Behind the Footlights


Book Description

"Behind the Footlights" by Mrs. Alec-Tweedie. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.










Love Beyond the Footlights


Book Description

Nicoles story tells of her climb to stardom from her student days at drama school, her first job, working for the National Theatre, a Broadway run, marriage and divorce. When her beloved Michael deserts her, her entire career is in jeopardy as she struggles to come to terms with the effect her career is having on her private life.




The Forum


Book Description

Current political, social, scientific, education, and literary news written about by many famous authors and reform movements.




Theatre Magazine


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After the "Speculative Turn": Realism, Philosophy, and Feminism


Book Description

Recent forms of realism in continental philosophy that are habitually subsumed under the category of "speculative realism," a denomination referring to rather heterogeneous strands of philosophy, bringing together object-oriented ontology (OOO), non-standard philosophy (or non-philosophy), the speculative realist ideas of Quentin Meillassoux and Marxism, have provided grounds for the much needed critique of culturalism in gender theory, and the authority with which post-structuralism has dominated feminist theory for decades. This publication aims to bring forth some of the feminist debates prompted by the so-called "speculative turn," while demonstrating that there has never been a niche of "speculative realist feminism." Whereas most of the contributions featured in this collection provide a theoretical approach invoking the necessity of foregrounding new forms of realism for a "feminism beyond gender as culture," some of the essays tackle OOO only to invite a feminist critical challenge to its paradigm, while others refer to some extent to non-philosophy or the new materialisms but are not reducible to either of the two. We have invited essays from intellectual milieus outside the Anglo-Saxon academic center, bringing together authors from Serbia, Slovenia, France, Ireland, the UK, and Canada, aiming to promote feminist internationalism (rather than a "generous act of cultural inclusion"). CONTENTS Katerina Kolozova - Preface: After the "Speculative Turn" Nina Power - Philosophy, Sexism, Emotion, Rationalism Katherine Behar - The Other Woman Anne-Françoise Schmid - Libérer épistémologiquement le féminisme Patricia Ticineto Clough - Notes for "And They Were Dancing" Joan Copjec - No: Foucault Jelisaveta Blagojevic - Thinking WithOut Marina Grzinic - Rearticulating the Speculative Turn Frenchy Lunning - The Crush: The Firey Allure of the Jolted Puppet Nandita Biswas Mellamphy - (W)omen out/of Time: Metis, Medea, Mahakali Michael O'Rourke - "Girls Welcome!!!" Speculative Realism, Object-Oriented Ontology, and Queer Theory Katerina Kolozova, PhD, is the director of the Institute in Social Sciences and Humanities-Skopje, Macedonia and a professor of gender studies at the University American College-Skopje. She is also visiting professor at several universities in Former Yugoslavia and Bulgaria. In 2009, Kolozova was a visiting scholar in the Department of Rhetoric (Program of Critical Theory) at the University of California-Berkeley. She is the author of Cut of the Real: Subjectivity in Poststucturalist Philosophy (Columbia University Press, 2014) and Toward a Radical Metaphysics of Socialism: Marx and Laruelle (punctum books, 2015). Eileen A. Joy is the Director of punctum books and has published widely on medieval literature, cultural studies, intellectual and literary history, ethics, affects and embodiments, the post/human, and speculative realism. She is the co-editor of postmedieval: a journal of medieval cultural studies and the Lead Ingenitor of the BABEL Working Group. She is also the co-editor of The Postmodern Beowulf (West Virginia University Press, 2007), Cultural Studies of the Modern Middle Ages (Palgrave, 2007), Dark Chaucer: An Assortment (punctum, 2012), On Style: An Atelier (punctum, 2013), Speculative Medievalisms: Discography (punctum, 2013), Burn After Reading (punctum, 2014), and Fragments for a History of a Vanishing Humanism (Ohio State, 2016).




The Life and Music of Eric Coates


Book Description

Eric Coates (1886-1957) is perhaps the most familiar name associated with British light music. Sir Charles Groves said that 'his music crackled with enthusiasm and vitality. He could write tunes and clothe them in the most attractive musical colours'. Coates won a scholarship to the Royal Academy of Music, and from 1912 to 1919 he was principal viola of the Queen's Hall Orchestra under Sir Henry Wood. He also played under such conductors as Elgar, Delius, Richard Strauss, Debussy, and Beecham. It was, however, as a composer of orchestral music that he found his greatest success. Beginning with the Miniature Suite, written for the 1911 Promenade Concerts, he forged an enviable reputation as a composer. By the 1920s and 1930s, he was one of the most popular and highest-paid British composers, with a string of popular works flowing from his pen. Coates' music has become indelibly entwined with such popular radio programmes as the BBC's In Town Tonight, which was introduced by the 'Knightsbridge' March and Desert Island Discs whose signature tune for the past forty years has been By the Sleepy Lagoon. Perhaps his most memorable work was his march for the Dam Busters film. Michael Payne traces the changing fortunes of the career of the man who composed some of Britain's best-known music. In many ways, Coates' story is the story of British light music, and Payne's study offers a fascinating insight into the heyday and decline of the British light music tradition.