Baumgarten's Elements of First Practical Philosophy


Book Description

This book presents the first English translation of Alexander Baumgarten's Initia Philosophiae Practicae Primae, the textbook Kant used in his lectures on moral philosophy. Originally published in Latin in 1760, the Initia contains a systematic, but original version of the universal practical philosophy first articulated by Christian Wolff. In his personal copy, Kant penned hundreds of pages of notes and sketches that document his relation to this earlier tradition. Translating these extensive elucidations into English, together with Kant's notes on the text, this translation offers a complete resource to Kant's reading of the Initia. To facilitate further study, first-time translations of elucidatory passages from G. F. Meier and Wolff are also included, alongside a German-English-Latin glossary. The translators' introduction provides a biography of Baumgarten, a discussion of the importance of the Initia, its relation to Wolff's and Meier's universal practical philosophy and its role in Kant's lectures. By shedding new light on the arguments of Kant's mature works and offering insights into his pre-Critical moral thought, Elements of First Practical Philosophy reveals why Baumgarten's work is essential for understanding the background to Kant's philosophy.




Baumgarten and Kant on the Foundations of Practical Philosophy


Book Description

Over the last two decades, scholarship on Kant and modern German philosophy has become increasingly focused on understanding their historical roots. Central to this development is the work of Alexander Gottlieb Baumgarten (1714-62), whose textbooks profoundly influenced later generations of German philosophers. Immanuel Kant (1724-1804), in particular, lectured from Baumgarten's textbooks, including those on moral and legal philosophy, for well over thirty years. Following the recent English translation of Baumgarten's key works, this volume is the first comprehensive reappraisal of the relationship between his and Kant's thoughts on the grounding principles of moral philosophy. The chapters--all written by leading researchers who have shaped or are now reshaping the field--cover the whole range of key concepts in the foundations of practical philosophy: obligation, law, goodness, motivation, imputation, conscience, the relationship between ethics and right, and many more. Later chapters provide a comparative look at Kant's and Baumgarten's place within the wider tradition of natural law. Scholars familiar with the field will discover new perspectives on well-received findings, while newcomers will find a comprehensive introduction to the key topics and debates of current research.




Metaphysics as a Science in Classical German Philosophy


Book Description

This volume is dedicated to questions about the nature and method of metaphysics in Classical German Philosophy. Its chapters offer original investigations into the metaphysical projects of many of the major figures in German philosophy between Wolff and Hegel. The period of Classical German Philosophy was an extraordinarily rich one in the history of philosophy, especially for metaphysics. It includes some of the highest achievements of early modern rationalism, Kant’s critical revolution, and the various significant works of German Idealism that followed in Kant’s wake. The contributions to this volume critically examine certain common themes among metaphysical projects across this period, for example, the demand that metaphysics amount to a science, that it should be presented in the form of a system, or that it should proceed by means of demonstration from certain key first principles. This volume also includes material on influential criticisms of metaphysical projects of this kind. Metaphysics as a Science in Classical German Philosophy is a useful resource for contemporary metaphysicians and historians of philosophy interested in engaging with the history of the methodology and epistemology of metaphysics.




Baumgarten’s Philosophical Ethics


Book Description

Alexander Baumgarten's Ethica Philosophica (1740) served as a chief textbook of philosophical instruction in German universities for several decades, and was used by Immanuel Kant for his lectures on moral philosophy between 1759 and 1794. Now translated into English for the first time, John Hymers explores the extent of Baumgarten's influence on the development of German philosophy. Accompanied by an introduction to Baumgarten and his work, this translation features an explanation of the main themes of the Ethica Philosophica, touching upon its relation to Christian Wolff and G.F. Meier's practical philosophy, but focusing especially on its role in Kant's lectures. First-time translations of elucidatory passages from the writings of Meier, Wolff, and Heinrich Köhler appear together with the relevant transcriptions of Kant's lectures on ethics. Based on a thorough knowledge of the original text, Hymers' clear translation and supporting material makes it possible to distinguish Kant's own remarks and insights from his attempts to expound and summarize Baumgarten's ideas. This is a much-needed contribution for anyone working in the history of modern philosophy.




