Beethoven’s Dedications


Book Description

The dedication of a piece of music is a feature generally overlooked, but it can reveal a great deal about the work, the composer, the society and the music world in which the composer lived. This book explores the musical, biographical and sociological aspects of the practice of dedicating new compositions in the late 18th and early 19th centuries, and makes a significant contribution towards a better understanding of the impact these tributes had on Beethoven’s life and work, and their function within the context of the musical, cultural and economic environments in which they appeared. As the first of its kind, this study demonstrates that, as a result of their different functions, published dedications and handwritten inscriptions are distinct from one another, and for that reason they have been classified in different categories. This book, therefore, challenges the idea of what exactly can be termed as a ‘dedication’, a concept which extends far beyond the dedication of musical works.




Thayer's Life of Beethoven


Book Description

Although some portions of Thayer's original text have been deleted because recent Beethoven research has proved them inaccurate, "the majority of the text used consists of the coordinated treatment of Thayer's notes and manuscript by these three editors [H. Deiters, H. Riemann, and H. Krehbiel]" with additions and corrections by the present editor.




Beethoven


Book Description

Combining musical insight and the most recent research, Kinderman's biography of Beethoven is both a richly drawn portrait of the man and a guide to his music. In analyses of individual pieces, Kinderman shows that the deepening of Beethoven's musical thought was a continuous process over decades of his life. 30 illustrations.




Archduke Rudolph, Beethoven's Patron, Pupil, and Friend


Book Description

In early 19th-century Austria the Archduke Rudolph occupied multiple roles: a noble Hapsburg by birth, a Cardinal-Archbishop by career, and a dedicated musician by avocation. A talented pianist and composer, Archduke Rudolph enjoyed the unique privilege of being Beethoven's only composition student, and in the two decades of studying with him produced a sizable and well-crafted body of music for piano, chamber ensemble, and voice. Many of the Archduke's autograph manuscripts were corrected in detail by Beethoven, giving us fascinating insights into Beethoven's thinking on the structure and syntax of music. This comprehensive book surveys Archduke Rudolph's life and career in music, which also encompasses his significant role as music patron and collector. It is based on a study of primary sources, principally the autograph manuscripts of his compositions and sketches, and most importantly, Beethoven's own autographs-including sketches, corrections on the Rudolph manuscripts, and a four-measure theme composed expressly for Rudolph's use-produced here, in facsimile, for the first time. Other primary sources examined include the Archduke's correspondence with Beethoven and members of the Imperial household, the catalogues of Rudolph's music collection, and documents related to his ecclesiastical career. The thematic catalogue of Archduke Rudolph's music lists all of his finished and unfinished works in chronological order, as well as sketches, copies, and transcriptions. Fifty illustrations and 190 musical examples are also provided.




Beethoven and the Construction of Genius


Book Description

In this provocative account Tia DeNora reconceptualizes the notion of genius by placing the life and career of Ludwig van Beethoven in its social context. She explores the changing musical world of late eighteenth-century Vienna and follows the activities of the small circle of aristocratic patrons who paved the way for the composer's success. DeNora reconstructs the development of Beethoven's reputation as she recreates Vienna's robust musical scene through contemporary accounts, letters, magazines, and myths—a colorful picture of changing times. She explores the ways Beethoven was seen by his contemporaries and the image crafted by his supporters. Comparing Beethoven to contemporary rivals now largely forgotten, DeNora reveals a figure musically innovative and complex, as well as a keen self-promoter who adroitly managed his own celebrity. DeNora contends that the recognition Beethoven received was as much a social achievement as it was the result of his personal gifts. In contemplating the political and social implications of culture, DeNora casts many aspects of Beethoven's biography in a new and different light, enriching our understanding of his success as a performer and composer.




