Beowulf and the Dragon


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The analogues discussed are presented with facing translations and detailed bibliographies."--BOOK JACKET.




Beowulf and the Bear's Son


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Beowulf's Children


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BOOK TWO IN THE CLASSIC HEOROT SERIES FROM GENRE LEGENDS LARRY NIVEN, JERRY POURNELLE, AND STEVEN BARNES. Some twenty years have passed since the passengers and crew of the starship Geographic established a colony on the hostile alien world of Avalon. In that time, a new generation has grown up in the peace and serenity of the island paradise of Camelot, ignorant of the Great Grendel Wars fought between their parents and grandparents and the monstrous inhabitants of Avalon. Now, under the influence of a charismatic leader, a group of young rebels makes for the mainland, intent on establishing their own colony, sure that they can vanquish any foe that should stand in their way. But they will soon discover that Avalon holds darker secrets still. At the publisher's request, this title is sold without DRM (Digital Rights Management). About Beowulf's Children: "Few writers have a finer pedigree than those here. . . . As one might suspect Beowulf's Children is seamless . . . absorbing, substantial . . . masterful novel."—Los Angeles Times "Panoramic SF adventure at its best."—Library Journal About prequel The Legacy of Heorot: "Page-turning action and suspense, good characterization and convincing setting . . . may be the best thing any of those authors has written.”—The Denver Post “Outstanding! . . . The best ever, by the best in the field . . . the ultimate combination of imagination and realism.”—Tom Clancy “Well written, action-packed and tension filled . . . makes Aliens look like a Disney nature film."—The Washington Post “Spine-tingling ecological tale of terror.”—Locus About Larry Niven & Jerry Pournelle: "Possibly the greatest science fiction novel I have ever read."—Robert A. Heinlein on The Mote in God's Eye About Larry Niven: “Larry Niven’s Ringworld remains one of the all-time classic travelogues of science fiction — a new and amazing world and fantastic companions.”—Greg Bear "Our premier hard SF writer.”—The Baltimore Sun"The scope of Larry Niven's work is so vast that only a writer of supreme talent could disguise the fact as well as he can."—Tom Clancy "Niven is a true master."—Frederik Pohl About Jerry Pournelle: "Jerry Pournelle is one of science fiction's greatest storytellers."—Poul Anderson "Jerry Pournelle's trademark is first-rate action against well-realized backgrounds of hard science and hardball politics."—David Drake "Rousing . . . The Best of the Genre."—The New York Times "On the cover . . . is the claim 'No. 1 Adventure Novel of the Year.' And well it might be."—Milwaukee Journal on Janissaries About Steven Barnes: “Brilliant, surprising, and devastating.”—David Mack “Sharp, observant and scary.”—Greg Bear "Profound and exhilarating."—Maurice Broaddus, author of The Knights of Breton Court “Barnes gives us characters that are vividly real people, conceived with insight and portrayed with compassion and rare skill and then he stokes the suspense up to levels that will make the reader miss sleep and be late for work.”—Tim Powers “[Barnes] combines imagination, anthropology and beautiful storytelling as he takes readers to the foot of the Great Mountain, today known as Mount Kilimanjaro.”—Durham Triangle Tribune on Great Sky Woman




Beowulf as Children’s Literature


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Beowulf as Children's Literature brings together a group of scholars and creators to address important issues of adapting the Old English poem into textual and pictorial forms that appeal to children, past and present.




Following the Formula in Beowulf, Örvar-Odds saga, and Tolkien


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Following the Formula in Beowulf, Örvar-Odds saga, and Tolkien proposes that Beowulf was composed according to a formula. Michael Fox imagines the process that generated the poem and provides a model for reading it, extending this model to investigate formula in a half-line, a fitt, a digression, and a story-pattern or folktale, including the Old-Norse Icelandic Örvar-Odds saga. Fox also explores how J. R. R. Tolkien used the same formula to write Sellic Spell and The Hobbit. This investigation uncovers relationships between oral and literate composition, between mechanistic composition and author, and between listening and reading audiences, arguing for a contemporary relevance for Beowulf in thinking about the creative process.







Beowulf: complete bilingual edition including the original anglo-saxon edition + 3 modern english translations + an extensive study of the poem + footnotes, index and alphabetical glossary


