Barbed Wire and Cherry Blossoms


Book Description

'Meticulously researched, and the result is Heiss’s great achievement: the reader is transported in place and time.’ – The Australian 'Tact and intelligence are sustained to the end of this bold novel of the wartime home front’ -- Sydney Morning Herald ‘With deftness and a lightness of touch … Heiss's strengths as a writer are on full display’ – The Conversation A story about a love that transcends all boundaries, from one of Australia’s best loved authors. 5 AUGUST, 1944 Over 1000 Japanese soldiers break out of the No.12 Prisoner of War compound on the fringes of Cowra. In the carnage, hundreds are killed, many are recaptured, and some take their own lives rather than suffer the humiliation of ongoing defeat. But one soldier, Hiroshi, manages to escape. At nearby Erambie Station, an Aboriginal mission, Banjo Williams, father of five and proud man of his community, discovers Hiroshi, distraught and on the run. Unlike most of the townsfolk who dislike and distrust the Japanese, the people of Erambie choose compassion and offer Hiroshi refuge. Mary, Banjo’s daughter, is intrigued by the softly spoken stranger, and charged with his care. For the community, life at Erambie is one of restriction and exclusion – living under Acts of Protection and Assimilation, and always under the ruthless eye of the mission Manager. On top of wartime hardships, families live without basic rights. Love blossoms between Mary and Hiroshi, and they each dream of a future together. But how long can Hiroshi be hidden safely and their bond kept a secret?




Barbed Wire and Cherry Blossoms


Book Description

Finalist in the Queenland Literary Awards 2017 Longlisted in the Dublin Literary Awards 2017 A story about a love that transcends all boundaries, from one of Australia's best loved authors. 5 AUGUST, 1944. Over 1000 Japanese soldiers break out of the No.12 Prisoner of War compound on the fringes of Cowra. In the carnage, hundreds are killed, many are recaptured, and some take their own lives rather than suffer the humiliation of ongoing defeat. But one soldier, Hiroshi, manages to escape. At nearby Erambie Station, an Aboriginal mission, Banjo Williams, father of five and proud man of his community, discovers Hiroshi, distraught and on the run. Unlike most of the townsfolk who dislike and distrust the Japanese, the people of Erambie choose compassion and offer Hiroshi refuge. Mary, Banjo's daughter, is intrigued by the softly spoken stranger, and charged with his care. For the community, life at Erambie is one of restriction and exclusion - living under Acts of Protection and Assimilation, and always under the ruthless eye of the mission Manager. On top of wartime hardships, families live without basic rights. Love blossoms between Mary and Hiroshi, and they each dream of a future together. But how long can Hiroshi be hidden safely and their bond kept a secret? Praise for Barbed Wire and Cherry Blossoms 'Meticulously researched, and the result is Heiss's great achievement: the reader is transported in place and time.' The Australian 'Tact and intelligence are sustained to the end of this bold novel of the wartime home front.' Sydney Morning Herald 'With deftness and a lightness of touch ... Heiss's strengths as a writer are on full display.' The Conversation




Aboriginal Writers and Popular Fiction


Book Description

Wiradjuri woman, Anita Heiss, is arguably one of the first Aboriginal Australian authors of popular fiction. A focus on the political characterises her chick lit; and her identity as an author is both supplemented and complemented by her roles as an academic, activist and public intellectual. Heiss has discussed genre as a means of targeting audiences that may be less engaged with Indigenous affairs, and positions her novels as educative but not didactic. Her readership is constituted by committed readers of romance and chick lit as well as politically engaged readers that are attracted to Heiss' dual authorial persona; and, both groups bring radically distinct expectations to bear on these texts. Through analysis of online reviews and surveys conducted with users of the book reviewing website Goodreads, I complicate the understanding of genre as a cogent interpretative frame, and deploy this discussion to explore the social significance of Heiss' literature.




