Bawdy Madonna


Book Description

Angie Lanier, the heroine of Kathleen MacArthur's new novel, travels a world away from her Midwest background, where she absorbs a mysterious spell cast upon her by a Balinese priest. Her efforts to learn more about her father prompts flashbacks of her confusion between the values of her modest mother and her outrageous grandmother. Angie's relationship with a free-spirited young congressman, the idol who dominated her childhood fantasies, is immediately jeopardized when she meets a highly principled and compassionate Oxford don. She experiences a life very different from her promising career as a society tattler for a Washington D.C. magazine. With wry insight and moments of randy sex, MacArthur invites her readers to share Angie's efforts to resolve the challenges imposed by the 60's sexual revolution, plus her discovery of a horrific family secret. The novel also includes some not so subtle hints of reincarnation.




Madonna, Bawdy & Soul


Book Description

Karlene Faith says that Madonna signifies the times we live in. We are, in a sense, all responsible for who Madonna is. As fans, moral critics, media journalists, or university scholars, we mediate what she means to our society. And Madonna, as a shrewd career woman, has known how to exploit our attentions with her multiple talents. Her representation of sexual practices and values has not taken place in a political or social vacuum. She has counted on our readiness to witness the smashing of cultural taboos. Feminist reactions to Madonna have been divided. In her early career Madonna was a teenage role model, applauded as a liberated sex crusader. Later, she raised eyebrows by portraying cynical sex with multiple partners across identity boundaries and by capitalizing on sadomasochistic imagery.




From Mae to Madonna


Book Description

Entertainers were the first group of successful women to capture the public eye, taking to the stage in vaudeville and film and redefining their place in society. June Sochen introduces the white, African American, and Latina women who danced on Broadway, fell on bananas in silent films, and wisecracked in smoky clubs, as well as the modern icons of today's movies and popular music. S ochen considers such women as Mae West, Bette Davis, Shirley Temple, Lucille Ball, and Mary Tyler Moore to discover what show business did for them and what they did for the world of entertainment. She uses the life of 30s and 40s Latina star Lupe Velez as a case study of the roles available to Latinas in popular culture. She then contrasts her story with that of the African American action star Pam Grier to demonstrate the old and new ways minority women are portrayed in popular culture. From Mae to Madonna places each woman within the context of her time and talks about her relationship with dominant female stereotypes. Sochen discusses women's roles as Mary, Eve, and Lilith and asks thought-provoking questions. Why did the Depression give women movie stars so many important roles while the so-called feminist 1970s did not? Why has television been a congenial venue for women comics while film has not? In examining how entertainers worked within or transformed particular genres and how their personal and public lives affected their careers, From Mae to Madonna casts the spotlight on a series of remarkable women and their dramatic effect on America's popular culture.




Madonna


Book Description

New York Times Editors’ Choice, One of NPR’s Best Books of the Year In this “infinitely readable” biography, award-winning author Mary Gabriel chronicles the meteoric rise and enduring influence of the greatest female pop icon of the modern era: Madonna (People Magazine) With her arrival on the music scene in the early 1980s, Madonna generated nothing short of an explosion—as great as that of Elvis or the Beatles—taking the nation by storm with her liberated politics and breathtaking talent. Within two years of her 1983 debut album, a flagship Macy's store in Manhattan held a Madonna lookalike contest featuring Andy Warhol as a judge, and opened a department called “Madonna-land.” But Madonna was more than just a pop star. Everywhere, fans gravitated to her as an emblem of a new age, one in which feminism could shed the buttoned-down demeanor of the 1970s and feel relevant to a new generation. Amid the scourge of AIDS, she brought queer identities into the mainstream, fiercely defending a person's right to love whomever—and be whoever—they wanted. Despite fierce criticism, she never separated her music from her political activism. And, as an artist, she never stopped experimenting. Madonna existed to push past boundaries by creating provocative, visionary music, videos, films, and live performances that changed culture globally. Deftly tracing Madonna’s story from her Michigan roots to her rise to super-stardom, master biographer Mary Gabriel captures the dramatic life and achievements of one of the greatest artists of our time.




A World Made Sexy


Book Description

" Eroticism is a constant presence in modern society, encompassing almost every aspect of our daily lives. It is a product of one of the major commercial and political enterprises of the twentieth and twenty-first centuries: the cultivation of desire – desire for sex, desire for wealth, desire for entertainment. Paul Rutherford's A World Made Sexy looks at modern civilization's ongoing project to manufacture and encourage public wants, building a utopia where just about everyone (who is affluent) dreams, plays, and, of course, shops. A World Made Sexy uses museum exhibitions, art, books, magazines, films, and television to examine the rise and purpose of eroticism, first in America but soon across the affluent world. Starting with a brief foray into the representation of history as past pornography, Rutherford explores a sexual liberation movement shaped by the ideas of Marx and Freud, the erotic styles of Salvador Dali and pop art, the pioneering use of publicity as erotica by Playboy and other products, and the growing concerns of cultural critics over the emergence of a regime of stimulation. In one case study, Rutherford pairs James Bond and Madonna in order to examine the link between eroticism and aggression. He further details how television advertising after 1980 constructed a theatre of the libido to entice the buying public, and concludes by situating the Eros project in the wider context of Michel Foucault's account of the administration of life, and specifically sexuality, during the modern era. A World Made Sexy is about power and pleasure, emancipation and domination, and the relationship between the personal passions and social controls that have crafted desire. "




