Bernadette Corporation


Book Description

The idea of the book is to present these two elements – poem and fashion shoot – in a single package, as one complex object. This combination of original literature and commissioned fashion photography undermines the traditional autonomy of literary and visual genres. The book itself is a conceptual gesture: the display of a mediation, or the presentation of a redistribution. Bernadette Corporation was formed in a Manhattan nightclub in 1994, and began organizing DIY social events that evolved into unauthorized art carnivals in SoHo parking lots. From 1995 to 1997, the group worked under the guise of an underground fashion label. In 1999 it self-published a magazine, Made in USA, and began producing videos.




Reena Spaulings


Book Description

"Reena Spaulings is a collectively-authored novel set in present-day New York."--Bernadette Corporation website.




Eine Pinot Grigio, Bitte


Book Description

"For this book Bernadette Corporation uses screenplay formatting software and the screenplay form with no intention to produce a film or communicate anything.... the hack is used as a starting point for a literature, with hack tools in a hack medium. EINE PINOT GRIGIO, BITTE to remind you of the necessity to understand that all creativity is equal." Bernadette Corporation A novel-in-disguise, Eine Pinot Grigio, Bitte is a dark foray into capitalism gone awry. Set against a backdrop of decadent zombies, the screenplay follows John Delp and Aude as they shoot a movie in the cities of Paris, Berlin, and Mexico City. With its wild and messy sense for the absurd, Eine Pinot Grigio, Bitte unravels that conventional Hollywood repertoire of screenwriting all to better recycle both fiction and the real. Eine Pinot Grigio, Bitte is followed by "Pedestrian Memoranda," a series of notes on Bernadette Corporation's temporary underground film studio, operated from 2005-2007 in Paris, Berlin, and Mexico City. Bernadette Corporation has previously worked under the guise of an eponymous underground fashion label, published a fashion magazine called Made in USA, produced video-films, including the 2003 documentary Get Rid of Yourself, collectively authored the novel Reena Spaulings (Semiotext[e] 2004), as well as exhibited at the 2006 Whitney Biennial, the Witte de With museum, and the Centre Pompidou. Co-published by Art in General, New York




Collected by Thea Westreich Wagner and Ethan Wagner


Book Description

Published on the occasion of an exhibition celebrating the Wagners' promised gift of more than 850 works of art to the Whitney Museum of American Art, New York, and the Musaee national d'art moderne, Centre Pompidou, Paris, held at the Whitney Museum of American Art, November 20, 2015-March 6, 2016, and at the Centre Pompidou, June 16, 2016-January 2017.




Corporate Mentality


Book Description

Tiré du site Internet de l'auteur: "Corporate Mentality documents the emergence of recent practices within a cultural sphere occupied by both business and art. Based on an archive (1995-2001) maintained by Aleksandra Mir, it presents a diverse spectrum of artists who take on business as site, as material, and as subject of their work. Calling for a reassessment of the function of art in late-capitalist society, Corporate Mentality focuses on the complex and ambiguous ways artistic production inhabits corporate processes, abandoning the autonomy of the artwork, in order to elaborate resistant approaches to a world increasingly determined by commercial strategies and market concerns."




A Bernadette Mayer Reader


Book Description

"She writes as if Everything were still possible in the work of a lifetime at the coincidence of all the turvy moments. Better that she's read without a thought to stop. Best so this world is found changed." --Clark Coolidge




Evangelicals Incorporated


Book Description

A new history explores the commercial heart of evangelical Christianity. American evangelicalism is big business. For decades, the world’s largest media conglomerates have sought out evangelical consumers, and evangelical books have regularly become international best sellers. In the early 2000s, Rick Warren’s The Purpose Driven Life spent ninety weeks on the New York Times Best Sellers list and sold more than thirty million copies. But why have evangelicals achieved such remarkable commercial success? According to Daniel Vaca, evangelicalism depends upon commercialism. Tracing the once-humble evangelical book industry’s emergence as a lucrative center of the US book trade, Vaca argues that evangelical Christianity became religiously and politically prominent through business activity. Through areas of commerce such as branding, retailing, marketing, and finance, for-profit media companies have capitalized on the expansive potential of evangelicalism for more than a century. Rather than treat evangelicalism as a type of conservative Protestantism that market forces have commodified and corrupted, Vaca argues that evangelicalism is an expressly commercial religion. Although religious traditions seem to incorporate people who embrace distinct theological ideas and beliefs, Vaca shows, members of contemporary consumer society often participate in religious cultures by engaging commercial products and corporations. By examining the history of companies and corporate conglomerates that have produced and distributed best-selling religious books, bibles, and more, Vaca not only illustrates how evangelical ideas, identities, and alliances have developed through commercial activity but also reveals how the production of evangelical identity became a component of modern capitalism.




Shedding the Corporate Bitch


Book Description

"Shedding the Corporate Bitch" provides an honest and hard look at the pros and cons of manning-up in the workplace, and provides tips and lessons of how women can avoid those same mistakes to realize the riches in life they desire.




Rich Texts


Book Description

Compiled for the first time here, the critic, artist, gallerist, dealer, translator John Kelsey's selected essays gamesomely convey some of the most poignant challenges in the art world and in the many social roles it creates. “When the critic chooses to become a smuggler, a hack, a cook, or an artist,” Kelsey said at a 2007 conference at the Städelschule in Frankfurt am Main, “it's maybe because criticism as such remains tied to an outmoded social relation.” It is precisely this relation that Kelsey intends to not only critique but also to surpass. In this way, Kelsey's “Rich Texts” play the double role of explaining the art world and actively participating in it; they close the distance between the work of art and how we talk about it. Originally published in Artforum—where Kelsey is a contributing editor—Texte zur Kunst, Parkett, and various artists' catalogues, the essays compiled in Rich Texts have all been written over the last decade, and therefore embody a timeliness that strikes at the core of the contemporary art world and the crises that have come to define it. Institut für Kunstkritik Series




Bernadette Corp--2000 Wasted Years


Book Description