Bell's New Pantheon


Book Description







BELLS NEW PANTHEON OR HISTORIC


Book Description







Bell's New Pantheon


Book Description




Bell's New Pantheon; Or, Historical Dictionary of the Gods, Demi-gods, Heroes and Fabulous Personages of Antiquity: Also, of the Images and Idols Adored in the Pagan World; Together with Their Temples, Priests, Altars, Oracles, Fasts, Festivals, Games, &c. As Well as Descriptions of Their Figures, Representations, and Symbols, Collected from Statues, Pictures, Coins, and Other Remains of the Ancients. The Whole Designed to Facilitate the Study of Mythology, History, Poetry, Painting, Statuary, Medals, &c. &c. And Compiled from the Best Authorities. Richly Embellished with Characteristic Prints. In Two Volumes. Vol. 1. [- 2.]


Book Description







Bell's New Pantheon, Or Historical Dictionary of the Gods, Demi-Gods, Heroes, and Fabulous Personages of Antiquity, Vol. 2 of 2


Book Description

Excerpt from Bell's New Pantheon, or Historical Dictionary of the Gods, Demi-Gods, Heroes, and Fabulous Personages of Antiquity, Vol. 2 of 2: Also of the Images and Idols Adored in the Pagan World; Together With Their Temples, Priests, Altars, Oracles, Fasts, Festivals, Games, &C Iacchos, OR iacchus, son of Jupiter and Ceres, is said to have attended this goddess, with a lighted torch, when she went over the world In search Of her daughter Proserpine. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




John Bell, 1745-1831: A Memoir


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John Bell (1745-1831) was an English publisher. The Dictionary of National Biography has Charles Knight calling Bell a 'mischievous spirit, the very Puck of booksellers'. His 109-volume, literature-for-the-masses Poets of Great Britain Complete from Chaucer to Churchill, which rivalled Samuel Johnson's Lives of the Most Eminent English Poets (1781), was published from 1777 to 1783. Each volume cost just six shillings, at a time when similar volumes usually cost many times that. The drawings and illustrations with which Bell adorned his publications influenced later publishers, as did his abandonment of the long S. Most notable, perhaps, was Bell's joint-stock organisation of his publishing company, which defied 'the trade' - at the time, forty dominant publishing companies - in order to establish a monopoly on the best publications. In addition to the immense Poets of Great Britain, Bell also published similar volumes on Shakespeare and the British Theatre, as well as the Sunday newspaper Bell's Weekly Messenger and other periodicals.




Romantic Paganism


Book Description

This book addresses the function of the classical world in the cultural imaginations of the second generation of romantic writers: Percy Shelley, Mary Shelley, Thomas Love Peacock, John Keats, Leigh Hunt, and the rest of their diverse circle. The younger romantics inherited impressions of the ancient world colored by the previous century, in which classical studies experienced a resurgence, the emerging field of comparative mythography investigated the relationship between Christianity and its predecessors, and scientific and archaeological discoveries began to shed unprecedented light on the ancient world. The Shelley circle embraced a specifically pagan ancient world of excess, joy, and ecstatic experiences that test the boundaries between self and other. Though dubbed the “Satanic School” by Robert Southey, this circle instead thought of itself as “Athenian” and frequently employed mythology and imagery from the classical world that was characterized not by philosophy and reason but by wildness, excess, and ecstatic experiences.