The Basic Principles of Eurythmy
Author : Judith Compton-Burnett
Publisher :
Page : 279 pages
File Size : 10,68 MB
Release : 1937
Category :
ISBN :
Author : Judith Compton-Burnett
Publisher :
Page : 279 pages
File Size : 10,68 MB
Release : 1937
Category :
ISBN :
Author : Rudolf Steiner
Publisher : Rudolf Steiner Press
Page : 534 pages
File Size : 12,7 MB
Release : 2019-10-23
Category : Religion
ISBN : 1855845679
‘The study of music is the study of the human being. The two are inseparable, and eurythmy is the art which brings this most clearly to expression. In these lectures, Rudolf Steiner guides us along a path toward an understanding of the human form as music comes to rest – the movements of eurythmy bringing this music back to life.’ – Dorothea Mier ‘Fundamentally speaking, music is the human being, and indeed it is from music that we rightly learn how to free ourselves from matter.’ – Rudolf Steiner The focus of these eight lectures is the source of movement and gesture in the human being. The movement in musical experience is thus traced back to its origin in the human instrument itself. Like the degrees of the musical scale, Rudolf Steiner leads his select audience of young artists through eight stages, focusing on the living principles of discovery and renewal. Eurythmy was born in the turbulent decades of the early twentieth century. From an individual question as to whether it was possible to create an art based on meaningful movement, Rudolf Steiner responded with fresh creative possibilities for a renewal of the arts in their totality. The new art of eurythmy was an unexpected gift. Today, music eurythmy, along with its counterpart based on speech, is practiced as an art, taught as a subject in schools, enjoyed as a social activity and applied as a therapy. This definitive translation of Steiner’s original lecture course on eurythmy includes a facsimile, transcription and translation of the lecturer’s notes, together with an introduction and index. The volume is supplemented with an extensive ‘companion’, featuring full commentary and notes compiled by Alan Stott, as well as a translation of Josef Matthias Hauer’s Interpreting Melos.
Author :
Publisher :
Page : 298 pages
File Size : 44,30 MB
Release : 2000-01-01
Category : Eurythmy
ISBN : 9780929979823
Author : Rudolf Steiner
Publisher : Rudolf Steiner Press
Page : 176 pages
File Size : 35,13 MB
Release : 2013-04-16
Category : Body, Mind & Spirit
ISBN : 1855843463
Created in 1911, eurythmy was developed for years as an artistic and educational discipline. Although Rudolf Steiner pointed out its healing aspects from the very beginning, it was only in 1921 that he gave a course of lectures that gave the art of eurythmy a vital new application. To the assembled eurythmists and doctors, he presented what one participant described as '...a complete and detailed method of eurythmy therapy, in which we could directly experience that even today the creative and therapeutic power of the word ... is still at work'.Steiner's comprehensive lectures, republished here in a thoroughly revised translation, describe the principles of therapeutic eurythmy, giving many specific exercises. Primarily intended for practising eurythmists, these lectures also contain much material of particular interest. Steiner reveals the intricacies of rhythmic interplay between human physiology and the life-forces in the world around us. He describes the qualities of language and the dynamism contained in the individual vowels and consonants, elucidating their relationship with eurythmical movements and human experience. Through such movements, individuals are able to access the healing etheric forces.The exercises, referred to by Steiner as 'inner gymnastics', contain enormous potential for psychological and physiological well-being. Gaining ever-wider recognition today, they complement conventional medicine, offering a therapeutic process concerned with mind, soul and body.This new edition of these important lectures - previously published under the title Curative Eurythmy - includes an appendix with reminiscences by early eurythmists, as well as additional commentary from Dr Walter Kugler.
Author : Rudolf Steiner
Publisher : Collected Works of Rudolf Stei
Page : 0 pages
File Size : 41,86 MB
Release : 2015
Category : Art
ISBN : 9781621480723
Notebook entries, addresses, rehearsals, programs, introductions to performances, and talks given before 16 eurythmy performances (CW 277c) The Early History of Eurythmy is the first of three volumes of Rudolf Steiner's "eurythmy addresses," short introductory talks preceding the earliest performances of this new art of movement. Of the nearly 300 transcripts that survive, few have thus far been translated into English. This volume presents, chronologically, the addresses related mostly to drama, generally, and specifically to stage performances of Goethe's Faust and Steiner's mystery dramas. In addition, it features all of Rudolf Steiner's notebook entries on eurythmy, along with all of the extant eurythmy programs from 1913 to 1925, which yield invaluable insights into Steiner's taste and aesthetics. Frederick Amrine's engaging introduction emphasizes that eurythmy is an important episode in the history of dance, but has been unjustly neglected. He contends that eurythmy is a continuation of an aesthetic revolution that began not in Europe but in America; that the original impulses leading to "new dance" were deeply spiritual; and that there are deep but largely unrecognized affinities between "new dance" and eurythmy. This counter-narrative about the prehistory of eurythmy within the history of dance should be of particular interest to English-speaking anthroposophists, because it identifies the pioneering work of three American women as the all-important context for the development of eurythmy: Loie Fuller, Isadora Duncan, and Ruth St. Denis. Drawing on extensive historical documentation, he states that it is eurythmy rather than modern dance that is the rightful heir of Fuller, Duncan, and St. Denis. CONTENTS: Introduction: Eurythmy and the "New Dance," by Frederick Amrine 1. Notebook Entries and an Excerpt from a Letter 2. Addresses and Other Texts Related to Eurythmy 3. Two Rehearsed Readings of "Classical Walpurgis Night" from Goethe's Faust II 4. Eurythmy Programs, Advertisements, and Announcements 5. Chronology and Overview Notes The Early History of Eurythmy is a translation from German of part 3 from Eurythmie. Die Offenbarung der sprechenden Seele (GA 277).