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This carefully crafted ebook: “Beowulf: complete bilingual edition including the original anglo-saxon edition + 3 modern english translations + an extensive study of the poem + footnotes, index and alphabetical glossary” contains 5 books in one volume and is formatted for your eReader with a functional and detailed table of contents. Beowulf is the conventional title of an Old English heroic epic poem consisting of 3182 alliterative long lines, set in Scandinavia, commonly cited as one of the most important works of Anglo-Saxon literature. It survives in a single manuscript known as the Nowell Codex. Its composition by an anonymous Anglo-Saxon poet is dated between the 8th and the early 11th century. In 1731, the manuscript was badly damaged by a fire that swept through a building housing a collection of Medieval manuscripts assembled by Sir Robert Bruce Cotton. The poem's existence for its first seven centuries or so made no impression on writers and scholars, and besides a brief mention in a 1705 catalogue by Humfrey Wanley it was not studied until the end of the eighteenth century, and not published in its entirety until the 1815 edition prepared by the Icelandic-Danish scholar Grímur Jónsson Thorkelin. In the poem, Beowulf, a hero of the Geats in Scandinavia, comes to the help of Hroðgar, the king of the Danes, whose mead hall (in Heorot) has been under attack by a monster known as Grendel. After Beowulf slays him, Grendel's mother attacks the hall and is then also defeated. Victorious, Beowulf goes home to Geatland in Sweden and later becomes king of the Geats. After a period of fifty years has passed, Beowulf defeats a dragon, but is fatally wounded in the battle. After his death, his attendants bury him in a tumulus, a burial mound, in Geatland. The numerous different translations and interpretations of Beowulf turn this monumental work into a challenge for the reader. This ebook contains 5 books in one ebook: 1) By Anonymous, edited by Alfred John Wyatt: "Beowulf". This is the anglo-saxon original version based on the autotypes (facsimilies) in Julius Zupitza’s edition of 1882. 2) By John Lesslie Hall: "Beowulf - An Anglo-Saxon Epic Poem". This is a 1892 translation of Beowulf into modern english with notes and comments. 3) By William Morris: "The Tale of Beowulf - Sometime King of the Folk of the Weder Geats". This is an 1895 translation of Beowulf into modern english with notes and comments. 4) By: Francis Barton Gummere: "Beowulf". This is a 1910 translation of Beowulf into modern english , with notes and comments. 5) By: Raymond Wilson Chambers: "Beowulf - An Introduction to the Study of the Poem with a Discussion of the Stories of Offa and Finn".




Meeting the Other in Norse Myth and Legend


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Close examination of the significant theme of other-worldly encounters in Norse myth and legend, including giantesses, monsters and the Dead. A particular, recurring feature of Old Norse myths and legends is an encounter between creatures of This World [gods and human beings] and those of the Other [giants, giantesses, dwarves, prophetesses, monsters and the dead]. Concentrating on cross-gendered encounters, this book analyses these meetings, and the different motifs and situations they encompass, from the consultation of a prophetess by a king or god, to sexual liaisons and return from the dead. It considers the evidence for their pre-Christian origins, discusses how far individual poets and prose writers were free to modify them, and suggests that they survived in medieval Christian society because [like folk-tale] they provide a non-dogmatic way of resolving social and psychological problems connected with growing up, succession from one generation to the next, sexual relationships and bereavement.




"Beowulf" and Other Old English Poems


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The best-known literary achievement of Anglo-Saxon England, Beowulf is a poem concerned with monsters and heroes, treasure and transience, feuds and fidelity. Composed sometime between 500 and 1000 C.E. and surviving in a single manuscript, it is at once immediately accessible and forever mysterious. And in Craig Williamson's splendid new version, this often translated work may well have found its most compelling modern English interpreter. Williamson's Beowulf appears alongside his translations of many of the major works written by Anglo-Saxon poets, including the elegies "The Wanderer" and "The Seafarer," the heroic "Battle of Maldon," the visionary "Dream of the Rood," the mysterious and heart-breaking "Wulf and Eadwacer," and a generous sampling of the Exeter Book riddles. Accompanied by a foreword by noted medievalist Tom Shippey on Anglo-Saxon history, culture, and archaeology, and Williamson's introductions to the individual poems as well as his essay on translating Old English, the texts transport us back to the medieval scriptorium or ancient mead hall to share an exile's lament or herdsman's recounting of the story of the world's creation. From the riddling song of a bawdy onion that moves between kitchen and bedroom, to the thrilling account of Beowulf's battle with a treasure-hoarding dragon, the world becomes a place of rare wonder in Williamson's lines. Were his idiom not so modern, we might almost think the Anglo-Saxon poets had taken up the lyre again and begun to sing after a silence of a thousand years.




Beowulf and the Illusion of History


Book Description

Most Beowulf scholars have held either that the poems' minor episodes are more or less based on incidents in Scandinavian history or at least that they entail nothing of the fabulous or monstrous. Beowulf and the Illusion of History contends that, like the poem's Grendelkin episodes, certain minor episodes involve monsters and contain motifs of the "Bear's Son" folktale. In the Finn Episode the monsters are to be taken as physically present in the story as we have it, while in the mention of the hero's fight with Daeghrefn and perhaps in the accounts of the fight with Ongenbeow, the principal foes, though originally monsters, appear now more like ordinary humans. The inference permits the elucidation of passages hitherto obscure and indicates that the capability of the Beowulf poet as a "maker" is greater than has been thought. John F. Vickrey, is Professor of English, Emeritus, at Lehigh University.