Bell’s Cathedrals (Complete)


Book Description

At York the city did not grow up round the cathedral as at Ely or Lincoln, for York, like Rome or Athens, is an immemorial—a prehistoric—city; though like them it has legends of its foundation. Geoffrey of Monmouth, whose knowledge of Britain before the Roman occupation is not shared by our modern historians, gives the following account of its beginning:—"Ebraucus, son of Mempricius, the third king from Brute, did build a city north of Humber, which from his own name, he called Kaer Ebrauc—that is, the City of Ebraucus—about the time that David ruled in Judea." Thus, by tradition, as both Romulus and Ebraucus were descended from Priam, Rome and York are sister cities; and York is the older of the two. One can understand the eagerness of Drake, the historian of York, to believe the story. According to him the verity of Geoffrey's history has been excellently well vindicated, but in Drake's time romance was preferred to evidence almost as easily as in Geoffrey's, and he gives us no facts to support his belief, for the very good reason that he has none to give. Abandoning, therefore, the account of Geoffrey of Monmouth, we are reduced to these facts and surmises. Before the Roman invasion the valley of the Ouse was in the hands of a tribe called the Brigantes, who probably had a settlement on or near the site of the present city of York. Tools of flint and bronze and vessels of clay have been found in the neighbourhood. The Brigantes, no doubt, waged intermittent war upon the neighbouring tribes, and on the wolds surrounding the city are to be found barrows and traces of fortifications to which they retired from time to time for safety. The position of York would make it a favourable one for a settlement. It stands at the head of a fertile and pleasant valley and on the banks of a tidal river. Possibly there were tribal settlements on the eastern wolds in the neighbourhood in earlier and still more barbarous times, before the Brigantes found it safe to make a permanent home in the valley, but this is all conjecture. It is not until the Roman conquest of Britain that York enters into history.







Bell's Cathedrals


Book Description




Cathedral Bells


Book Description




Bell's Cathedrals


Book Description

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.




Bell's Cathedrals: The Cathedral Church of Rochester


Book Description

DigiCat Publishing presents to you this special edition of "Bell's Cathedrals: The Cathedral Church of Rochester" (A Description of its Fabric and a Brief History of the Episcopal See) by G. H. Palmer. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.







Bell's Cathedrals


Book Description

"Bell's Cathedrals" by Philip Walsingham Sergeant. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.




The Crow’s-Nest


Book Description

THERE is an attraction about carpets and curtains, chairs and sofas, and the mantelpiece which is hard to explain, and harder to resist. I feel it in all its insidious power this morning as I am bidding them farewell for a considerable time; I would not have believed that a venerable Axminster and an arm-chair on three casters could absorb and hold so much affection; verily I think, standing in the door, it was these things that made Lot’s wife turn her unlucky head. Dear me, how they enter in, how they grow to be part of us, these objects of ordinary use and comfort that we place within the four walls of the little shelters we build for ourselves on the fickle round o’ the world! I have gone back, I have sat down, I will not be deprived of them; they are necessary to the courage with which every one must face life. I will consider nothing without a cushion, on the hither side of the window, braced by dear familiar bookshelves, and the fender. And Tiglath-Pileser has come, and has quoted certain documents, and has used gentle propulsive force, and behold, because I am a person whose contumacy cannot endure, the door is shut, and I am on the outside disconsolate. I would not have more sympathy than I can afterwards sustain; I am only banished to the garden. But the banishment is so definite, so permanent! Its terms are plain to my unwilling glance, a long cane deck chair anchored under a tree. Overhead the sky, on the four sides the sky, without a pattern, full of wind and nothing. Abroad the landscape, consisting entirely of large mountains; about, the garden. I never regarded a garden with more disfavour. Here I am to remain—but to remain! The word expands, you will find, as you look into it. Man, and especially woman, is a restless being, made to live in houses roaming from room to room, and always staying for the shortest time moreover, if you notice, in the one which is called the garden. The subtle and gratifying law of arrangement that makes the drawing-room the only proper place for afternoon tea operates all through. The convenience of one apartment, the quiet of another, the decoration of another regularly appeal in turn, and there is always one’s beloved bed, for retirement when the world is too much with one. All this I am compelled to resign for a single fixed fact and condition, a cane chair set in the great monotony of out-of-doors. My eye, which is a captious organ, is to find its entertainment all day long in bushes—and grass. All day long. Except for meals it is absolutely laid down that I am not to “come in.” They have not locked the doors, that might have been negotiated, they have gone and put me on my honour. From morning until night I am to sit for several months and breathe, with the grass and the bushes, the beautiful pure fresh air. I don’t know why they have not asked me to take root and be done with it. In vain I have represented that microbes will agree with them no better than with me; it seems the common or house microbe is one of the things that I particularly mustn’t have. Some people are compelled to deny themselves oysters, others strawberries or artichokes; my fate is not harder than another’s. Yet it tastes of bitterness to sit out here in an April wind twenty paces from a door behind which they are enjoying, in customary warmth and comfort, all the microbes there are.




Foundry


Book Description