Baumgarten’s Legacy in Kant’s Ethics


Book Description

This book offers the first substantial account of Alexander Gottlieb Baumgarten’s significant influence on Kant’s ethics. Arguing that Baumgarten’s impact is more extensive and profound than previously thought, the book provides a novel interpretation of the formation of Kant’s ethical framework. Scholars have made use of Baumgarten’s Ethica philosophica (1740) to elucidate Kant’s complex terminology and to provide a background against which to understand Kant’s nuanced relationship to his predecessors. To date, however, no English book explores the specific influence of Baumgarten’s Ethica on Kant. This book comments on passages from the Ethica and contrasts them with Kant’s treatment of the same concepts, topics, and questions in his ethics. Notably, Baumgarten articulates ethics around the concept of duty and the principle of perfection, leading to his version of the categorical imperative: ‘perfect yourself’. While Kant rejects this ethical framework, it is evident that he directly adopts Baumgarten’s ideas and critiques them at the same time. Each chapter examines a major topic: the relationship between religion and ethics, duties to oneself, duties to others, duties in particular cases, and the relationship between ethics and political philosophy. Baumgarten’s Legacy in Kant’s Ethics is an essential resource for scholars and advanced students working on Kant, 18th-century philosophy, and the history of ethics.




Baumgarten's Aesthetics


Book Description

The German philosopher Alexander Gottlieb Baumgarten (1714–1762) introduced “aesthetics” as a new science in his Reflections on Poetry (1735) and developed this new part of philosophy in a series of later works, culminating in his unfinished Aesthetics (1750/1758). This volume is the first collection of essays in the English language devoted to Baumgarten’s aesthetics. The essays highlight the distinguishing features of Baumgarten’s aesthetics, situate it in its historical context, document its reception, and examine its contributions to contemporary philosophy.




Kant's Lectures on Ethics


Book Description

Featuring fifteen new essays, this book is the only volume devoted to a scholarly study of Kant's lectures on ethics.




The Emergence of Modern Aesthetic Theory


Book Description

Broad in its geographic scope and yet grounded in original archival research, this book situates the inception of modern aesthetic theory – the philosophical analysis of art and beauty - in theological contexts that are crucial to explaining why it arose. Simon Grote presents seminal aesthetic theories of the German and Scottish Enlightenments as outgrowths of a quintessentially Enlightenment project: the search for a natural 'foundation of morality' and a means of helping naturally self-interested human beings transcend their own self-interest. This conclusion represents an important alternative to the standard history of aesthetics as a series of preludes to the achievements of Immanuel Kant, as well as a reinterpretation of several canonical figures in the German and Scottish Enlightenments. It also offers a foundation for a transnational history of the Enlightenment without the French philosophes at its centre, while solidly endorsing historians' growing reluctance to call the Enlightenment a secularising movement.




Metaphysics


Book Description

Alexander Baumgarten (1714-1762), an influential German philosopher preceding Immanuel Kant, is remembered mainly as a founder of modern aesthetics. Yet his manual on metaphysics was one of the chief textbooks of philosophical instruction in latter 18th-Century Germany. Originally published in Latin, Kant used the Metaphysics for nearly four decades as the basis for lectures on metaphysics, anthropology and religion. Kant composed many of the preparatory sketches for the Critique of Pure Reason in the blank interleaved pages of his personal copy. Available for the first time in English, this critical translation draws from the original seven Latin editions and Georg Friedrich Meier’s 18th-century German translation. Together with a historical and philosophical introduction, extensive glossaries and notes, the text is supported by translations of Kant’s elucidations and notes, Eberhard’s insertions in the 1783 German edition and texts from the writings of Meier and Wolff. For scholars of Kant, the German Enlightenment and the history of metaphysics, Alexander Baumgarten’s Metaphysics is an essential, authoritative resource to a significant philosophical text.




Aesthetics, Theory and Interpretation of the Literary Work


Book Description

This book introduces the reader to the literary work and to an understanding of its cultural background and its specific features. In doing so, it refers to two main traditions of Western culture: one of aesthetics and the theory of art and the other of literary theory. In our postmodern world, language and artistic creation (and above all literature as the art of language) occupy a special role in understanding the human world and become existential issues. A critical attitude requires knowledge of the relevant past in order to understand what we are today. The author presents key topics, ideas, and representatives of aesthetics, theory, and the interpretation of works of art in an historical perspective, in order to explain the Western tradition with constant attention to the present condition. Aesthetics, Theory and Interpretation of the Literary Work offers an outline of essential concepts and authors of aesthetics and theories of the literary work, presenting basic topics and ideas in their historical context and development, considering their relevance to the contemporary debate, and highlighting the specificity of the experience of the art work in our present world. The best way to approach a work of art is to enjoy it. In order to enjoy a literary work, we have to consider its correct context and its specific artistic qualities. The book is conceived as a general and enjoyable introduction to the experience of the work of art in Western culture. See inside the book.