Baroque Bodies


Book Description

Mitchell Greenberg explores the significance of fantasies of the body in seventeenth-century France through provocative and subtle readings of some of the most intriguing texts of the period. Beginning with an eloquent invocation of the status of the king in classical France, Greenberg surveys the complex sociopolitical history of Louis XIV's reign, analyzing both Moliere and the entire corpus of Racine. The central chapters of Baroque Bodies deal with such fascinating texts as the Memoires of the abbe de Choisy (the first existing account of a male cross-dresser); two founding texts of the modern pornographic genre, L'ecole des filles and L'academie des dames; and the "autobiography" of Marie de l'Incarnation, the famous "mystic" and founder of the first Ursuline convent in Canada. In addition to his richly nuanced readings, Greenberg integrates into his argument material from a broad array of disciplines, including psychoanalysis, feminism, epistemology, and history. He also points out the implications of his argument for the political, theological, and historical thought of the period, moving effortlessly from witch trials in France to discussions of bodies in Renaissance English literary criticism to the works of Bakhtin, Foucault, Freud, and Lacan.




Dance as Text


Book Description

Dance as Text: Ideologies of the Baroque Body is a historical and theoretical examination of French court ballet of the late Renaissance and early baroque. Franko's analysis blends archival research with critical and cultural theory in order to resituate the burlesque tradition in its politically volatile context. He reveals the ideological tensions underlying experiments with autonomous dance in the early modern.




Re-Forming the Body


Book Description

Enriches the concpetual arsenal for interdisciplinary analysis of political, social and cultural change... stimulates more nuanced thinking about the cultural and political legacy of the Reformation era... manages both to clarify tensions surrounding cultural and social integration in the late 20th century while underscoring the real historical complexity of modern bodies' - "American Journal of Sociology " Through an analysis of successive re-formations of the body, this innovative and penetrating book constructs a fascinating and wide-ranging account of how the creation and evolution of different patterns of human community are intimately related to the somatic experience of the sacred. The book places the relationship between the embodiment and the sacred at the crux of social theory, and casts a fresh light on the emergence and transformation of modernity. It critically examines the thesis that the rational projects of modern embodiment have 'died and gone to cyberspace', and suggests that we are witnessing the rise of a virulent, effervescent form of the sacred which is changing how people 'see' and 'keep in touch' with the world around them.




Tears, Liquids and Porous Bodies in Literature Across the Ages


Book Description

Taking in works from writers as diverse as William Shakespeare, William Wordsworth, Charlotte Brontë, John Keats, James Joyce and D.H. Lawrence, this book spans approximately 300 years and unpacks how bodily liquidity, porosity and petrification recur as a pattern and underlie the chequered history of the body and genders in literature. Lennartz examines the precarious relationship between porosity and its opposite – closure, containment and stoniness – and explores literary history as a meandering narrative in which 'female' porosity and 'manly' stoniness clash, showing how different societies and epochs respond to and engage with bodily porosity. This book considers the ways that this relationship is constantly renegotiated and where effusive and 'feminine' genres, such as 'sloppy' letters and streams of consciousness, are pitted against stony and astringent forms of masculinity, like epitaphs, sonnets and the Bildungsroman.




Emotion and the Seduction of the Senses, Baroque to Neo-Baroque


Book Description

Emotion and the Seduction of the Senses, Baroque to Neo-Baroque examines the relationship between the cultural productions of the baroque in the seventeenth century and the neo-baroque in our contemporary world. The volume illuminates how, rather than providing rationally ordered visual realms, both the baroque and the neo-baroque construct complex performative spaces whose spectacle seeks to embrace, immerse, and seduce the senses and solicit the emotions of the beholder.




