The Betrayal of the Humanities


Book Description

How did the academy react to the rise, dominance, and ultimate fall of Germany's Third Reich? Did German professors of the humanities have to tell themselves lies about their regime's activities or its victims to sleep at night? Did they endorse the regime? Or did they look the other way, whether out of deliberate denial or out of fear for their own personal safety? The Betrayal of the Humanities: The University during the Third Reich is a collection of groundbreaking essays that shed light on this previously overlooked piece of history. The Betrayal of the Humanities accepts the regrettable news that academics and intellectuals in Nazi Germany betrayed the humanities, and explores what went wrong, what occurred at the universities, and what happened to the major disciplines of the humanities under National Socialism. The Betrayal of the Humanities details not only how individual scholars, particular departments, and even entire universities collaborated with the Nazi regime but also examines the legacy of this era on higher education in Germany. In particular, it looks at the peculiar position of many German scholars in the post-war world having to defend their own work, or the work of their mentors, while simultaneously not appearing to accept Nazism.




The Bequest


Book Description

Book One of The Guardians Series Finalist, 2016 Daphne Du Maurier Award for Excellence in Mystery/Suspense Cheyenne Elias has inherited a child. A boy she doesn’t know and doesn’t particularly want; a boy whose mother was once Cheyenne’s most hated person in the world. There are a million reasons to walk away: her anger, her past, her certainty that there is nothing benevolent in this act by a woman who almost killed her. But abandoning the boy to a system she barely survived is not an option. Will Blackheart has lost everything. His SEAL team, his country, and—upon occasion—his mind. Worse, he’s lost something that has the capacity to kill thousands. Left for dead in the Afghan desert, Will has risen solely to regain that which was taken...and to punish those who dared take it. His only lead is the son of a dead woman. Her only goal is to save a child. As they come together in a clash of anger, mistrust, and potent, unwanted desire, Will and Cheyenne must put aside their differences and navigate the endgame of a woman for whom nothing was taboo… Don’t miss the first installment of this intense, suspenseful romance series. Keywords: Permafree, Free first in series, FFIS, Free, Free romantic suspense, free series starter, free romantic thriller, romantic thriller, romantic thriller series, new romantic thriller, linda howard, Susan Stoker, Toni Anderson, Rachel Grant, Romantic suspense series, romance series mystery, romantic thriller, romantic thriller series, romantic suspense anthology, romantic suspense, mystery romance series, mystery romance, FBI romance, Barbara Freethy, FBI romantic suspense thrillers, military romance, first love romance, found family romance, lost love romance, alpha male romance, action adventure romance, romantic suspense box set, romance box set, serial killer romance, law enforcement romance, contemporary romance, contemporary romantic suspense, contemporary romantic thriller, popular romantic suspense, popular romance, new romance, new romantic suspense.




Daniel Mendelsohn’s Memoir-Writing


Book Description

This volume of eight essays written by French scholars analyzes Daniel Mendelsohn's first three volumes of nonfiction (The Elusive Embrace, 1999; The Lost, 2006; and An Odyssey, 2017) and includes an illustrated interview (2019) in which Mendelsohn tackles various aspects of his work as a literary and cultural critic, as a professor of classical literature, as a translator, and as a memoirist. The essay discussing The Elusive Embrace (1999) argues that, in addition to offering a subtle reflection on sexual identity and genres, Mendelsohn’s first volume already broadens his topic and patiently weaves links between ancient and present times, feeding his meditation with his knowledge of Greek culture and myths—a natural movement of back and forth which would become his signature. The Lost (2006), his much-acclaimed investigation on six members of his family who died during the period known as the Holocaust by bullets, is analyzed as a close-up on the disappearance of a whole world, the unspeakability of which Mendelsohn addressed through intertwining several languages, linguistic echoes, and biblical references. Finally, Mendelsohn’s recent An Odyssey (2017) is studied as a brilliant musing on teaching Homer’s masterpiece while building up a memoir on his declining father sitting among his students and allowing Homer’s universal questions and lessons to enlighten a father and son’s last journey.




