Book Description
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Author : Timothy Rice
Publisher : Routledge
Page : 1174 pages
File Size : 31,66 MB
Release : 2017-09-25
Category : Music
ISBN : 1351544268
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Author : University of Michigan. Library
Publisher :
Page : 340 pages
File Size : 32,26 MB
Release : 1983
Category : Academic libraries
ISBN :
Author : Wendy Pradt Lougee
Publisher : Scholarly Publishing Office
Page : 195 pages
File Size : 35,66 MB
Release : 2003
Category : Language Arts & Disciplines
ISBN : 0974510904
Author : Franklin Allan Wagner
Publisher :
Page : 140 pages
File Size : 43,22 MB
Release : 1904
Category : Students' songs
ISBN :
Author :
Publisher :
Page : 246 pages
File Size : 41,75 MB
Release : 1978
Category :
ISBN :
Author :
Publisher :
Page : 244 pages
File Size : 42,13 MB
Release : 2001-12
Category : Books
ISBN :
Author : HLNE. CUVIGNY
Publisher : University of Michigan Press
Page : 369 pages
File Size : 40,33 MB
Release : 2021-12-08
Category : History
ISBN : 1954731000
Examines a group of papyri held at Yale's rare book library, the Beinecke
Author : Jacob Soll
Publisher : University of Michigan Press
Page : 300 pages
File Size : 11,39 MB
Release : 2011-08-08
Category : History
ISBN : 0472034642
"Colbert has long been celebrated as Louis XIV's minister of finance, trade, and industry. More recently, he has been viewed as his minister of culture and propaganda. In this lively and persuasive book, Jake Soll has given us a third Colbert, the information manager." ---Peter Burke, University of Cambridge "Jacob Soll gives us a road map drawn from the French state under Colbert. With a stunning attention to detail Colbert used knowledge in the service of enhancing royal power. Jacob Soll's scholarship is impeccable and his story long overdue and compelling." ---Margaret Jacob, University of California, Los Angeles "Nowadays we all know that information is the key to power, and that the masters of information rule the world. Jacob Soll teaches us that Jean-Baptiste Colbert had grasped this principle three and a half centuries ago, and used it to construct a new kind of state. This imaginative, erudite, and powerfully written book re-creates the history of libraries and archives in early modern Europe, and ties them in a novel and convincing way to the new statecraft of Europe's absolute monarchs." ---Anthony Grafton, Princeton University "Brilliantly researched, superbly told, and timely, Soll's story is crucial for the history of the modern state." ---Keith Baker, Stanford University When Louis XIV asked his minister Jean-Baptiste Colbert---the man who was to oversee the building of Versailles and the Royal Academy of Sciences, as well as the navy, the Paris police force, and French industry---to build a large-scale administrative government, Colbert created an unprecedented information system for political power. In The Information Master, Jacob Soll shows how the legacy of Colbert's encyclopedic tradition lies at the very center of the rise of the modern state and was a precursor to industrial intelligence and Internet search engines. Soll's innovative look at Colbert's rise to power argues that his practice of collecting knowledge originated from techniques of church scholarship and from Renaissance Italy, where merchants recognized the power to be gained from merging scholarship, finance, and library science. With his connection of interdisciplinary approaches---regarding accounting, state administration, archives, libraries, merchant techniques, ecclesiastical culture, policing, and humanist pedagogy---Soll has written an innovative book that will redefine not only the history of the reign of Louis XIV and information science but also the study of political and economic history. Jacket illustration: Jean Baptiste Colbert (1619–1683), Philippe de Champaigne, 1655, The Metropolitan Museum of Art, Gift of the Wildenstein Foundation, Inc., 1951 (51.34). Photograph © 2003 The Metropolitan Museum of Art.
Author : Markus Nornes
Publisher : Maize Books
Page : 110 pages
File Size : 20,11 MB
Release : 2015
Category : Social Science
ISBN : 9781607853381
"In Staging Memories, authors Abâe Mark Nornes and Emilie Yeh present an updated study of Hou Hsiao-hsien's landmark contributions to Taiwanese and world cinema, with particular emphasis on A City of Sadness (Beiqing Chengshi), the winner of the Golden Lion award at the 1989 Venice Film Festival. Staging Memories is based on Narrating National Sadness, one of the first hypertext analyses in film studies, and its analysis is couched in a general history of Taiwan, the political massacre that A City of Sadness recreates, and the history of Taiwan New Cinema. This background information is crucial context for viewers, and one of the reasons teachers have long valued the hypertext version of the book. The body of the text analyzes Hou's style, representation of violence, and the complex manner in which he renders history in his oblique long-take style. The book ends with a chapter that examines a single sequence that unifies the various threads of the overall analysis." -- Publisher's description
Author : William Cheng
Publisher : University of Michigan Press
Page : 181 pages
File Size : 32,84 MB
Release : 2016-08-11
Category : Music
ISBN : 0472900560
Modern academic criticism bursts with what Eve Kosofsky Sedgwick once termed paranoid readings—interpretative feats that aim to prove a point, persuade an audience, and subtly denigrate anyone who disagrees. Driven by strategies of negation and suspicion, such rhetoric tends to drown out softer-spoken reparative efforts, which forego forceful argument in favor of ruminations on pleasure, love, sentiment, reform, care, and accessibility. Just Vibrations: The Purpose of Sounding Good calls for a time-out in our serious games of critical exchange. Charting the divergent paths of paranoid and reparative affects through illness narratives, academic work, queer life, noise pollution, sonic torture, and other touchy subjects, William Cheng exposes a host of stubborn norms in our daily orientations toward scholarship, self, and sound. How we choose to think about the perpetration and tolerance of critical and acoustic offenses may ultimately lead us down avenues of ethical ruin—or, if we choose, repair. With recourse to experimental rhetoric, interdisciplinary discretion, and the playful wisdoms of childhood, Cheng contends that reparative attitudes toward music and musicology can serve as barometers of better worlds.