside loss, we let ourselves dwell in grief?




The Decade of Letting Things Go


Book Description

The Decade of Letting Things Go is a book of linked essays containing still-relevant experiences that take place after the age of becoming socially and/or professionally invisible, as Cris Mazza searches for the elusive serenity of self-acceptance among a growing list of losses. Mazza’s story contains many of life’s expected losses: pets, parents, old mentors, and symbols of enduring natural places, as well as the loss of identities—child, student, partner, “successful” author. Some of her late-life experiences aren’t so easily categorized: having a mentally ill neighbor try to get her to come outside and fight; unpacking the complicity in thirty-year-old #MeToo incidents; “hooking up” with a “boy” from her teenaged past; struggling to accept that lifelong sexual dysfunction will never wane; realizing a deeply trusted mentor from forty-five years ago might be declining into dementia; plus a lifelong attachment to a childhood wound of having a “preferred child” as a sibling. Ultimately there is also the apparent loss of hope in ever finding contentment in the mark one makes in the world or in ever forming an identity that brings this abstract contentment—except that these have no expiration dates, and the exhausted author, at the end, is ready to keep looking.




Your Eyes Will Be My Window


Book Description

Your Eyes Will Be My Window reclaims the two erasures of Esta Plat. Murdered in Ukraine by Nazi troops in 1942, evidence of the life of Esta Plat was preserved in a bundle of her letters until the letters were tossed into a dumpster and destroyed. Haunted by the inheritance of survivor's guilt and shame in a family that kept no Old World keepsakes except her grandmother's one-sentence memory of Esta Plat, Jodi Varonis compelled to sift through records of Europe's genocidal past. Pitting grandiose Holocaust memorials against the act of bearing witness, Varon confronts the limitations of history, folklore, archival data, and survivor testimonies. Seeking solace in ritual, she challenges her upbringing as an outlier Jew in the Rocky Mountain West to provide a window to the meaning of cultural displacement in immigrant communities. When an ethnic German woman's corpse was discarded across from Varon's rented flat in Baden-Württemberg, the homemade memorial for Nadine E. prompts a meditation on violence against women and girls as a weapon of suppression and war. The record of unfiltered emotions among Kindertransport survivors in Europe, journalists in Ludwigsburg, and archivists and guides in Jerusalem, Your Eyes Will Be My Window is a defiant exercise in honoring the lost.




Prodigals


Book Description

Prodigals, a memoir inessays, explores the life of Sarah Beth Childers’swildly creative brother, who committed suicide at twenty-two, and her life with him and after him, through the lens of the Biblical parable of the Prodigal Son. This book examines the ways Childers’s brother’s story was both universal and uniquely Appalachian. While the archetype of the prodigal son carries all its assumed baggage, the Appalachian setting of Prodigals brings its own influences.Childers foregrounds the Appalachian landscape in her narrative, depicting its hardwood forests, winding roads, mining-stained creeks and rivers, hill-clinging goats and cows, neighborhoods and trailer parks tucked between mountains. The Childers family’s fervent religious faith and resistance to medical intervention seemsnormal in this world, as doestheir conflicting desires to both escape from Appalachia and to stay forever at home. Weaving in the stories of other famous prodigals, including Branwell Brontë, the alcoholic brother of the Brontë sisters; Jimmy Swaggart, the fallen televangelist;Robert Crumb, her brother’s beloved author of sexist and racist comic books; and even herself, Childers examines the role of the prodigalwithin the intimate tapestry of family life and beyond—to its larger sociocultural meanings.




Where We Belong


Book Description

Gathered here in book form for the first time, the fourteen essays in Where We Belong exemplify Paul Shepard's interdisciplinary approach to human interaction with the natural world. Drawn from Shepard's entire career and presented chronologically, these pieces vary in setting from the Hudson River to the American prairie to New Zealand. Equally impressive is Shepard's spatial range, as he moves from subtle differences to grand designs, from the intimacy of an artist's brush stroke to a vista of the harsh Greek terrain. Alluding to a range of sources from Star Trek to Marshall McLuhan to the Bible, the writings discuss such topics as the geomorphology of New England landscape paintings, beautification and conservation projects, the Oregon Trail, and tourism. Whether Shepard is pondering why the Great Plains conjured up sea imagery in early observers, or how pioneers often resorted to architectural terms--temple, castle, bridge, tower--when naming the West's natural formations, he exposes, and thus invites us to unshoulder, the cultural and historical baggage we bring to the act of seeing. Throughout the book, Shepard seeks the antecedents of environmental perception and questions whether the paradigm we inherited should be superseded by one that leads us to a greater concern for the health of the planet. This volume is an important addition to Shepard's canon if only for the new view it offers of his intellectual development. More important, however, these selections demonstrate Shepard's grasp of a wide range of ideas related to the physical environment, including the various factors--historical, aesthetic, and psychological--that have shaped our attitudes toward the natural world and color the way we see it.




Wild Pigs in the United States


Book Description

With an estimated population of at least 500,000 distributed across nineteen states, the wild-living pig (Sus scrofa) is the most abundant free-ranging introduced ungulate in the United States. Until now, however, little has been known about the wild pig on a national scale, despite its abundance and significance as both a pest and a game animal. Whereas previous studies have been regional in scope, Wild Pigs in the United States is the most comprehensive work available on wild pig history, current status, comparative morphology, and other subjects important to the species' management and control. The information in this volume relates to the country's three prevalent wild pig types: the introduced Eurasian wild boar, the feral (once domestic, now wild) hog, and hybrids of the two. The first section of the book presents a history of wild pigs in this country-their origins; when, where, and by whom they were first introduced; and their subsequent dispersal. John J. Mayer and I. Lehr Brisbin, Jr. then develop specific criteria, based on taxonomic principles, for differentiating between the wild pig types. Employing numerous illustrations, graphs, and tables, they analyze and compare morphometric and discrete characters of the skull, external body dimensions and proportions, coat colorations patterns, and hair structure and form. A report on the status of wild pig populations in the United States (as of 1991) completes the volume. To profile the present ranges, habitats, and morphotypic makeups of wild pigs, the authors conducted two national surveys--in 1981 and 1988--among private individuals and federal and state personnel. Their report is also based on other recent wild pig studies and additional information from survey respondents. The book's reference section is particularly valuable, for its lists all sources consulted as well as the names and addresses of authorities the authors interviewed or with whom they corresponded. Aided by the book's wealth of current data, biologists and wildlife managers can make informed decisions about such issues as state versus private ownership of wild pig populations and the status of wild pigs as pests or game animals. In addition, hunters and sportsmen, zoologists, and even specialized historians and archaeologists will find Wild Pigs in the United States useful and informative.