Baculard D'Arnaud
Author : Robert L. Dawson
Publisher :
Page : 466 pages
File Size : 25,31 MB
Release : 1976
Category : Authors, French
ISBN :
Author : Robert L. Dawson
Publisher :
Page : 466 pages
File Size : 25,31 MB
Release : 1976
Category : Authors, French
ISBN :
Author : Douglass H. Thomson
Publisher : Bloomsbury Publishing USA
Page : 543 pages
File Size : 22,25 MB
Release : 2001-11-30
Category : Literary Criticism
ISBN : 0313006911
With its roots in Romanticism, antiquarianism, and the primacy of the imagination, the Gothic genre originated in the 18th century, flourished in the 19th, and continues to thrive today. This reference is designed to accommodate the critical and bibliographical needs of a broad spectrum of users, from scholars seeking critical assistance to general readers wanting an introduction to the Gothic, its abundant criticism, and the present state of Gothic Studies. The volume includes alphabetically arranged entries on more than 50 Gothic writers from Horace Walpole to Stephen King. Entries for Russian, Japanese, French, and German writers give an international scope to the book, while the focus on English and American literature shows the dynamic nature of Gothicism today. Each of the entries is devoted to a particular author or group of authors whose works exhibit Gothic elements, beginning with a primary bibliography of works by the writer, including modern editions. This section is followed by a critical essay, which examines the author's use of Gothic themes, the author's place in the Gothic tradition, and the critical reception of the author's works. The entries close with selected, annotated bibliographies of scholarly studies. The volume concludes with a timeline and a bibliography of the most important broad scholarly works on the Gothic.
Author : Daniel Hall
Publisher : Peter Lang
Page : 304 pages
File Size : 33,56 MB
Release : 2005
Category : Literary Criticism
ISBN : 9783039100774
The literature of terror and horror continues to fascinate readers both casual and more critical, and it has long been recognised as an international, not merely British, phenomenon. This study provides an in-depth and text-based analysis of Gothic fiction in France and Germany from earlier literary traditions, through the influence of the English Gothic novel, to an extraordinary popularity and dominance by the end of the eighteenth century. It examines how some of the motifs most closely associated with the Gothic - secret societies, the supernatural and suspense, among others - are the product of an uncertain age, and how the use of those motifs differed not just across languages and borders, which in fact the Gothic often crossed with ease, but according to the views, concerns and sometimes insecurities of individual authors. What emerges is a complex genre more diverse than any 'list of Gothic ingredients' would have us believe. Many of the notions and devices explored by the French and German Gothic then continue to intrigue, disturb and unsettle today.
Author : J. Lewine
Publisher :
Page : 722 pages
File Size : 15,61 MB
Release : 1898
Category : Art
ISBN :
Author : Stephen G. Tallentyre
Publisher :
Page : 656 pages
File Size : 31,49 MB
Release : 1910
Category :
ISBN :
Author : Evelyn Beatrice Hall
Publisher :
Page : 444 pages
File Size : 24,11 MB
Release : 1903
Category : Biography & Autobiography
ISBN :
Author : Ann Thomson
Publisher : Librairie Droz
Page : 296 pages
File Size : 26,63 MB
Release : 1981
Category : Atheism
ISBN : 9782600035859
Author :
Publisher : Syracuse University Press
Page : 452 pages
File Size : 28,61 MB
Release :
Category :
ISBN :
Author : Stefano Castelvecchi
Publisher : Cambridge University Press
Page : 298 pages
File Size : 29,48 MB
Release : 2013-10-24
Category : History
ISBN : 0521632145
Castelvecchi presents a critical re-evaluation of the operatic genre system and the cult of sensibility in the age of Mozart.
Author : David Charlton
Publisher : Cambridge University Press
Page : 393 pages
File Size : 17,63 MB
Release : 2021-12-16
Category : Music
ISBN : 1316515842
A major re-orientation in understanding opera, exploring musical comedies with spoken dialogue previously excluded from historical accounts.