Bila Yarrudhanggalangdhuray


Book Description

‘There are books you encounter as an adult that you wish you could press into the hands of your younger self. Bila Yarrudhanggalangdhuray is one of those books – a novel that turns Australia’s long-mythologised settler history into a raw and resilient heartsong.' – Guardian ***WINNER 2022 NSW PREMIER'S LITERARY AWARD INDIGENOUS WRITER'S PRIZE*** ***2022 ABIA SHORTLIST*** ***2021 ARA HISTORICAL NOVEL PRIZE SHORTLIST*** ***2022 STELLA PRIZE LONGLIST*** ***2022 INDIE BOOK AWARDS LONGLIST*** ***2022 VICTORIAN PREMIER'S LITERARY AWARDS HIGHLY COMMENDED*** _______________________________________________ Gundagai, 1852 The powerful Murrumbidgee River surges through town leaving death and destruction in its wake. It is a stark reminder that while the river can give life, it can just as easily take it away. Wagadhaany is one of the lucky ones. She survives. But is her life now better than the fate she escaped? Forced to move away from her miyagan, she walks through each day with no trace of dance in her step, her broken heart forever calling her back home to Gundagai. When she meets Wiradyuri stockman Yindyamarra, Wagadhaany’s heart slowly begins to heal. But still, she dreams of a better life, away from the degradation of being owned. She longs to set out along the river of her ancestors, in search of lost family and country. Can she find the courage to defy the White man’s law? And if she does, will it bring hope ... or heartache? Set on timeless Wiradyuri country, where the life-giving waters of the rivers can make or break dreams, and based on devastating true events, Bila Yarrudhanggalangdhuray (River of Dreams) is an epic story of love, loss and belonging. Praise for Bila Yarrudhanggalangdhuray (River of Dreams) 'Heiss fuses fiction with realism, conjuring a resonance still felt in Blak struggle today ... packs heart into every page.' – Saturday Paper 'Tells a powerful and affecting tale of Aboriginal people's identity, community and deep connection to country.’ – Canberra Times 'A profoundly moving showcase of Heiss’ skill ... Intimate, reflective, and impossible to put down.’ – AU Review ‘Engrossing and wonderful storytelling. I really loved these strong, brave Wiradyuri characters.’ – Melissa Lucashenko ‘A powerful story of family, place and belonging.’ – Kate Grenville ‘A remarkable story of courage and a love of country ... Anita Heiss writes with heart and energy on every page.’ – Tony Birch 'It is a love story, a story of loss, a hopeful story. The river is a guide, but you have to be open to its spiritual lessons.' – Terri Janke ‘Anita Heiss is at the height of her storytelling powers in this inspiring, heart-breaking, profound tale.’ – Larissa Behrendt 'The novel flows like the great Murrumbidgee River itself, with powerful undercurrents that sweep the reader along - I feel it's a book that all Australians should read, to try and understand why our colonial past still causes so much pain and grievance.’ – Kate Forsyth




Manhattan Dreaming


Book Description

From award-winning Wiradyuri author, Anita Heiss, comes a fun, light-hearted and empowering story featuring a deadly Koori heroine who is forced to choose between her dream job and the man of her dreams. Lauren is a curator at the National Aboriginal Gallery in Canberra. She's good at her job, passionate about the arts, and focused on her work – that is, when she's not focusing on Adam, halfback for the Canberra Cockatoos. But Adam is a player, both on and off the field. Lauren knows he's the one, but he doesn't seem to feel the same way about her. If she just waits long enough, though, surely he'll realise how much he needs her? Then her boss offers her the chance of a lifetime – a fellowship at the Smithsonian in New York. Lauren has to make some big decisions: the man or Manhattan?




The Cambridge Companion to the Australian Novel


Book Description

The Cambridge Companion to the Australian Novel provides a clear, lively, and accessible account of the novel in Australia. The chapters of this book survey significant issues and developments in the Australian novel, offer historical and conceptual frameworks, and provide vivid and original examples of what reading an Australian novel looks like in practice. The book begins with novels by literary visitors to Australia and concludes with those by refugees. In between, the reader encounters the Australian novel in its splendid contradictoriness, from nineteenth-century settler fiction by women writers through to literary images of the Anthropocene, from sexuality in the novels of Patrick White to Waanyi writer Alexis Wright's call for a sovereign First Nations literature. This book is an invitation to students, instructors, and researchers alike to expand and broaden their knowledge of the complex histories and crucial present of the Australian novel.