Daguerreotypes


Book Description

These days one can hardly say anything about art without confronting the freighted status of the photograph. Many critics have written about the idea of photography by other means or art after photography. And many famous artistsamong them Gerhard Richter, Gillian Wearing and Thomas Struth--have stretched the idea of the truth-value of the photograph by claiming to make actual photographs in other materials, such as paint or video. Saltzman is interested in how photography has functioned to secure identity in the modern period and the implications of that history for us today. While Saltzman s purpose is to look at contemporary adaptations of photography, the story she tells begins even earlier than the invention of the photograph. It starts with the story of Martin Guerre (nee Daguerre) and the idea of what the image may have held as a guarantor of identity in the early modern period. In this way Saltzman establishes a broad, deep historical frame before delving into the art of the present. Each chapter covers a different medium ranging from video, graphic novels, and literature to film. Along the way, she takes on figures of unstable identity fugitive subjects to wit, the mysterious Martin Guerre, Blade Runners, replicants, Henriette Barthes, and W.G. Sebald s characters. She also confronts a range of contemporary critics, artists, and knotty debates about veracity, uncertainty and identity that began to circulate in the nineteenth century with the invention of photography."




Truth in Nonfiction


Book Description

Even before the controversy that surrounded the publication of A Million Little Pieces, the question of truth has been at the heart of memoir. From Elie Wiesel to Benjamin Wilkomirski to David Sedaris, the veracity of writers’ claims has been suspect. In this fascinating and timely collection of essays, leading writers meditate on the subject of truth in literary nonfiction. As David Lazar writes in his introduction, “How do we verify? Do we care to? (Do we dare to eat the apple of knowledge and say it’s true? Or is it a peach?) Do we choose to? Is it a subcategory of faith? How do you respond when someone says, ‘This is really true’? Why do they choose to say it then?” The past and the truth are slippery things, and the art of nonfiction writing requires the writer to shape as well as explore. In personal essays, meditations on the nature of memory, considerations of the genres of memoir, prose poetry, essay, fiction, and film, the contributors to this provocative collection attempt to find answers to the question of what truth in nonfiction means. Contributors: John D’Agata, Mark Doty, Su Friedrich, Joanna Frueh, Ray González, Vivian Gornick, Barbara Hammer, Kathryn Harrison, Marianne Hirsch, Wayne Koestenbaum, Leonard Kriegel, David Lazar, Alphonso Lingis, Paul Lisicky, Nancy Mairs, Nancy K. Miller, Judith Ortiz Cofer, Phyllis Rose, Oliver Sacks, David Shields, and Leo Spitzer




Archaeologies of an Uncertain Future


Book Description

An apocalyptic vision of planetary self-destruction provided the context for many late twentieth-century narratives. Women writers from Quebec and English Canada, including Margaret Atwood, Madeleine Ouellette-Michalska, Madeleine Gagnon, Betsy Warland, Marie-Claire Blais, and Nicole Brossard, redefined their relationship to time and narrative in order to tell a different, perhaps more hopeful, story. Using "archaeology" as a trope and a methodology, Karen McPherson's "critical excavations" of these women's writings pose questions about loss and mourning, survival and witnessing, devastation and writing, remembering and imagining.




But Enough about Me


Book Description

Through the memoirs of contemporaries and pieces of her autobiography, Miller explores the unexpected ways that the stories of other people's lives give meaning to our own. But Enough About Me is a group biography, or even an ethnography, of women, primarily middle-class and urban, now in their fifties and sixties. The book also mounts a defense of the memoir against accusations of terminal narcissism by showing how the forms of life writing--memoirs, diaries, essays--are as much about others as they are about their authors.




A Guide to the Mediaeval Antiquities


Book Description




But Enough about Me


Book Description

Through the memoirs of contemporaries and pieces of her autobiography, Miller explores the unexpected ways that the stories of other people's lives give meaning to our own. But Enough About Me is a group biography, or even an ethnography, of women, primarily middle-class and urban, now in their fifties and sixties. The book also mounts a defense of the memoir against accusations of terminal narcissism by showing how the forms of life writing--memoirs, diaries, essays--are as much about others as they are about their authors.