Beckett's Eighteenth Century


Book Description

Beckett's Eighteenth Century is the first book-length study of Samuel Beckett's affinity with the British eighteenth century and of the influence of its writers on his work. Reading Swift, Pope, Defoe, Fielding, Sterne, Johnson, Gray, and other writers of this period, this study demonstrates how he was not only influenced by them but interprets them for us in a quite modern way. Beckett's uniqueness is not questioned here, but this uniqueness is shown, paradoxically, to have its roots at least in part in his native literature of two centuries ago.




Beckett's Eighteenth Century


Book Description

Beckett's Eighteenth Century is the first book-length study of Samuel Beckett's affinity with the British eighteenth century and of the influence of its writers on his work. Reading Swift, Pope, Defoe, Fielding, Sterne, Johnson, Gray, and other writers of this period, this study demonstrates how he was not only influenced by them but interprets them for us in a quite modern way. Beckett's uniqueness is not questioned here, but this uniqueness is shown, paradoxically, to have its roots at least in part in his native literature of two centuries ago.




The Anglo-Irish Tradition


Book Description

'I was brought up to think myself Irish without question or qualification,' wrote the Irish author and politician, Stephen Gwynn, in the 1920s, 'but the new nationalism prefers to describe me and the like of me as Anglo-Irish.' This new nationalism maintained that the only true Irishman was a Gael, and Gaelic culture the only truly Irish culture. Other elements, if they could not be eliminated, must be given a label indicating their 'foreign' origin. 'Anglo-Irish was the name given to the descendents and successors of the Protestant Ascendancy that had ruled Ireland in the eighteenth century, to which belonged Swift and Burke, Goldsmith and Grattan. They were, in general, members of the Church of Ireland and mainly, though not exclusively, of English extraction. But they certainly felt themselves to be Irish, however they might differ from the majority of their countrymen. In this book J. C. Beckett maintains that the Anglo-Irish tradition is an essential part of the life of Ireland. He traces its history down to the Treaty of 1921, and discusses briefly the significance for Ireland of their decline, both in numbers and in influence, after that date.




NTA/UGC-NET/JRF English


Book Description

NTA/UGC-NET/JRF English Chapter-wise Solved Papers with Notes




Studies in Eighteenth-century French Literature


Book Description

These Studies in Eighteenth-Century French Literature presented to Robert Niklaus were written by former students and colleagues and by his friends, to mark his retirement in 1975. The articles all relate to the French Enlightenment, Professor Niklaus's main academic interest, but vay in approach and subject. Six articles deal with aspects of the works of Diderot: his philosophy, aesthetics, narrative art and style. There are articles on Voltaire - his social, political and philosophical attitudes - and on Montesquieu, among others. The book as a whole is evidence of the continuing vitality of the Enlightenment and makes a fitting complement to Professor Niklaus's own important and lively contribution to eighteenth-century studies.




Beckett’s Art of Mismaking


Book Description

Leland de la Durantaye helps us understand Beckett’s strangeness and notorious difficulty by arguing that Beckett’s lifelong campaign was to mismake on purpose—not to denigrate himself, or his audience, or reconnect with the child or savage within, but because he believed that such mismaking is in the interest of art and will shape its future.




Samuel Beckett


Book Description

Making available for the first time the entire known corpus of Beckett's poetry and extensive excerpts from the early unpublished prose, the author's study of Beckett's poetry and criticism provides the opening chapter in the story of the evolution of a formidable talent. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.




Beckett and Cioran


Book Description

This Element discusses the association between Samuel Beckett, and the Romanian-born philosopher, E. M. Cioran. It draws upon the known biographical detail, but, more substantially, upon the terms of Beckett's engagement with Cioran's writings, from the 1950s to the 1970s. Certain of Cioran's key conceptualisations, such as that of the 'meteque', and his version of philosophical scepticism, resonate with aspects of Beckett's writing as it evolved beyond the 'siege in the room'. More particularly, aspects of Cioran's conclusion about the formal nature that philosophy must assume chime with some of the formal decisions taken by Beckett in the mid-late prose. Through close reading of some of Beckett's key works such as Texts for Nothing and How It Is, and through consideration of Beckett's choices when translating between English and French, the issues of identity and understanding shared by these two settlers in Paris are mutually illuminated.




The Dramatic Works of Samuel Beckett


Book Description

A selectively comprehensive bibliography of the vast literature about Samuel Beckett's dramatic works, arranged for the efficient and convenient use of scholars on all levels.




Beckett, Literature and the Ethics of Alterity


Book Description

In Beckett, Literature and the Ethics of Alterity Weller argues through an analysis of the interrelated topics of translation, comedy, and gender that to read Beckett in this way is to miss the strangely 'anethical' nature of his work, as opposed to the notion that the literary event constitutes the affirmation of an alterity.