Famous Sculpture


Book Description




National Poets, Cultural Saints: Canonization and Commemorative Cults of Writers in Europe


Book Description

In National Poets, Cultural Saints Marijan Dović and Jón Karl Helgason explore the ways in which certain artists, writers, and poets in Europe have become major figures of cultural memory, emulating the symbolic role formerly played by state rulers and religious saints. The authors develop the concept of cultural sainthood in the context of nationalism as a form of invisible religion, identify major shifts in canonization practices from antiquity to the nationally-motivated commemoration of the nineteenth century, and explore the afterlives of two national poets, Slovenia's France Prešeren and Iceland's Jónas Hallgrímsson. The book presents a useful analytical model of canonization for further studies on cultural sainthood and opens up fruitful perspectives for the understanding of national movements.




A Marble Quarry


Book Description

Celebrates the opening of the permanent installation of the Ricau Collection at the Chrysler Museum in Norfolk, Virginia.




Lectures on the Philosophy of Art


Book Description

Hegel gave lecture series on aesthetics or the philosophy of art in various university terms, but never published a book of his own on this topic. His student, H. G. Hotho, compiled auditors' transcripts from these separate lecture series and produced from them the three volumes on aesthetics in the standard edition of Hegel's collected works. Annemarie Gethmann-Siefert has now published one of these transcripts, the Hotho transcript of the 1823 lecture series, and accompanied it with a very extensive introductory essay treating many issues pertinent to a proper understanding of Hegel's views on art. She persuasively argues that the evidence shows Hegel never finalized his views on the philosophy of art, but modified them in significant ways from one lecture series to the next. In addition, she makes the case that Hotho's compilation not only concealed this circumstance, by the harmony he created out of diverse source materials, but also imposed some of his own views on aesthetics, views that differ from Hegel's and that the ongoing interpretation of the aesthetics part of Hegel's philosophy has unfortunately taken to be Hegel's own. This translation of the German volume, which contains the first publication of the Hotho transcript and Gethmann-Siefert's essay, makes these important materials accessible to the English reader, materials that should put the English-speaking world's future understanding and interpretation of Hegel's philosophy of art on a sounder footing.




Popularization and People (1911-1962)


Book Description

The Niels Bohr Collected Works are now complete with the publication of Volume 12, Popularization and People (1911-1962).Niels Bohr is generally regarded as one of the most influential physicists of the twentieth century. The following are only some of the high points. In 1913, Bohr proposed a revolutionary model of the atom breaking with classical conceptions of physics. In 1921, he established the Institute for Theoretical Physics at the University of Copenhagen, which became the centre for the new physics visited by the younger generation of physicists from all over the world. From 1927, he oversaw the development leading to the "Copenhagen interpretation" of quantum mechanics which for Bohr formed the foundation for an epistemology valid beyond physics based on Bohr's complementarity concept. In 1939, he explained the mechanism of nuclear fission. Finally, from 1943 until the end of his life in 1962, he carried out a personal political mission to establish an open world between nations which he considered to be necessary in view of the existence of the atomic bomb.All these contributions are amply documented in the earlier volumes of the Niels Bohr Collected Works. This last volume documents Niels Bohr as a person and his efforts to explain quantum physics and its implications to physicists and non-physicists alike. While his activity over many years in the area of superconductivity illustrates his striving for synthesis in physics, his encyclopaedia articles and radio speech for Scandinavian gymnasium students document his effort to make quantum physics and its implications understandable to the general public. The bulk of the volume comprises Bohr's many published writings about his predecessors (for example Isaac Newton), teachers and colleagues (for example Ernest Rutherford and Albert Einstein), family and friends. These writings, which include several rare pieces of autobiogaphy, bring new perspectives to Bohr's life and document his substantial social network, both internationally and within his beloved Denmark.In addition to Bohr's publications reproduced in Parts I and II, the volume includes a more brief Part III with selected correspondence, as well as an inventory of relevant manuscripts. It concludes with a bibliography of Bohr's many publications, chronologically arranged with references to where they can be found in the various volumes of the Collected Works. The volume is illustrated with many new photographs.* Niels Bohr * Collected Works * Archival Documents * Original Photographs







Portraits by Ingres


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Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)




The Rough Guide to Copenhagen


Book Description

This guide to Copenhagen captures all the city's highlights from alternative Christiania to the Museum of Modern Art at Louisiana, in a 16-page introduction. There are informative and revealing accounts of all the attractions, both well-known sights and lesser known local gems. The top restaurants, bars, hotels, guesthouses and pastry shops are uncovered by reviews and full contact details are provided. There are also accounts of several possible day trips including the castle at Helsingor and Hans Christian Andersen's home town of Odense.







Bertel Thorvaldsen (1770-1844)


Book Description

This volume is dedicated to Bertel Thorvaldsen (1770- 1844), a Danish sculptor of international fame during the XIX century. Born in Copenhagen in 1770, he spent more than forty years in Italy, maintaining a large workshop in Rome. When he eventually returned to his native land in 1838 he was more known in Europe than in Denmark. But in the following years it became rather vice versa. Obviously this is connected with the fact that in Copenhagen he could not keep the close contact he had in Rome with the international art community and art market in the cultural capital of Europe. As a matter of fact only within the last 30 years has Thorvaldsen regained his rightful place in the European art historical context and he is considered as an outstanding representative of the Neoclassical period in sculpture. In fact, his work has often been compared to that of Antonio Canova and he became the foremost artist in the field after Canova's death in 1822. The really strong point of this book is that it precisely links together Thorvaldsen's art with a broad international, artistic context and thus contributes to a more faceted understanding of his work.