Shooting Blanks at the Anzac Legend


Book Description

War is traditionally considered a male experience. By extension, the genre of war literature is a male-dominated field, and the tale of the battlefield remains the privileged (and only canonised) war story. In Australia, although women have written extensively about their wartime experiences, their voices have been distinctively silenced. Shooting Blanks at the Anzac Legend calls for a re-definition of war literature to include the numerous voices of women writers, and further recommends a re-reading of Australian national literatures, with women’s war writing foregrounded, to break the hold of a male-dominated literary tradition and pass on a vital, but unexplored, women’s tradition. Shooting Blanks at the Anzac Legend examines the rich body of World Wars I and II and Vietnam War literature by Australian women, providing the critical attention and treatment that they deserve. Donna Coates records the reaction of Australian women writers to these conflicts, illuminating the complex role of gender in the interpretation of war and in the cultural history of twentieth-century Australia. By visiting an astonishing number of unfamiliar, non-canonical texts, Shooting Blanks at the Anzac Legend profoundly alters our understanding of how Australian women writers have interpreted war, especially in a nation where the experience of colonising a frontier has spawned enduring myths of identity and statehood.




Indigenous Australia For Kids For Dummies


Book Description

A comprehensive, relevant, and accessible look at all aspects of Indigenous Australian history and culture Indigenous Australia For Kids For Dummies is here to enlighten you about the history, struggles and triumphs of the diverse peoples that make up Australia’s Indigenous communities. Did you know that Australia is home to the world’s oldest culture? Experience 60,000 years of history and culture, plus, get right up-to-the-minute, with amazing facts about Indigenous sports and entertainment figures and info on what matters to Indigenous peoples today. This interactive book has loads of features that will engage and excite readers aged 10-15 years old – and their teachers and parents! Featuring profiles of celebrated Indigenous people like Cathy Freeman and Albert Namatjira, as well as fun research projects and hands-on activities that bring Indigenous Australia to life. Ever wanted to connect with your local Indigenous communities? This book will give you ideas about how you can connect with First Nations peoples and other interactive ways to extend your learning out of the book. Discover the rich culture, long history and special values of the world’s oldest race Learn about Indigenous art, song, dance, literature and contributions to contemporary Australia Impress friends and family with your knowledge of Australian colonisation and Indigenous rights Figure out what’s going on in the lives of Indigenous Australians today – and bust the most common myths This book is perfect for young readers who want to appreciate and understand the diverse, proud, and fascinating peoples that make up Australia's Indigenous communities.




Theorizing Ethnicity and Nationality in the Chick Lit Genre


Book Description

Scholars and readers alike need little help identifying the infamous Bridget Jones or Carrie Bradshaw. While it is no stretch to say that these fictional characters are the most recognizable within the chic lit genre, there are certainly many others that have helped define this body of work. While previous research has focused primarily on white American chick lit, Theorizing Ethnicity and Nationality in the Chick Lit Genre, takes a wider look at the genre, by exploring chick lit novels featuring protagonists from a variety of ethnic backgrounds set both within and outside of the US.




Growing Up Aboriginal in Australia


Book Description

Childhood stories of family, country and belonging What is it like to grow up Aboriginal in Australia? This anthology, compiled by award-winning author Anita Heiss, showcases many diverse voices, experiences and stories in order to answer that question. Accounts from well-known authors and high-profile identities sit alongside those from newly discovered writers of all ages. All of the contributors speak from the heart – sometimes calling for empathy, oftentimes challenging stereotypes, always demanding respect. This groundbreaking collection will enlighten, inspire and educate about the lives of Aboriginal people in Australia today. Contributors include: Tony Birch, Deborah Cheetham, Adam Goodes, Terri Janke, Patrick Johnson, Ambelin Kwaymullina, Jack Latimore, Celeste Liddle, Amy McQuire, Kerry Reed-Gilbert, Miranda Tapsell, Jared Thomas, Aileen Walsh, Alexis West, Tara June Winch, and many, many more. Winner, Small Publisher Adult Book of the Year at the 2019 Australian Book Industry Awards ‘Growing Up Aboriginal in Australia is a mosaic, its more than 50 tiles – short personal essays with unique patterns, shapes, colours and textures – coming together to form a powerful portrait of resilience.’ —The Saturday Paper ‘... provides a diverse snapshot of Indigenous Australia from a much needed Aboriginal perspective.’ —The Saturday Age