The Fertile Crescent


Book Description

Issued in conjunction with an exhibition held at Mason Gross Galleries, Rutgers University, Aug. 13-Sept. 9, 2012, and elsewhere through Nov. 2012.




Sama Alshaibi


Book Description

Sama Alshaibi: Sand Rushes In , the first book by this rising artist, presents work from Silsila , a video and photographic installation that premiered at the 2013 Venice Biennale, as well as other series. Alshaibis lyrical multimedia work explores the landscape of conflict: the ongo - ing competition for land, resources, and power in the Middle East, and the internal battle for control between fear and fearlessness. Additional material, selected from the artists series Negatives Capable Hands, Collapse, and Thowra, is presented in the context of Silsila , meaning chain or link in Arabic. The artist uses the desert, borders, and the body as over - arching symbols of the geopolitical and environmental issues and histories, linking the Arab- speaking world. Alshaibi operates between the United States, western Asia, and North Africa. Much of her work is inspired by and shot onsite in distinct natural landscapes, from the Western Sahara of North Africa to the eastern Arabian Desert on the edges of Iraqhighlighting the jarring contrast between desert and fertile oasis. Alshaibi is often a protagonist in the work, taking on the guise of distinct yet interrelated characters. Edited by Isabella Ellaheh Hughes, a writer and curator based in Abu Dhabi and Honolulu, this book includes an interview between Hughes and Alshaibi, a foreword by Salwa Mikdadi, and an essay by Alfredo Cramerotti.




View from Inside


Book Description

View From Inside is an expansive presentation of contemporary Arab photography, video, and mixed media art from the Middle East and North Africa. The book shows the works of 49 leading Arab artists from 13 different countries. The works reflect the emergence of photographic, video and digital art as important forms of creative visual expression in the Arab world since the 1990s. The artworks address a broad range of issues that the artists themselves have defined as important to the modern Arab experience. Four texts cover the early appearance of photography in the Middle East and North Africa in the mid-nineteenth century through photography's evolution as an integral part of the contemporary Arab art world: The author of the lead essay on contemporary photographic art is the pioneering curator and expert on classical Islamic art and contemporary Arab art, Karin Adrian von Roques. Ms. von Roques has worked in the Middle East for more than twenty years, bringing important contemporary Arab art to museum audiences in Europe, Asia and the United States. Essays on the history of Arab photographic expression have been written by Samer Mohdad, a well-known Lebanese photographer, writer and co-founder of the Fondation Arabe pour l'Image in Beirut. Dr. Claude W. Sui, Senior Curator of the Forum International of Photography at the Reiss-Engelhorn Museum in Mannheim, Germany and curator of exhibitions on nineteenth century photography in Arabia including To the Holy Lands: Mecca and Medina to Jerusalem. Mona Khazindar, Director General of the Institut du Monde Arabe in Paris looks at the development on the history of modern Arab photography and its relationship to contemporary art. Wendy Watriss, Senior Curator and Artistic Director for FotoFest International provides the philosophical overview of the book in her introduction.




Inspired by the East


Book Description

A broad view of the West's complex relationship with the Middle East and North Africa, told through a selection of exquisite art objects.




State of the Art 2020


Book Description

This full color catalog details the State of the Art 2020 exhibition at Crystal Bridges Museum of American Art and the Momentary in Bentonville, Arkansas from February 22 through May 24, 2020.







Handbook of Research on Contemporary Approaches to Orientalism in Media and Beyond


Book Description

Orientalism is about much more than just information gathered about the East within its general postcolonial period. In this period, orientalism is a Western discourse that dominated and shaped the view of the East. There is “otherization” in the way the West has historically looked at the East and within the information presented about it. These original stories of travelers in the past and previous telling about the East are facing a reconstruction through modern types of media. Cinema, television, news, newspaper, magazine, internet, social media, photography, literature, and more are transforming the way the East is presented and viewed. Under the headings of post-orientalism, neo-orientalism, or self-orientalism, these new orientalist forms of work in combination with both new and traditional media are redefining orientalism in the media and beyond. The Handbook of Research on Contemporary Approaches to Orientalism in Media and Beyond shows how both new media and traditional media deal with orientalism today through the presentation of gender, race, religion, and culture that make up orientalist theory. The chapters focus on how orientalism is presented in the media, cinema, TV, photography, and more. This book is ideal for communications theorists, media analysts, practitioners, researchers, academicians, and students working in fields that include mass media, communications, film studies, ethnic studies, history, sociology, and cultural studies.




The Art of Resistance in Islam


Book Description

Examining different forms of resistance among Shi'i women in the Middle East and Europe, this book studies the performance of sectarian and gender power relations as expressed in Shi'i ritual practices. It provides a new transnational approach to researching gender agency in contemporary Islamic movements in both the Middle East and Europe.




Bourdieu in Question: New Directions in French Sociology of Art


Book Description

In Bourdieu in Question: New Directions in French Sociology of Art, Jeffrey A. Halley and Daglind E. Sonolet offer to English-speaking audiences an account of the very lively Francophone debates over Pierre Bourdieu’s work in the domain of the arts and culture, and present other directions and perspectives taken by major French researchers who extend or differ from his point of view, and who were marginalized by the Bourdieusian moment. Three generations of research are presented: contemporaries of Bourdieu, the next generation, and recent research. Themes include the art market and value, cultural politics, the reception of artworks, theory and the concept of the artwork, autonomy in art, ethnography and culture, and the critique of Bourdieu on literature. Contributors are: Howard S. Becker, Martine Burgos, Marie Buscatto, Jean-Louis Fabiani, Laurent Fleury, Florent Gaudez, Jeffrey A. Halley, Nathalie Heinich, Yvon Lamy, Jacques Leenhardt, Cécile Léonardi, Clara Lévy, Pierre-Michel Menger, Raymonde Moulin, Jean-Claude Passeron, Emmanuel Pedler, Bruno Péquignot, Alain Quemin, Cherry Schrecker, Daglind E. Sonolet.