The Way to the West


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Reproduction of the original: The Way to the West by Emerson Hough







Report


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The Oregon Blue Book


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The Oregon Blue Book


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A Life Wild and Perilous


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“[This] richly documented book is the definitive study of the decisive role mountain men played in the exploration and expansion of the Western frontier.” —Jay P. Dolan, The New York Times Book Review Early in the nineteenth century, the mountain men emerged as a small but distinctive group whose knowledge and experience of the trans-Mississippi West extended the national consciousness to continental dimensions. Though Lewis and Clark blazed a narrow corridor of geographical reality, the West remained largely terra incognita until trappers and traders—such as Jim Bridger, Kit Carson, Tom Fitzpatrick, and Jedediah Smith—opened paths through the snow-choked mountain wilderness. These and other Mountain Men opened the way west to Fremont and played a major role in the pivotal years of 1845–1848 when Texas was annexed, the Oregon question was decided, and the Mexican War ended with the Southwest and California in American hands—thus making the Pacific Ocean America’s western boundary.







Writing Kit Carson


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In this critical biography, Susan Lee Johnson braids together lives over time and space, telling tales of two white women who, in the 1960s, wrote books about the fabled frontiersman Christopher "Kit" Carson: Quantrille McClung, a Denver librarian who compiled the Carson-Bent-Boggs Genealogy, and Kansas-born but Washington, D.C.- and Chicago-based Bernice Blackwelder, a singer on stage and radio, a CIA employee, and the author of Great Westerner: The Story of Kit Carson. In the 1970s, as once-celebrated figures like Carson were falling headlong from grace, these two amateur historians kept weaving stories of western white men, including those who married American Indian and Spanish Mexican women, just as Carson had wed Singing Grass, Making Out Road, and Josefa Jaramillo. Johnson's multilayered biography reveals the nature of relationships between women historians and male historical subjects and between history buffs and professional historians. It explores the practice of history in the context of everyday life, the seductions of gender in the context of racialized power, and the strange contours of twentieth-century relationships predicated on nineteenth-century pasts. On the surface, it tells a story of lives tangled across generation and geography. Underneath run probing questions about how we know about the past and how that knowledge is shaped by the conditions of our knowing.




Biennial


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