Bidoun


Book Description




How to Write About Africa


Book Description

From one of Africa’s most influential and eloquent essayists, a posthumous collection that highlights his biting satire and subversive wisdom on topics from travel to cultural identity to sexuality “A fierce literary talent . . . [Wainaina] shines a light on his continent without cliché.”—The Guardian “Africa is the only continent you can love—take advantage of this. . . . Africa is to be pitied, worshipped, or dominated. Whichever angle you take, be sure to leave the strong impression that without your intervention and your important book, Africa is doomed.” Binyavanga Wainaina was a pioneering voice in African literature, an award-winning memoirist and essayist remembered as one of the greatest chroniclers of contemporary African life. This groundbreaking collection brings together, for the first time, Wainaina’s pioneering writing on the African continent, including many of his most critically acclaimed pieces, such as the viral satirical sensation “How to Write About Africa.” Working fearlessly across a range of topics—from politics to international aid, cultural heritage, and redefined sexuality—he describes the modern world with sensual, emotional, and psychological detail, giving us a full-color view of his home country and continent. These works present the portrait of a giant in African literature who left a tremendous legacy.




Publishing as Practice


Book Description

On the work of three contemporary artist's-book publishers who have developed fresh ways of broaching politics in publishing This book documents Publishing as Practice, a residency at Ulises--a curatorial platform based in Philadelphia--that explores publishing as an incubator for new forms of editorial, curatorial and artistic practice. Over the course of two years, three publishers activated Ulises as an exhibition space and public programming hub, engaging the public through workshops, discussions and projects. Residents included Hardworking Goodlooking, the publishing arm of Philippines-based, social-practice platform The Office of Culture and Design; Dominica, an imprint run by Martine Syms dedicated to exploring Blackness as a topic, reference, marker and audience in visual culture; and Bidoun, a non-profit organization focused on art and culture from the Middle East and its diasporas. The book features a preface by David Senior, an essay by Gee Wesley and Ulises Carrión's 1975 publishing manifesto "The New Art of Making Books," alongside documentation of the works produced.




Accidental Gods


Book Description

NAMED A BEST BOOK OF THE YEAR BY ESQUIRE, THE IRISH TIMES AND THE TIMES LITERARY SUPPLEMENT A provocative history of men who were worshipped as gods that illuminates the connection between power and religion and the role of divinity in a secular age Ever since 1492, when Christopher Columbus made landfall in the New World and was hailed as a heavenly being, the accidental god has haunted the modern age. From Haile Selassie, acclaimed as the Living God in Jamaica, to Britain’s Prince Philip, who became the unlikely center of a new religion on a South Pacific island, men made divine—always men—have appeared on every continent. And because these deifications always emerge at moments of turbulence—civil wars, imperial conquest, revolutions—they have much to teach us. In a revelatory history spanning five centuries, a cast of surprising deities helps to shed light on the thorny questions of how our modern concept of “religion” was invented; why religion and politics are perpetually entangled in our supposedly secular age; and how the power to call someone divine has been used and abused by both oppressors and the oppressed. From nationalist uprisings in India to Nigerien spirit possession cults, Anna Della Subin explores how deification has been a means of defiance for colonized peoples. Conversely, we see how Columbus, Cortés, and other white explorers amplified stories of their godhood to justify their dominion over native peoples, setting into motion the currents of racism and exclusion that have plagued the New World ever since they touched its shores. At once deeply learned and delightfully antic, Accidental Gods offers an unusual keyhole through which to observe the creation of our modern world. It is that rare thing: a lyrical, entertaining work of ideas, one that marks the debut of a remarkable literary career.




Photography and Egypt


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Sad Sack


Book Description

Sad Sack' is a book of collected writing by Sophia Al-Maria, taking feminist inspiration from Ursula K. Le Guin?s 1986 essay 'The Carrier Bag Theory of Fiction'; opposing "the linear, progressive, Time?s-(killing)-arrow mode of the Techno-Heroic." Encompassing more than a decade of work, 'Sad Sack' tracks Al-Maria?s speculative journey as a writer, from the first seed of her "premature" memoir, through the coining and subsequent critique of "Gulf Futurism", towards experiments in gathering, containing, welling up and sucking dry.0Sophia Al-Maria was Whitechapel Gallery?s Writer in Residence 2018 ? her exhibition ?BCE? (Whitechapel Gallery, January ? April 2019), draws on a year of performances and readings, culminating in two short creation myth films: one from the ancient past, originating with the Wayuu tribe in northern Colombia; the other from the distant future, made with Victoria Sin.0.




So Sorry We Won!


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Gift of Rabbi W. Gunther Plaut.




Citizenship and the State in the Middle East


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As a response to processes of globalization, regional integration and ethnic conflicts, the study of citizenship has regained new interest among social scientists and legal experts. This approach focuses on the relationship between the state and the people-as individuals and collectivities, citizens and non-citizens-both those living within or outside its borders. Citizenship defines the terms of rights and obligations in a society, regulates political participation and access to public goods and properties. Together, with its companion volume, Gender and Citizenship in the Middle East, this book represents the first systematic critical attempt to interpret the complex nature of Middle East politics from a citizenship perspective. In addition, the book provides both theoretical contributions and case studies, and includes a significant section on Israel and Palestine.




The Battle for Egypt


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In a series of riveting dispatches, Cairo native Yasmine El Rashidi provides an eyewitness account of the entire 2011 Egyptian Revolution as it unfolded, from its origins in the days leading up to the first January 25 protest in Tahrir Square through the violent confrontations with the regime and the fall of Egyptian President Hosni Mubarak, to the subsequent military takeover and the March 2011 constitutional referendum. Drawing on her deep knowledge of the Egyptian capital and its underlying social divisions, El Rashidi brings together a vivid story of the uprising itself with subtle insights about the strengths—and limits—of the protest movement and the prospects for large-scale political change in the September 2011 parliamentary elections. With a preface by the Oxford scholar of revolutions Timothy Garton Ash. The Battle for Egypt is available as an e-book only. There is no print edition of this book.




To Look at the Sea Is to Become What One Is


Book Description

The first retrospective collection of 50 years of writing by our leading Arab-American innovative writer. This landmark two-volume edition, first published in 2014, is being reprinted in a single volume. This collection follows Adnan's work from the infernal elegies of the 1960s to the ethereal meditations of her later poems, to form a portrait of an extraordinarily impassioned and prescient life. Ranging between essay, fiction, poetry, memoir, feminist manifesto, and philosophical treatise, while often challenging the conventions of genre, Adnan's works give voice to the violence and revelation of the last six decades as it has centered, in part, within the geopolitics of the Arab world, and in particular the author's native Beirut. Among the key works reproduced in their entirety are Sitt Marie Rose (1978); The Arab Apocalypse (1980); Journey to Mount Tamalpais (1986); and Of Cities & Women (1993).