Ballad Criticism in Scandinavia and Great Britain During the Eighteenth Century (Classic Reprint)


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Excerpt from Ballad Criticism in Scandinavia and Great Britain During the Eighteenth Century Grundtvig's Opportunity came in connection with an edi tion of ballads which the Society for the Promotion of Dan ish Letters had for some time been preparing to publish. Grundtvig, who, as early as 1843, had joined with another young student in a circular asking for ballad texts and tunes, and who, in 1842 - 46, had gained attering notice by his translation of Engels/re 0g shots/re Fol/revise); took occasion on the invitation of the Society, to present, in 1847, a prospectus setting forth his principles with reference to the proper editing of ballads, and giving examples of the treatment he meant to apply to the individual numbers. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."













The Publisher


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Guide to Reprints


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Crimes of Writing


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From the origins of modern copyright in early eighteenth-century culture to the efforts to represent nature and death in postmodern fiction, this pioneering book explores a series of problems regarding the containment of representation. Stewart focuses on specific cases of "crimes of writing"--the forgeries of George Psalmanazar, the production of "fakelore," the "ballad scandals" of the eighteenth and nineteenth centuries, the imposture of Thomas Chatterton, and contemporary legislation regarding graffiti and pornography. In this way, she emphasizes the issues which arise once language is seen as a matter of property and authorship is viewed as a matter of originality. Finally, Stewart demonstrates that crimes of writing are delineated by the law because they specifically undermine the status of the law itself: the crimes illuminate the irreducible fact that law is written and therefore subject to temporality and interpretation.




Joseph Addison and Richard Steele


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Popular Music: Music and society


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Popular music studies is a rapidly expanding field with changing emphases and agenda. This is a multi-volume resource for this area of study