Berlin Bromley


Book Description

A revealing punk memoir from a member of the notorious Bromley Contingent. Bertie 'Berlin' Bromley cuts to the core of the 1976/77 punk sensibility, recounting his own adventures as a ubiquitous scenester and rent boy. The Bromley Contingent included Siouxsie Sioux, Steve Severin, Billy Idol and Jordan. Marshall, as a pivotal member of the Contingent, views the scene and its stars with the intimate eye of an insider, offering a vivid picture of the most important British music movement in the 20th century.




Possessive Individualism


Book Description

Daniel Bromley offers a fundamental critique of contemporary capitalism to explain why the world now finds itself in widespread disorder. The basic flaw, he argues, is the triumph of a culture of possessive individualism. As a result, capitalism is no longer an engine of improved livelihoods and social hope. Bromley explains that escape from this disorder requires that the private firm be reimagined as a public trust whose purpose is to offer plausible livelihoods as it also serves our acquisitive wants. However, the possessive individual also bears urgent responsibilities. We must renew the idea of loyalty to others-whether neighbors, fellow workers, or society at large.







Your Pretty Face is Going to Hell


Book Description

From the New York art scene of the mid-1960s, to the drag clubs of Berlin a decade later, through the darkest side of London and beyond, "Your Pretty Face Is Going to Hell" is the story of the friendship of these three legends and the incredible productivity and debauchery that emerged from it.




London calling


Book Description

“Eravamo anti-sistema in tutto e per tutto, nella musica e nell’arte. Volevamo distruggere qualsiasi cosa avesse regole prestabilite, tutto quel che c’era di asfissiante, tutte le certezze. Eravamo decisi a infrangere tutte le regole in tutti i modi possibili”. La Londra di Barry Miles è quella della cultura underground che nasce fra le macerie della Seconda guerra mondiale ed esplode nel corso degli anni Sessanta e Settanta, concentrandosi sul West End e su Soho, le zone in cui era confluita un’eterogenea popolazione di personaggi creativi e fuori dalle righe, intolleranti nei confronti delle costrizioni della cultura e del costume ufficiale: scrittori, poeti, registi, musicisti, artisti, pubblicitari, architetti, stilisti, e una miriade di più anonimi personaggi decisi a fare della propria vita un’arte. È la storia di una rivoluzione culturale determinata a ottenere una “totale confusione dei sensi”, che si sviluppa fra le vie di una metropoli artisticamente onnivora, fatta di locali, librerie, club, pub, teatri, piazze, vicoli, scantinati, case occupate o case borghesi. Una storia di sconvolgente energia vitale e al tempo stesso autodistruttiva, raccontata sul filo di quell’ironia che solo un testimone diretto può comunicare. Mettere in fila i nomi che si incontrano fra queste pagine fa tremare l’idea stessa di ‘controcultura’, poiché vi si ritrova molta della creatività che animerà per ibridazione la cultura ufficiale del Novecento: Dylan Thomas, Francis Bacon, i Situazionisti, il cool jazz, il rock ’n’ roll, Mary Quant, Kingsley Amis, J.G. Ballard, i Rolling Stones, i Beatles, William Burroughs, Jimi Hendrix, i Pink Floyd, Allen Ginsberg, Pete Townshend, Yoko Ono, Derek Jarman, David Hockney, i Clash, i Police, Gilbert & George, Vivienne Westwood, i Sex Pistols, Boy George, Charles Saatchi, Lucian Freud, Damien Hirst e moltissimi altri. Un libro-mondo brulicante di storie e di personaggi, il ritratto più preciso e divertente mai scritto sull’avventura gloriosa e infame di un’epoca oggi entrata nella leggenda.




Sex Pistols


Book Description

The explosive story of the Sex Pistols is now so familiar that the essence of what they represented has been lost in a fog of nostalgia and rock ’n’ roll cliché. In 1976 the rise of the Sex Pistols was regarded in apocalyptic terms, and the punks as visitors from an unwanted future bringing chaos and confusion. In this book, John Scanlan considers the Sex Pistols as the first successful art project of their manager, Malcolm McLaren, a vision born out of radical politics, boredom, and his deep and unrelenting talent for perverse opportunism. As Scanlan shows, McLaren deliberately set a collision course with establishments, both conservative and counter-cultural, and succeeded beyond his highest expectations. Scanlan tells the story of how McLaren’s project—designed, in any case, to fail—foundered on the development of the Pistols into a great rock band and the inconvenient artistic emergence of John Lydon. Moving between London and New York, and with a fascinating cast of delinquents, petty criminals, and misfits, Sex Pistols: Poison in the Machine is not just a book about a band, it is about the times, the ideas, the coincidences, and the characters that made punk; that ended with the Sex Pistols—beaten, bloody, and overdosed—sensationally self-destructing on stage in San Francisco in January 1978; and that transformed popular culture throughout the world.




Punk: The Future Never Comes


Book Description

The journalist and writer Andrés Garrido Torres was born in Bogotá, Colombia. In 2007, at the age of twenty-one, he traveled to London, where he stayed for a few years, having the opportunity to conduct some interviews for this book and attend various concerts such as The Sex Pistols in Brixton (2007) and Hammersmith (2008). Punk: The Future Never Comes, is a series of exclusive interviews with various artists from the UK punk movement. These artists of the punk revolution are the last link in the foundation of the legend of the artist misunderstood in their time, but admired by the following generations.




No Future


Book Description

'No Feelings', 'No Fun', 'No Future'. The years 1976–84 saw punk emerge and evolve as a fashion, a musical form, an attitude and an aesthetic. Against a backdrop of social fragmentation, violence, high unemployment and socio-economic change, punk rejuvenated and re-energised British youth culture, inserting marginal voices and political ideas into pop. Fanzines and independent labels flourished; an emphasis on doing it yourself enabled provincial scenes to form beyond London's media glare. This was the period of Rock Against Racism and benefit gigs for the Campaign for Nuclear Disarmament and the striking miners. Matthew Worley charts the full spectrum of punk's cultural development from the Sex Pistols, Buzzcocks and Slits through the post-punk of Joy Division, the industrial culture of Throbbing Gristle and onto the 1980s diaspora of anarcho-punk, Oi! and goth. He recaptures punk's anarchic force as a medium through which the frustrated and the disaffected could reject, revolt and re-invent.




100 Must-read Books for Men


Book Description

What do men like to read? This latest title in the successful 100 Must-read series provides a rich crop of selected reads of eternal fascination to men everywhere. With 100 titles fully featured and over 500 recommended, there is something for everyone, from the macho to the sentimental, sex, drugs and rock and roll, old age, childhood, power, seduction, courage and adventure. Written by two experienced male booksellers and writers, the selection draws from a wide range of genres: crime, thrillers, cult classics, classics, biography and non-fiction. Deftly researched with the male audience in mind, this book is an enabling tool for extending your range of reading. A lengthy introduction examines mens attitudes to reading, the differences between male and female reading tastes, the varying ways in which the sexes use/respond to language and how this is reflected in their choices of reading matter. Books featured include: Crash by J. G. Ballard, Junkie by William S. Burroughs, American Psycho by Bret Easton Ellis, Steppenwolf by Herman Hesse, Master and Commander by Patrick O'Brian, The Book of Dave by Will Self, Touching the Void by Joe Simpson and Bonfire of the Vanities by Tom Wolfe.