Between the Gothic and the Plague


Book Description

This volume contains five stories about plague – some short, some long. Each that builds upon the heritage of the other. This volume contains five stories – some short, some long. Each that builds upon the heritage of the other. It starts with The Castle of Ontarato (1764) by Horace Walpole which is considered the first, “Gothic Novel”; Vathek, An Arabian Tale (1782) by William Beckford, was influenced by Walpole and Arabian Nights; The Last Man (1826) by Mary Shelley carries on the theme of the previous works, but could be viewed as one of the first science fiction post-apocalyptic novels; The Masque of the Red Death (1842) by Edgar Allen Poe also focuses on apocalyptic forces and society’s efforts (or lack thereof) to deal with it. Finally, The Scarlet Plague (1912) by Jack London describes a world-wide pandemic that humanity cannot control. Even the cover illustration, The Sleep of Reason Produces Monsters, by Goya is influenced by the Gothic art and forms a sort of double-entendre of monsters made in our mind and by doing nothing.




Plague Image and Imagination from Medieval to Modern Times


Book Description

This edited collection brings together new research by world-leading historians and anthropologists to examine the interaction between images of plague in different temporal and spatial contexts, and the imagination of the disease from the Middle Ages to today. The chapters in this book illuminate to what extent the image of plague has not simply reflected, but also impacted the way in which the disease is experienced in different historical periods. The book asks what is the contribution of the entanglement between epidemic image and imagination to the persistence of plague as a category of human suffering across so many centuries, in spite of profound shifts in our medical understanding of the disease. What is it that makes plague such a visually charismatic subject? And why is the medical, religious and lay imagination of plague so consistently determined by the visual register? In answering these questions, this volume takes the study of plague images beyond its usual, art-historical framework, so as to examine them and their relation to the imagination of plague from medical, historical, visual anthropological, and postcolonial perspectives.




The Plague Stones


Book Description

A family’s fresh start in a quaint British village turns into a waking, ghost-ridden nightmare in this chilling folk horror story about tradition, evil, and the Great Plague. Fleeing from a traumatic break-in, Londoners Paul and Tricia Feenan sell up to escape to the isolated Holiwell village where Tricia has inherited a property. Scattered throughout the settlement are centuries-old stones used during the Great Plague as boundary markers. No plague-sufferer was permitted to pass them and enter the village. The plague diminished, and the village survived unscathed . . . Since then, the village trustees have insisted on an annual ancient ceremony to renew the village boundaries. But then a misguided act by the Feenans’ son sends the village into a frenzy, reminding everyone that there’s a reason traditions have been stuck to so rigidly—and that all acts of betrayal, even those committed centuries ago, have dire consequences.




Gothic Britain


Book Description

Coverage of canonical and less-explored texts in fiction, film and museology. Innovative vision of how Gothic evokes the regions of Great Britain. The first work to consider Gothic and the regional experience at length.




Myths and Memories of the Black Death


Book Description

This book explores modern representations of the Black Death, a medieval pandemic. The concept of cultural memory is used to examine the ways in which journalists, writers of fiction, scholars and others referred to, described and explained the Black Death from around 1800 onwards. The distant medieval past was often used to make sense of aspects of the present, from the cholera pandemics of the nineteenth-century to the climate crisis of the early twenty-first century. A series of overlapping myths related to the Black Death emerged based only in part on historical evidence. Cultural memory circulates in a variety of media from the scholarly article to the video game and online video clip, and the connections and differences between mediated representations of the Black Death are considered. The Black Death is one of the most well-known aspects of the medieval world, and this study of its associated memories and myths reveals the depth and complexity of interactions between the distant and recent past.




Laid Waste


Book Description

In a plague-ravaged medieval city, survival is a harsher fate than death. As corpses accumulate around her, Agnes, a young widow possessed of supernatural strength, must weigh her obligations to the dead and dying against her desire to protect what little remains. Laid Waste is a graphic novella about love and kindness among vermin in the putrid miasma at the end of the world. As with her evocative debut book, Black is the Color, Julia Gfrörer's delicate, gothic drawing style perfectly complements the period era of the book’s setting, bringing the lyricism and romanticism of her prose to the fore.




City of Crows


Book Description

“Signs, wonders, and witchcraft beset 17th-century France” in this “grim but spellbinding” novel of a mother searching for her son inspired by true events (Kirkus Reviews). France, 1673. A young woman from the country, Charlotte Picot must venture to the fearsome city of Paris in search of her last remaining son, Nicolas. Either fate or mere coincidence places the quick-witted charlatan Adam Lesage in her path. Adam is newly released from the prison galleys and on the hunt for treasure. But Charlotte, believing him to be a spirit she has summoned from the underworld, enlists his help in finding her child. Charlotte and Adam―comically ill-matched yet essential to one another―journey to Paris, then known as the City of Crows. Evoking pre-revolutionary France with all its ribaldry, superstition, and intrigue, “Womersley weaves a haunting tale of the drastic lengths people will go to achieve their deepest desires” (Publishers Weekly). “A gothic masterpiece.” ―Better Read Than Dead




The Masque of the Red Death


Book Description

"The Masque of the Red Death", originally published as "The Mask of the Red Death: A Fantasy", is an 1842 short story by American writer Edgar Allan Poe. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death, by hiding in his abbey. He, along with many other wealthy nobles, hosts a masquerade ballwithin seven rooms of the abbey, each decorated with a different color. In the midst of their revelry, a mysterious figure disguised as a Red Death victim enters and makes his way through each of the rooms. Prospero dies after confronting this stranger, whose "costume" proves to contain nothing tangible inside it; the guests also die in turn. Poe's story follows many traditions of Gothic fiction and is often analyzed as an allegory about the inevitability of death, though some critics advise against an allegorical reading. Many different interpretations have been presented, as well as attempts to identify the true nature of the titular disease. The story was first published in May 1842 in Graham's Magazineand has since been adapted in many different forms, including a 1964 film starring Vincent Price.




William Blake's Gothic imagination


Book Description

While overlooked by extant studies of the Gothic, William Blake’s literary and visual oeuvre embodies the same obsessions and fears that inform the Gothic revival with which he was contemporary.




Justinian's Flea


Book Description

From the acclaimed author of Miracle Cure and The Third Horseman, the epic story of the collision between one of nature's smallest organisms and history's mightiest empire During the golden age of the Roman Empire, Emperor Justinian reigned over a territory that stretched from Italy to North Africa. It was the zenith of his achievements and the last of them. In 542 AD, the bubonic plague struck. In weeks, the glorious classical world of Justinian had been plunged into the medieval and modern Europe was born. At its height, five thousand people died every day in Constantinople. Cities were completely depopulated. It was the first pandemic the world had ever known and it left its indelible mark: when the plague finally ended, more than 25 million people were dead. Weaving together history, microbiology, ecology, jurisprudence, theology, and epidemiology, Justinian's Flea is a unique and sweeping account of the little known event that changed the course of a continent.