Beethoven's Immortal Beloved


Book Description

The day after Beethoven’s death on March 26, 1827, his friends found, in a secret drawer of his desk, together with his will and two miniature portraits of two young women, a ten-page letter dated “July 6 in the morning,” that began with the intriguing incantation “My angel, my all, myself.” It included no address and no name of the addressee, except for the now famous my immortal beloved hyperbole, containing passionate declarations of love and was signed, “L., forever yours, forever mine, forever us.” Thus was born a biographical mystery of the artistic canon of the Western World, second only in tantalizing appeal to the identity of the person signing as William Shakespeare. Two hundred years later, biographers still have not come to a consensus on the mystery. Of the many candidates advanced in the meantime, only a few have survived in biographical literature. Stefan Romanó’s book brings the controversy to a close. It clarifies the existing evidence that has often been muddled, and at times reached the absurd, during almost two centuries of scholarly speculations. He also adds some new insights into the analysis of the evidence, thus making it easier for readers to draw their own conclusions, hopefully not different from his, namely, that only one of the candidates proposed so far fits the evidence. He also provides a substantially modified scenario from the one advanced by her proponents. Born in Romania during WWII and immigrated to the U.S.A. in 1989, Stefan Romanó is not a musician nor a musicologist. He is an engineer by formation, a man of exactitude and clear and logical thinking, qualities that served him thoroughly when he became an amateur Beethoven scholar. A long-time member of American Beethoven Society and of its French counterpart, Association Beethoven France et Francophonie, he has published in their professional journals, bringing valuable contributions to understanding Beethoven’s life and creation. His “Ending the Fifth” article answered a question that had puzzled musicians, scholars and music lovers alike for two hundred years: why does Beethoven’s Fifth Symphony end with that apparently interminable series of C major chords? He took up the pen by force of circumstance for his Beethoven’s Immortal Beloved when he realized that all the proposed solutions to the mystery relied on wild speculation and sometimes even falsifying the existing evidence.




Dedicating Music, 1785-1850


Book Description

A synchronic study that highlights the importance of printed packaging, rather than notes on the page, to the complex relationship between composers, publishers, and consumers of music.




Beethoven and His World


Book Description

Following the author's acclaimed biographical dictionaries on Schubert and Mozart, 'Beethoven and His World' offers an extremely comprehensive and up-to-date survey of the composer's relations with a multitude of persons with whom he associated on a personal or professional basis: relatives,friends, acquaintances, librettists, poets, publishers, artists, patrons, and musicians. With more than 450 entries, the dictionary is the result of a wide-ranging examination of primary and secondary sources, and critically assesses the use which scholars have made of the considerabledocumentation now available. In particular, there are numerous references to Beethoven's correspondence and conversation books, which have recently been published in excellent new editions. The book places the composer and his music in a fuller context and a wider perspective than might bepossible in a traditional biography; it will appeal to all music lovers, both the scholar and the non-specilaist alike.







Beethoven: The Music and the Life


Book Description

An authoritative work offering a fresh look at Beethoven’s life, career, and milieu. “Magisterial” —New York Review of Books. This brilliant portrayal weaves Beethoven's musical and biographical stories into their historical and artistic contexts. Lewis Lockwood sketches the turbulent personal, historical, political, and cultural frameworks in which Beethoven worked and examines their effects on his music. "The result is that rarest of achievements, a profoundly humane work of scholarship that will—or at least should—appeal to specialists and generalists in equal measure" (Terry Teachout, Commentary). Finalist for the Pulitzer Prize. "Lewis Lockwood has written a biography of Beethoven in which the hours that Beethoven spent writing music—that is, his methods of working, his interest in contemporary and past composers, the development of his musical intentions and ideals, his inner musical life, in short—have been properly integrated with the external events of his career. The book is invaluable." —Charles Rosen "Lockwood writes with poetry and clarity—a rare combination. I especially enjoyed the connection that he makes between the works of Beethoven and the social and political context of their creation—we feel closer to Beethoven the man without losing our wonder at his genius." —Emanuel Ax "The magnum opus of an illustrious Beethoven scholar. From now on, we will all turn to Lockwood's Beethoven: The Music and the Life for insight and instruction." —Maynard Solomon "This is truly the Beethoven biography for the intelligent reader. Lewis Lockwood speaks in his preface of writing on Beethoven's works at 'a highly accessible descriptive level.' But he goes beyond that. His discussion of the music, based on a deep knowledge of its context and the composition processes behind it, explains, elucidates, and is not afraid to evaluate; while the biographical chapters, clearly and unfussily written, and taking full account of the newest thinking on Beethoven, align closely with the musical discussion. The result is a deeply perceptive book that comes as close as can be to presenting the man and the music as a unity."—Stanley Sadie, editor, The New Grove Dictionary of Music and Musicians "Impressive for both its scholarship and its fresh insights, this landmark work—fully accessible to the interested amateur—immediately takes its place among the essential references on this composer and his music."—Bob Goldfarb, KUSC-FM 91.5 "Lockwood writes like an angel: lucid, enthusiastic, stirring and enlightening. Beethoven has found his ablest interpreter."—Jonathan Keates, The Spectator "There is no better survey of Beethoven's compositions for a wide audience."—Michael Kimmelman, The New York Times Book Review