Before Bemberg


Book Description

Before Bemberg: Argentine Women Filmmakers calls into question the historiography of Argentine women filmmakers that has centered on María Luisa Bemberg to the exclusion of her predecessors. Its introductory discussion of the abundant initial participation by women in film production in the 1910s is followed by an account of their exclusion from creative roles in the studio cinema, which was only altered by the opportunities opened by a boom in short filmmaking in the 1960s. The book then discusses in depth the six sound features directed by women before 1980, which, despite their trailblazing explorations of the perspectives of female characters, daring denunciations of authoritarianism and censorship, and modernizing formal invention, have been forgotten by Argentine film history. Looking at the work and roles of Eva Landeck, Vlasta Lah, María Herminia Avellaneda and María Elena Walsh and Maria Bemberg, the book recognizes these filmmakers’ contributions at a significant moment in which movements to eliminate gender-based oppression and violence in Argentina and elsewhere are surging. Watch some of the films discussed in the book with English subtitles (https://www.youtube.com/channel/UCF_6F4am5024rklIWwExUVA?view_as=subscriber).




Latin American History at the Movies


Book Description

Movies are meant to be entertaining, but they can also be educational. People are naturally curious to know how much of what they see on their screens might be historically true. In Latin American History at the Movies, experts on Latin America focus on five centuries of history as portrayed in feature films. An introduction on the visual presentation of the past in movies sets the stage for essays that explore sixteen of the best feature films on Latin America made from the 1980s to the present.




Gender and American History Since 1890


Book Description

These essays chart major contributions to recent historiography. Carefully selected for their accessibility and accompanied by headnotes and study questions, the essays offer a clear and engaging introduction for the non-specialist. The introduction describes the emergence of gender as a subject of historical investigation and in ten essays, historians explore the meanings and significance of gender in American history since 1890. The volume shows how the interpretation of gender expands and revises our understanding of significant issues in twentieth-century history, such as work, labour protest, sexuality, consumption and social welfare. It offers new perspectives on visual representations and explores the politics of historical subjects and the politics of our own historical revisions.







Redirecting the Gaze


Book Description

Examines the work and aspirations of women filmmakers in Latin America, Africa, and Asia, as well as in marginalized communities within the United States, with particular attention to issues of gender, race, nation, and aesthetics.




Contemporary Argentine Women Filmmakers


Book Description

This edited volume offers a wide-ranging picture of Argentine women filmmakers’ contribution to the film industry from the 1980s to the present by bringing together the work of highly acclaimed and emerging directors. Through thirteen critical essays by leading scholars in the field of Argentine cinema, the book acknowledges that contemporary women filmmakers have transformed the cinema of Argentina by questioning, challenging and debunking hegemonic patriarchal systems of representation. With a focus on women’s voices and experiences, the contributions redress both the under-representation of women and girls onscreen and the perpetuation of stereotypes, while exploring the innovative aesthetics used by these filmmakers.




Vogue


Book Description




Half Sisters of History


Book Description

Long relegated to the margins of historical research, the history of women in the American South has rightfully gained prominence as a distinguished discipline. A comprehensive and much-needed tribute to southern women’s history, Half Sisters of History brings together the most important work in this field over the past twenty years. This collection of essays by pioneering scholars surveys the roots and development of southern women’s history and examines the roles of white women and women of color across the boundaries of class and social status from the founding of the nation to the present. Authors including Anne Firor Scott, Elizabeth Fox-Genovese, Jacquelyn Dowd Hall, and Nell Irwin Painter, among others, analyze women’s participation in prewar slavery, their representation in popular fiction, and their involvement in social movements. In no way restricted to views of the plantation South, other essays examine the role of women during the American Revolution, the social status of Native American women, the involvement of Appalachian women in labor struggles, and the significance of women in the battle for civil rights. Because of their indelible impact on gender relations, issues of class, race, and sexuality figure centrally in these analyses. Half Sisters of History will be important not only to women’s historians, but also to southern historians and women’s studies scholars. It will prove invaluable to anyone in search of a full understanding of the history of women, the South, or the nation itself. Contributors. Catherine Clinton, Sara Evans, Elizabeth Fox-Genovese, Jacquelyn Dowd Hall, Jacqueline Jones, Suzanne D. Lebsock, Nell Irwin Painter, Theda Perdue, Anne Firor Scott, Deborah Gray White




Based on a True Story


Book Description

Combining history with discussions of dramatic cinema, Based on a True Story: Latin American History at the Movies examines how film has portrayed Latin America from the late fifteenth century to the present. The book opens with an introduction on the visual presentation of the past in the movies, while the rest of the book consists of essays that explore the best feature films on Latin America from the professional historian's perspective.




Argentina


Book Description

Why has Argentina failed so spectacularly, both economically and politically? It is a puzzle because the country seemed to have all the requirements for greatness, including a well-established middle class of professionals. Its failure raises the specter that other middle-class societies could also fail. In Argentina, MacLachlan delivers history with a plot, a sense of direction and purpose, and fascinating conclusions that reveal a much more complex picture of Argentina than one might have had in mind prior to reading this book. Argentina traces the roots of the nation from the late colonial period to the present, and examines the impact of events that molded it: the failure of political accommodation in 1912, the role of the oligarchy, the development of a middle class, gender issues, the elaboration of a distinct culture, the era of Peron, the army, and the dirty war. The conclusion suggests the reasons for the nation's difficulties. The IMF, World Bank, and international financial markets play a role, but so does a high level of political corruption and mismanagement of the economy that emerged from political and economic failure. Juan and Eva Peron tried to override politics to create an economic and social balance between urban labor and agriculture interests, but failed. The dirty war arose from that failure. Nationalism forged a culture of victimization and resentment that continues to this day. Laying aside standard explanations, MacLachlan presents a portrait of Argentina that emphasizes the role of a destructive nationalism—and a form a corruption that turns citizens into clients.