The Madonna Connection


Book Description

Various cultural theories (foremost among them, postmodernism) have figured in the debate over the politics of representation. These theories have tended to look at representation in the context of either audience enablement or commercial constraint; that is, do the images empower the public or inhibit it? One key area consistently overlooked has the been the study of subcultural or subordinate groups who appropriate what is traditionally considered "mainstream." The Madonna Connection is the first book to address the complexities of race, gender, and sexuality in popular culture by using the influence of a cultural heroine to advance cultural theory. Madonna's use of various media—music, concert tour, film, and video—serves as a paradigm by which the authors study how images and symbols associated with subcultural groups (multiracial, gay and lesbian, feminist) are smuggled into the mainstream. Using a range of critical and interpretive approaches to this evolving and lively cultural phenomenon, the authors demonstrate the importance of personalities like Madonna to issues of enablement and constraint. Are "others" given voice by political interventions in mass popular culture? Or is their voice co-opted to provide mere titillation and maximum profit? What might the interplay of these views suggest? These are some of the questions the authors attempt to answer. Some celebrate Madonna's affirmation of cultural diversity. Others criticize her flagrant self-marketing strategies. And still others regard her as only a provisional challenge to the mainstream.




Madonna as Postmodern Myth


Book Description

Madonna has long been accepted as a pop culture icon, but this text postulates a greater cultural importance by analyzing her as a postmodern myth. This work examines how Madonna methodically discovered and constructed herself (often rewriting her past), the nature and extent of her ambition and the means she used to reach her goals. It also details the way in which she organized her own cult (borrowing from the gay community), devised her artistic output, and cunningly targeted different audiences. It also studies the fundamental contradiction--virgin or vamp? saint or prostitute?--that fuels Madonna's career and describes how Madonna reflects today's society, its contradictions and its attitudes toward sexuality and religion.




Madonna's Drowned Worlds


Book Description

Madonna is perhaps one of the most consistently transgressive and self-transforming artists of the late 20th and early 21st centuries. The recent release of two critically acclaimed and best-selling albums and a sold-out world tour have renewed media and academic interest in the artist. Madonna presents a set of strikingly new challenges to cultural analysis, and new developments in Gender, Queer and Ethnic studies have shed more light on her entire oeuvre. Whilst the contributors do refer to classic cultural theorists such as Baudrillard, Zizek, Foucault and Barthes, new theoretical approaches to Madonna's work feature prominently. In view of this, the present volume offers new perspectives on Madonna's work to date, addressing her configurations of race, gender and sex(uality) and with special emphasis on her resurrection after the Sex backlash in the early 1990s. The collection focuses on new Madonna-related topics such as Hinduism, Judaism, Japanese culture, All-American culture, Queer culture, Motherhood and her influence on newer 'girl acts' such as the Spice Girls and Britney Spears. The book explores the themes of gender, sexuality, ethnicity and celebrity consumption through the lens of Madonna's songs, videos and shows. An international array of scholars portrays Madonna's popularisation of the notion that identity is not fixed and can be continuously rearranged and revamped. The book should have wide appeal for all those concerned with gender studies, cultural studies, ethnic studies, lesbian and gay musicology as well as popular music studies.




Madonna's Erotica


Book Description

Everyone wanted Madonna's 1992 album Erotica to be a scandal. In the midst of a culture war, conservatives wanted it to be proof of the decline of family values. The target of conservative loathing, gay men reeling from the AIDS epidemic wanted it to be a celebration of a sexual culture that had rapidly slipped away. And Madonna herself wanted to sell scandal, which is why she released Erotica in the same season as her erotic thriller Body of Evidence and her pornographic coffee-table book simply titled Sex. But Erotica is more sentimental than pornographic. This ambivalence over sex is what makes the album crucial both for understanding its time and for navigating culture a generation later. As queer politics were transitioning from sexual liberation to civil rights like same-sex marriage, Madonna tried to do both. Her songs proved formative for works of queer theory, which emerged in the academy at the same time as the album. And Erotica was-and is-central to a developing consciousness about cultural appropriation. In this book, Michael Dango considers Erotica and its legacy by drawing both on the intellectual traditions at the center of today's hysteria over critical race theory and “don't say gay” and on his own experiences as a gay man too young to know the original carnage of AIDS and too old to grow up assuming he could get married. Madonna offered up Erotica as a key entry in the 1990s culture wars. Her album speaks all the more urgently to the culture wars of today




Spy


Book Description

Smart. Funny. Fearless."It's pretty safe to say that Spy was the most influential magazine of the 1980s. It might have remade New York's cultural landscape; it definitely changed the whole tone of magazine journalism. It was cruel, brilliant, beautifully written and perfectly designed, and feared by all. There's no magazine I know of that's so continually referenced, held up as a benchmark, and whose demise is so lamented" --Dave Eggers. "It's a piece of garbage" --Donald Trump.