Better Writing Through Editing


Book Description




BETTER WRITING THROUGH EDITING: STUDENT TEXT


Book Description

Better Writing Through Editing teaches intermediate students how to edit their own writing for correct sentence structure, grammar, punctuation, and expression. Using a systematic approach for studying writing and editing problems, students discover their individual strengths and weaknesses and are encouraged to monitor their own progress. Part 1, Getting Started, begins with a diagnostic self-assessment to determine each students' awareness of typical ESL/EFL editing problems. Students also learn an editing system that they can use to evaluate their own writing. Part 2, Writing Focus, provides practice with a variety of English sentence types and features writing assignments based on a chapter theme and a rhetorical focus. Part 3, Editing Focus, provides clear and simple explanations of typical ESL/EFL editing problems and contains hundreds of practice exercises. The chapters in the Editing Focus section can be done in any order, thus allowing a teacher to customize learning while simultaneously completing the Writing Focus chapters.




Writer's Harbrace Handbook


Book Description

The 14th edition of this writers handbook from Harcourt College Publishers has been written with English composition, English language and high level ESL students in mind. The Writer's Harbrace Handbook offers a writing-driven approach while maintaining solid coverage of grammar and mechanics. This title also includes a WebCT Guide and PIN code. WebCT online courses provide lecture notes and additional content tied directly to the text, along with self-tests, interactive activities, and net links. All this is directly customized by The Lecturer to suit their individual course.




Line by Line


Book Description

Loose, baggy sentences - Faulty connections - III-matched partners - Mismanaged numbers and references - Problems with punctuation - The parts of a sentence.




The Savior's Sister


Book Description

"The Savior's Sister is utterly unputdownable. It's compulsive, addictive, and mesmerizing. If you love romance, fantasy, and bloodshed, ignore your TBR pile, this is the only dark fantasy novel you need." - Sacha Black, BESTSELLING fantasy and nonfiction writing craft author In the thrilling companion to one of Book Depository's Best Books of All Time, experience the peril and heart-stopping romance through Leila's fresh perspective. Leila Tūs Salvatíraas, Savior of Thessen and magical Queen of Her realm, is worshiped by all. Except Her father. He wants Her dead. The Sovereign's Tournament-a centuries-long tradition designed to select The Savior's husband-is days away, but Brontes's plan to overthrow his daughter ignites, shifting the objective of the competition from marriage to murder. With the help of Her sisters and some unexpected allies, Leila must unravel Brontes's network and prevent Her own assassination. But as the body count rises, She learns the deception runs far deeper than She imagined. When She finds Herself falling for one of the tournament competitors, Her father finds himself another target for murder. Can Leila save Herself and Her beloved, or is their untimely end-and the corruption of Her realm-inevitable? TRIGGER WARNINGS: This book contains graphic violence, sexual situations, physical abuse, adult language, and references to suicide. "The Savior's Sister is one of those gritty, sexy (and occasionally violent) books you can't put down. I can't wait to see what's next for Leila and Tobias." - Meg LaTorre, FOUNDER of iWriterly and science fiction and fantasy author




Editing Made Easy


Book Description

As the title states, this book is designed to be easy to use for all writers. It offers straightforward, practical guidelines for editing, without getting into the weeds of advanced English grammar. You will find no loftier technical grammatical terms here, such as present perfect progressive, correlative conjunctions, imperative mood or interrogative adjective. However, much of the advice in this book is not to be written in stone. English is a flexible language, and writing a creative calling. As you will see, there are many acceptable ways for writers to express themselves. What you will find in this book is: --How to avoid the most common errors of grammar and spelling. --How to spot typographical and factual errors. --Understanding the styles of print and online media. --How to make your writing more exciting and dynamic. --And improving your odds of having your work published. The goal of this book is simple—to put the odds on the writers’ side; to increase your chances of being published or finding success as a reporter, feature writer, novelist, freelance writer, blogger, Web developer, Web editor, communications consultant, advertising copywriter, speechwriter or public relations consultant—in fact, anything involving the written word.




The Subversive Copy Editor


Book Description

Each year writers and editors submit over three thousand grammar and style questions to the Q&A page at The Chicago Manual of Style Online. Some are arcane, some simply hilarious—and one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the "rights" and "wrongs" of prose styling: "This author is giving me a fit." "I wish that I could just DEMAND the use of the serial comma at all times." "My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it’s not a post-face." In The Subversive Copy Editor, Saller casts aside this adversarial view and suggests new strategies for keeping the peace. Emphasizing habits of carefulness, transparency, and flexibility, she shows copy editors how to build an environment of trust and cooperation. One chapter takes on the difficult author; another speaks to writers themselves. Throughout, the focus is on serving the reader, even if it means breaking "rules" along the way. Saller’s own foibles and misadventures provide ample material: "I mess up all the time," she confesses. "It’s how I know things." Writers, Saller acknowledges, are only half the challenge, as copy editors can also make trouble for themselves. (Does any other book have an index entry that says "terrorists. See copy editors"?) The book includes helpful sections on e-mail etiquette, work-flow management, prioritizing, and organizing computer files. One chapter even addresses the special concerns of freelance editors. Saller’s emphasis on negotiation and flexibility will surprise many copy editors who have absorbed, along with the dos and don’ts of their stylebooks, an attitude that their way is the right way. In encouraging copy editors to banish their ignorance and disorganization, insecurities and compulsions, the Chicago Q&A presents itself as a kind of alter ego to the comparatively staid Manual of Style. In The Subversive Copy Editor, Saller continues her mission with audacity and good humor.