Author : Leonore Russell
Publisher :
Page : 130 pages
File Size : 10,7 MB
Release : 2009-01-01
Category : Eurythmy
ISBN : 9781888365894
Learning through movement and expression is standard practice in Steiner-Waldorf Lower Schools. Children learn using their hands, through singing and stretching.Leonore Russell explores whether eurythmy and movement should be used more at High School level, from Years 9 to 12. She considers the developmental stages of these later years, and how eurythmy could be beneficial. The book is full of exercises, songs and suggestions for movement activities at different ages.
Author : Annemarie Dubach-Donath
Publisher : Mercury Press (Canada)
Page : 0 pages
File Size : 41,53 MB
Release : 2022-06
Category : Performing Arts
ISBN : 9781957569451
A classic book about a new form of movement, written by a great teacher and performer of eurythmy. It gives a thorough exposition of the art form. "The art of movement known as eurythmy takes its start from Goethe's view that all art is the revelation of concealed laws of Nature, which, without such revelation, would remain concealed. This thought may be connected with another Goethean thought. In each human organ there is an expression of the whole form of man. Each human limb is, as it were, the human being in miniature, just as, in Goethe's view, the leaf is the plant in miniature. We may reverse this thought and see in man a complete expression of what one of his organs represents. In the larynx and the organs connected with the larynx in speech and song, these activities set up the movements or tendency to movements, which are revealed in sounds or combinations of sounds, although the movements themselves are not perceived in ordinary life. It is not so much these movements themselves but the tendencies to them which are to be transformed by eurythmy into movements of the whole body. What occurs imperceptibly in the formation of sounds and tones in a single system of organs is to become visible as movement and posture in the whole human being. The movements of the limbs reveal what takes place in the larynx and its neighboring organs in speaking and singing; in movement in space, in the forms and movements of groups, there is portrayed what lives in the human soul as tone and speech. Thus in eurythmy, this art of movement, there is created something, at the birth of which those impulses ruled which have been active in the development of all forms of art. Eurythmy is intended to lead the art of dancing back to the source from which it originated but from which, in the course of time, it has wandered far. It would do this not through imitation or mere revival of the old, but in the true sense of a truly modern conception of art." -- Rudolf Steiner, 1922
Author : Rudolf Steiner
Publisher : Rudolf Steiner Press
Page : 133 pages
File Size : 31,24 MB
Release : 1983
Category : Dance therapy
ISBN : 9780854403981
These lectures "present the first seeds of a curative eurythmy." Though primarily intended for eurythmists concerned with therapy, they will also interest anyone concerned with the rhythmic interplay between physiology, the formative forces, and language.
Author : Tatiana Kisseleff
Publisher : Floris Books
Page : 146 pages
File Size : 11,87 MB
Release : 2021-07-15
Category : Performing Arts
ISBN : 1782507620
In the autumn of 1912, Rudolf Steiner presented the first eurythmy performance. It marked the revival, in modern form, of the sacred art of dance, which had been used in the ancient Mysteries to express the movements of the stars and the planets. In the years that followed, Steiner and his wife, Marie von Sivers, developed eurythmy further, broadening it beyond the artistic to encompass healing and educational elements as well. One of the pioneers of this new form of movement was the Russian anthroposophist Tatiana Kisseleff, who became a student of Steiner's and later a celebrated eurythmy teache. In this remarkable book, available for the first time in English, Kisseleff describes the spiritual foundations of eurythmy as they were explored in Steiner's lectures and recounts the instruction she received from him. This is both an eyewitness account of the origins of eurythmy and a record of a deeply personal journey of one person's efforts to master it. The book is illustrated throughout with photographs, drawings, facsimile reproductions from notebooks and posters advertising early eurythmy performances, alongside accounts of performances of various pieces including Shakespeare's The Tempest, Goethe's Faust, and Rudolf Steiner's own Mystery Dramas. This is a fascinating account for eurythmists and anyone who wants to delve more deeply into eurythmy's history and development.
Author : Rudolf Steiner
Publisher : SteinerBooks
Page : 282 pages
File Size : 39,7 MB
Release : 2009-05
Category : Music
ISBN : 1621511383
The art of movement called eurythmy began about eighty years ago, based on Rudolf Steiner's knowledge of spiritual beings and meanings behind various human movements, as well as knowledge of the inner spiritual qualities of human beings when we move. Eurythmy performance is choreographed according to "forms" drawn to reflect the inner nature of spoken language (speech eurythmy) or a musical piece (tone eurythmy), which is the subject of Eurythmy Forms for Tone Eurythmy. Steiner produced about 1500 forms for speech and tone eurythmy to be performed in Dornach and other locations. Many of his forms for tone eurythmy arose spontaneously in response to requests for forms from eurythmists. Steiner's spontaneity is readily apparent in the sketches themselves, with some drawn at rehearsals as he listened to the music. Steiner sketched others in the evening after hearing the music once, making them available for rehearsal the next day. When he was confined to bed during his final illness, he drew forms simply by looking at the sheet music. Eurythmy Forms for Tone Eurythmy contains facsimiles of the Rudolf Steiner's original drawings and, in many cases, instructions for performing them. Included are forms for compositions by Bach, Beethoven, Brahms, Chopin, Franck, Grieg, Handel, Lewerenz, Liszt, Mozart, Reger, Schubert, Schumann, Scriabin, van Stuten, Tartini, and many more. This is a valuable resource for all eurythmists, as well as for those who wish to gain a better understanding of eurythmy forms. This book is intended primarily for eurythmy students, performers, and teachers, and is also useful to anyone who would like to study eurythmy movements and better appreciate eurythmy performances.