The Cambridge Edition of the Correspondence of John Cleland


Book Description

The first collected edition of John Cleland's correspondence, this volume provides a rare insight into a significant literary life and into jobbing authorship in the eighteenth century. All known letters by and to Cleland are included entire, alongside letter excerpts, diary entries and documents in which he is discussed by friends, enemies, family members and distant acquaintances. The volume also includes Cleland's christening record, a manuscript essay composed by Cleland in French on 'Litterateurs', and the will of Cleland's mother Lucy, whose many codicils reveal her determination to prevent her profligate son from squandering her fortune. Interspersed throughout are telling remarks about Cleland from figures such as Alexander Pope, Samuel Foote, Claude-Pierre Patu, and, most revealing and intriguing of all, vignettes by the great biographer James Boswell. The volume makes several new attributions and demonstrates for the first time the extent of Cleland's participation in the European Enlightenment.




The Encyclopedia of the Novel


Book Description

Now available in a single volume paperback, this advanced reference resource for the novel and novel theory offers authoritative accounts of the history, terminology, and genre of the novel, in over 140 articles of 500-7,000 words. Entries explore the history and tradition of the novel in different areas of the world; formal elements of the novel (story, plot, character, narrator); technical aspects of the genre (such as realism, narrative structure and style); subgenres, including the bildungsroman and the graphic novel; theoretical problems, such as definitions of the novel; book history; and the novel's relationship to other arts and disciplines. The Encyclopedia is arranged in A-Z format and features entries from an international cast of over 140 scholars, overseen by an advisory board of 37 leading specialists in the field, making this the most authoritative reference resource available on the novel. This essential reference, now available in an easy-to-use, fully indexed single volume paperback, will be a vital addition to the libraries of literature students and scholars everywhere.




Gothic Writers


Book Description

With its roots in Romanticism, antiquarianism, and the primacy of the imagination, the Gothic genre originated in the 18th century, flourished in the 19th, and continues to thrive today. This reference is designed to accommodate the critical and bibliographical needs of a broad spectrum of users, from scholars seeking critical assistance to general readers wanting an introduction to the Gothic, its abundant criticism, and the present state of Gothic Studies. The volume includes alphabetically arranged entries on more than 50 Gothic writers from Horace Walpole to Stephen King. Entries for Russian, Japanese, French, and German writers give an international scope to the book, while the focus on English and American literature shows the dynamic nature of Gothicism today. Each of the entries is devoted to a particular author or group of authors whose works exhibit Gothic elements, beginning with a primary bibliography of works by the writer, including modern editions. This section is followed by a critical essay, which examines the author's use of Gothic themes, the author's place in the Gothic tradition, and the critical reception of the author's works. The entries close with selected, annotated bibliographies of scholarly studies. The volume concludes with a timeline and a bibliography of the most important broad scholarly works on the Gothic.




Rameau's Nephew and First Satire


Book Description

In Diderot's brilliant and witty dialogue two acquaintances discuss art, music, education and society. A key work of the French Enlightenment, in this sparkling new translation it is paired with Diderot's First Satire, providing context for Rameau's Nephew, the 'second satire'. - ;'unless you know everything, you really know nothing' Diderot's brilliant and witty dialogue begins with a chance encounter in a Paris caf--eacute--; between two acquaintances. Their talk ranges broadly across art, music, education, and the contemporary scene, as the nephew of composer Rameau, amoral and bohemian, alternately shocks and amuses the moral, bourgeois figure of his interlocutor. Exuberant and highly entertaining, the dialogue exposes the corruption of society in Diderot's characteristic philosophical exploration. The debates of the French Enlightenment speak to us vividly in this sparkling new translation, which also includes the First Satire , a related work that provides the context for Rameau's Nephew, Diderot's 'second satire'. -













Aby Warburg 150


Book Description

Aby Warburg is regarded as one of the great pioneers of modern cultural studies. This book brings together texts by many of the most renowned researchers in the field who have been influenced by his work. They address his extraordinary impact on the understanding of cultural transmission and the influence of images and texts across time and space. What emerges is the continuing significance of Warburg for our own times. No one concerned with the many forms of the survival of the past in the present and the infinitely complex relationships between images and society will want to miss this book. Published in cooperation with the Warburg Institute, London and with the assistance of a grant from the Italian Academy for Advanced Studies in America at Columbia University, New York. Look inside




The London Stage 1890-1959


Book Description

Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. Spanning 1890 through the 1950s, all seven volumes of The London Stage series have been revised, corrected, and expanded. In addition, approximately 20 percent of the material—in particular, information about adaptations and translations, plot sources, and comment information—is new. Although each volume contains indexes specific to that decade, The London Stage 1890–1959: Accumulated Indexes combines all of the indexes into one comprehensive resource for more efficient research. For example, those wishing to locate all the references to a particular actor, play, or theatre whose history spanned more than one decade will find all of the entries listed in this set. This set includes four key indexes: general, genre, theatre, and title. The general index consists of numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. With approximately 40,000 people listed, this is the largest single source of theatrical personnel on the London stage during this period. The genre index comprises all entries for production types, including comedies, dramas, farces, and tragedies, as well as ballets, operas, adaptations, foreign works, pantomimes, and translations. The theatre index features every building to stage a production, from the Adelphi to Wyndham’s. The title index cites 14,000 productions, identifying every work produced on stage from Domestic Economy in January 1890 to When in Rome in December 1959. As a supplement to the individual volumes, The London Stage 1890–1959: Accumulated Indexes will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.