The Story Grid


Book Description

WHAT IS THE STORY GRID? The Story Grid is a tool developed by editor Shawn Coyne to analyze stories and provide helpful editorial comments. It's like a CT Scan that takes a photo of the global story and tells the editor or writer what is working, what is not, and what must be done to make what works better and fix what's not. The Story Grid breaks down the component parts of stories to identify the problems. And finding the problems in a story is almost as difficult as the writing of the story itself (maybe even more difficult). The Story Grid is a tool with many applications: 1. It will tell a writer if a Story ?works? or ?doesn't work. 2. It pinpoints story problems but does not emotionally abuse the writer, revealing exactly where a Story (not the person creating the Story'the Story) has failed. 3. It will tell the writer the specific work necessary to fix that Story's problems. 4. It is a tool to re-envision and resuscitate a seemingly irredeemable pile of paper stuck in an attic drawer. 5. It is a tool that can inspire an original creation.




Good with Words


Book Description

If your success at work or in school depends on your ability to communicate persuasively in writing, you'll want to get Good with Words. Based on a course that law students at the University of Michigan and the University of Chicago have called "outstanding," "A-M-A-Z-I-N-G," and "the best course I have ever taken," the book brings together a collection of concepts, exercises, and examples that have also helped improve the advocacy skills of people pursuing careers in many other fields--from marketing, to management, to medicine. "There is nobody better than Patrick Barry when it comes to breaking down how to write and edit. His techniques don't just make you sound better. They make you think better. I'm jealous of the people who get to take his classes." --Professor Lisa Bernstein, University of Chicago Law School and Oxford University Center for Corporate Regulation "Whenever I use Patrick Barry's materials in my class, the student reaction is the same: 'We want more of them.'" --Professor Dave Babbe, UCLA School of Law "Working one-on-one with Patrick Barry should be mandatory for all lawyers, regardless of seniority. This book is the next best thing." --Purvi Patel, Partner at Morrison Foerster LLP "I am proud to say that, when it comes to writing, I speak Patrick Barry. What I mean is that I use, pretty much every day, the writing vocabulary and techniques he offers in this great book. So read it. Share it. And then, if you can, teach it. There are a lot of good causes in the world that could use a new generation of great advocates." --Professor Bridgette Carr, Assistant Dean of Strategic Initiatives and Director of the Human Trafficking Clinic at the University of Michigan Law School "Patrick Barry is my secret weapon. I use his techniques every time I write, and I also teach them to all my students." --Professor Shai Dothan, Copenhagen Faculty of Law "I know the materials in this book were originally created for lawyers and law students. But I actually find them really helpful for doctors as well, given that a lot of what I do every day depends on effective communication. There is a tremendous upside to becoming 'Good with Words." --Dr. Ramzi Abboud, Washington University School of Medicine in St. Louis.




How to Write a Novel


Book Description

This intensely practical and funny guide will take you through everything you need to do write a book to be proud of in 2020. You'll learn to write a novel, children's book, or narrative non-fiction that will remain true to your artistic vision and be strong enough to sell. 'Best book on writing I have ever read' -- Lovely Rita, Amazon reviewer So: you want to write a book. That means you'll need to learn how to find the market you'll be writing for and how to plan your novel. Know what works and what doesn't and identify the 'outstanding' from the 'good' ideas. You'll need to know how to plot like the experts: learn about all the plotting methods open to you, and which one suits you and your writing style. You'll also want to know who your characters are and why they're the way they are. You'll need to know about character arcs and character development, so that you can create dazzling characters that'll leave your readers captivated. But none of that will mean anything, if you haven't developed your prose style. This is what separates 'people who like to write' and 'writers.' So, you'll need to learn how to handle technicalities like point of view, tense, omniscience, writing with clarity, and the art of showing-not-telling. And, because you're a writer whose just created a world filled with evocative characters and excellent descriptions of place, you'll also need to know how to edit. Really edit your manuscript so that it's ready for publication. Oh, and yes, you'll need experience. This book is written by someone who knows what he's talking about. With 20+ years as a published and bestselling author, Harry has helped thousands of writers on their journey to publication (as boss of Jericho Writers). And look: there are plenty of writing manuals out there, but with this book Harry will be with you from the very first sentence to the last full stop. Offering you actionable advice with real-life examples, all with the aim to help you write a book to be proud of. From one writer to another - good luck. Table of contents: Introduction Part one: Planning 1 What is Your Market? 2 What is Your Plan? 3 What is Your Plot? 4 Who Are Your Characters? 5 What is Your Stage and Where is Your Camera? 6 Who Are You? 7 Some Common Mistakes Part two: Prose Style 8 Clarity 9 Economy 10 Clichés: A Field Guide 11 Precision 12 Some Technicalities 13 Little Flashes of Genius 14 Tone Part three: Character 15 Show, Telling, and The Riddle of Character 16 Finding Edge 17 The World of Interiors 18 Faces, Bodies, Mirrors 19 Meetings 20 Empathy Part four: Placing the Camera 21 First-Person, Third-Person 22 One, Few, or Many 23 Up Close, Far Out, and The Myth of Omniscience 24 Past or Present? 25 The Time Traveller's Reader 26 Madmen, Liars and Rogues 27 Irony Part five: Story 28 The Classic Plot 29 The Mystery Plot 30 The Literary Plot 31 Perspectives From Film 32 Diagnosing Your Plot Problems Part six: Scenes and Chapters 33 The Scene 34 The Scene That Isn't 35 The Chapter Part seven: Towards Perfection 36 Themes 37 Editing Your Manuscript 38 Getting Help Conclusion About Jericho Writers Bingham has been published by the three largest trade publishers in the world, has sold in every major market on the planet, has been on bestseller lists, has been prize long- and short-listed, and has had his work adapted for TV. His work has also received a considerable amount of critical acclaim.