Ballet Music from the Mannheim Court, Part 1


Book Description

"This edition presents for the first time most of the surviving ballet music performed at Mannheim in the 1760s and 1770s. Each ballet is complete and newly engraved in full score and includes an introduction to the music, translations of scenarios, and information on the sources, composers, ballet masters and other pertinent historical background"--Pref.




Ballet Music from the Mannheim Court, Part 3


Book Description

"This edition presents for the first time most of the surviving ballet music performed at Mannheim in the 1760s and 1770s. Each ballet is complete and newly engraved in full score and includes an introduction to the music, translations of scenarios, and information on the sources, composers, ballet masters and other pertinent historical background"--Pref.




Ballet Music from the Mannheim Court, Part 5


Book Description

This volume completes the collection Ballet Music from the Mannheim Court with two ballets by Christian Cannabich: Les Fêtes du sérail (probably based on Jean-Georges Noverre’s Les Jalousies, ou Les Fêtes du sérail, as described in his Lettres sur la danse, 1760) and Angélique et Médor, ou Roland furieux (based on the characters in Ludovico Ariosto’s Orlando furioso). The former ballet features several movements with “Turkish” instruments and the exotic setting of a harem. The latter features detailed annotations in the music regarding the story, which differs in some respects from the scenario for this ballet by Étienne Lauchery that was published for an earlier performance in Kassel.




Operatic Pasticcios in 18th-Century Europe


Book Description

In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles.




Ballet Music Arranged for Chamber Ensemble


Book Description

xi + 78 pp. Performance parts available







Arias for Nancy Storace


Book Description

xxv + 122 pp.




Four Concertos


Book Description

xv + 186 pp.




Reader's Guide to Music


Book Description

The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).




The Song of Moses


Book Description