Battle of the Doom of Oleg


Book Description




Doom


Book Description

"All disasters are in some sense man-made." Setting the annus horribilis of 2020 in historical perspective, Niall Ferguson explains why we are getting worse, not better, at handling disasters. Disasters are inherently hard to predict. Pandemics, like earthquakes, wildfires, financial crises. and wars, are not normally distributed; there is no cycle of history to help us anticipate the next catastrophe. But when disaster strikes, we ought to be better prepared than the Romans were when Vesuvius erupted, or medieval Italians when the Black Death struck. We have science on our side, after all. Yet in 2020 the responses of many developed countries, including the United States, to a new virus from China were badly bungled. Why? Why did only a few Asian countries learn the right lessons from SARS and MERS? While populist leaders certainly performed poorly in the face of the COVID-19 pandemic, Niall Ferguson argues that more profound pathologies were at work--pathologies already visible in our responses to earlier disasters. In books going back nearly twenty years, including Colossus, The Great Degeneration, and The Square and the Tower, Ferguson has studied the foibles of modern America, from imperial hubris to bureaucratic sclerosis and online fragmentation. Drawing from multiple disciplines, including economics, cliodynamics, and network science, Doom offers not just a history but a general theory of disasters, showing why our ever more bureaucratic and complex systems are getting worse at handling them. Doom is the lesson of history that this country--indeed the West as a whole--urgently needs to learn, if we want to handle the next crisis better, and to avoid the ultimate doom of irreversible decline.




Cinema in the Cold War


Book Description

The film industry was an important propaganda element during the Cold War. As with other conflicts, the Cold War was fought not just with weapons, but with words and images. Throughout the conflict, cinema was a reflection of the societies, the ideologies, and the political climates in which the films were produced. On both sides, great stars, major companies, famous scriptwriters, and filmmakers were enlisted to help the propaganda effort. It was not only propaganda that was created by the cinema of the Cold War – it also articulated criticism, and the movie industries were centres of the fabrication of modern myths. The cinema was undoubtedly a place of Cold War confrontation and rivalry, and yet there were aesthetic, technical, narrative exchanges between West and East. All genres of film contributed to the Cold War: thrillers, westerns, comedies, musicals, espionage films, documentaries, cartoons, science fiction, historical dramas, war films, and many more. These films shaped popular culture and national identities, creating vivid characters like James Bond, Alec Leamas, Harry Palmer, and Rambo. While the United States and the Soviet Union were the two main protagonists in this on-screen duel, other countries, such as Britain, Germany, Poland, Italy, and Czechoslovakia, also played crucially important parts, and their prominent cinematographic contributions to the Cold War are all covered in this volume. This book was originally published as a special issue of Cold War History.




The Ashgate Research Companion to War


Book Description

Many different social scientists have been challenged by the origins of wars, their immediate causes and the mechanisms leading to the breakdown of peaceful relations. Many have speculated whether conflicts were avoidable and whether alternative policies might have prevented conflict. The Ashgate Research Companion to War provides contributions from a number of theorists and historians with a focus on long term, systemic conflicts. The problèmatique is introduced by the Editors highlighting the need for interdisciplinary approaches to the study of war as a global phenomenon. The following 29 essays provide a comprehensive study guide in four sections: Part I explicates differing theories as to the origins of war under the general concept of 'polemology'. Part II analyzes significant conflicts from the Peloponnesian wars to World War II. Part III examines the ramifications of Cold War and post-Cold War conflict. Part IV looks at long cycles of systemic conflict, and speculates, in part, whether another global war is theoretically possible, and if so, whether it can be averted. This comprehensive volume brings us a much needed analysis of wars throughout the ages, their origins, their consequences, and their relationship to the present. A valuable understanding that is ideal for social scientists from a variety of backgrounds.




The Critic


Book Description







Gender and Choice after Socialism


Book Description

The end of socialism in the Soviet Union and its satellite states ushered in a new era of choice. Yet the idea that people are really free to live as they choose turns out to be problematic. Personal choice is limited by a range of factors such as a person’s economic situation, class, age, government policies and social expectations, especially regarding gender roles. Furthermore, the notion of free choice is a crucial feature of capitalist ideology, and can be manipulated in the interests of the market. This edited collection explores the complexity of choice in Russia and Ukraine. The contributors explore how the new choices available to people after the collapse of the Soviet Union have interacted with and influenced gender identities and gender, and how choice has become one of the driving forces of class-formation in countries which were, in the Soviet era, supposedly classless. The book will of interest to students and scholars across a range of subjects including gender and sexualities studies, history, sociology and political science.