Performative Bodies, Hybrid Tongues


Book Description

This book reconsiders the body in literature and makes a case for visual representation as a physical and gesticulative domain for rethinking the constructions of gender, nationalism and sexuality. Examining literary production from the eleventh century until the present, the author argues that the body in contemporary North Africa and Latin America serves as a physical and symbolic terrain upon which sexual, textual, national, racial and linguistic identities are vectored and through which postcolonial and hegemonic antagonisms of power and identity are resolved. Rather than embracing «third world» identity as a residual repository of western thought, colonization and linguistic infusion, the author suggests that the paradigm of cultural identity in the Maghreb and Latin America is best understood through an examination of the emergent corporeal articulations of subjectivity prevalent in these literatures and visual cultures. The text examines the body as a critical landscape through which the various discourses of nationhood, gender and sexuality converge in order to construct a reading of the social that neither amasses subjectivity as singular under the rubric of the «third world», nor couches the other within static notions of gendered, sexual or racial identities.




The New Boundaries between Bodies and Technologies


Book Description

The new boundaries between bodies and technologies constitute one of the most important developments in the last fifty years. Through technologies we not only change the relations between a natural given, the body, and a human-made artefact -- the technology but also change the ways we experience the world. How close are we to a world in which the abilities of machines are indistinguishable from those of the species that invented them? Our encounters with the new technologies change the cognitive processes and influences the modes of processing information. Moreover, it raises the question of the nature of human beings. Traversing body as emotive- being- in- the world and body as location culturally and socially constructed, there is a third dimension: the dimension of technological. Are we able to use these new dimension as a creative interface between the emotional brain, the acting body, and ICTS? In answering these questions, the book explores the action of bodies in technology, that is, how the sense of our bodies and of our orientation in the world are affected by information and communication technologies. It contributes therefore to the world-wide discussion and debates on the impact of technology, especially information technology, on the lives of human beings in the age of globalization, in particular to the present thinking of the relationship between technology and embodiment.




Shakespeare's Body Parts


Book Description

This book provides a sustained, formalist reading of the multiple body parts that litter the dialogue and action of Shakespeare's history plays.




From the Royal to the Republican Body


Book Description

In this innovative volume, leading scholars examine the role of the body as a primary site of political signification in seventeenth- and eighteenth-century France. Some essays focus on the sacralization of the king's body through a gendered textual and visual rhetoric. Others show how the monarchy mastered subjects' minds by disciplining the body through dance, music, drama, art, and social rituals. The last essays in the volume focus on the unmaking of the king's body and the substitution of a new, republican body. Throughout, the authors explore how race and gender shaped the body politic under the Bourbons and during the Revolution. This compelling study expands our conception of state power and demonstrates that seemingly apolitical activities like the performing arts, dress and ritual, contribute to the state's hegemony. From the Royal to the Republican Body will be an essential resource for students and scholars of history, literature, music, dance and performance studies, gender studies, art history, and political theory.




Body and Soul


Book Description

Body and Soul is the catalogue of the exhibition held from 21 October to 19 November 2010 at Moretti Fine Art Gallery - Adam Williams Fine Art Gallery (20 East 80th Street, New York City). The catalogue presents great masterpieces of Italian Renaissance and Baroque sculpture. It was supervised by Andrew Butterfield and Fabrizio Moretti, two of the world's foremost experts of antique trade. The sculptures that the book deeply analyzes all have something in common: they combine ideality and naturalism of form with intensity and depth of expression, so that both the outer appearance and the inner life of the character represented manage to emerge. In short, not even one of these sculptures submitted to the strict academic rules which have always influenced art. They were selected because they celebrate life in every single aspect, both physical and spiritual. Among the artists whose works are here described are Andrea Del Verrocchio, Jacopo Sansovino, Andrea Riccio, Alessandro Algardi, Domenico Pieratti, Giambattista Foggini, Pierre Le Gros, Giuseppe Mazzuoli, Giuseppe Piamontini and Giovachino Fortini. The book includes introductions by Andrew Butterfield, Fabrizio Moretti and Marc Fumaroli as well as in-depth essays by Andrea Bacchi, Andrew Butterfield, C. D. Dickerson, Marc Fumaroli, Giancarlo Gentilini, Tomaso Montanari and Riccardo Spinelli, providing historical and technical information. The volume is rich in colour images and each essay is accompanied by a detailed bibliography.