The Jokes Of Billoo Badhshah


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Billoo Fishing


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Maurice Horn, the editor of World Encyclopedia of Comics, has described cartoonist PRAN as Walt Disney of India. Entertaining generation after generation, his comics have been constant companion of all the growing youngsters providing fun and amusement through his famous characters like CHACHA CHAUDHARY, SABU, SHRIMATIJI, PINKI, BILLOO, RAMAN etc. More than 600 of his titles are selling well in the market, and numerous comic strips are regularly appearing in various newspapers. His CHACHA CHAUDHARY comics had already been adapted for a TV Serial, and ran continuously for 600 episodes on a premier channel. Travelling widely over the globe, he delivers lectures at various International Conferences. He has also been honoured with 'People of The Year Award' by Limca Book of Records for popularizing comics. His comic book 'United We Stand' was released in 1983 by the then Prime Minister Mrs. Indira Gandhi, and is still very popular among children.




LRCW 6: Late Roman Coarse Wares, Cooking Wares and Amphorae in the Mediterranean: Archaeology and Archaeometry


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This volume presents almost 100 papers deriving from the 6th International Conference on Late Roman Coarse Wares, Cooking Wares and Amphorae in the Mediterranean. Themes comprise sea and land routes, workshops and production centres, and regional contexts (western Mediterranean, eastern Mediterranean, Sicily and the Mediterranean islands).




A Princely Impostor?


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In 1921 a traveling religious man appeared in eastern British Bengal. Soon residents began to identify this half-naked and ash-smeared sannyasi as none other than the Second Kumar of Bhawal--a man believed to have died twelve years earlier, at the age of twenty-six. So began one of the most extraordinary legal cases in Indian history. The case would rivet popular attention for several decades as it unwound in courts from Dhaka and Calcutta to London. This narrative history tells an incredible story replete with courtroom drama, sexual debauchery, family intrigue, and squandered wealth. With a novelist's eye for interesting detail, Partha Chatterjee sifts through evidence found in official archives, popular songs, and backstreet Bangladeshi bookshops. He evaluates the case of the man claiming, with the support of legions of tenants and relatives, to be the long-lost Kumar. And he considers the position of the sannyasi's detractors, including the colonial government and the Kumar's young widow, who resolutely refused to meet the man she denounced as an impostor. Along the way, Chatterjee introduces us to a fascinating range of human character, gleans insights into the nature of human identity, and examines the relation between scientific evidence, legal truth, and cultural practice. The story he tells unfolds alongside decades of Indian history. Its plot is shaped by changing gender and class relations and punctuated by critical historical events, including the onset of World War II, the Bengal famine of 1943, and the Great Calcutta Killings. And by identifying the earliest erosion of colonialism and the growth of nationalist thinking within the organs of colonial power, Chatterjee also gives us a secret history of Indian nationalism.




Yaraana


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An exploration of gay identity in South Asia. From Ashok Row Kavi's autobiographical piece on growing up gay in Bombay to Vikram Seth's brilliantly etched account of a homosexual relationship in The Golden Gate, the stories, poems, plays and prose extracts in this collection cover a range of literary styles, themes and sensibilities. Mahesh Dattani's play Night Queen is significant as one of the first serious attempts at dramatizing homosexuality on the Indian stage; the poems by R. Raj Rao included here are part of a series that formed the basis for the Bollywood film Bomgay; and the poetry of Dinyar Godrej, Adil Jussawalla and Sultan Padamsee is searing in its intensity. Apart from the pieces written originally in English, there are works translated from Hindi, Marathi, Gujarati and other Indian languages, which speak of the agony and the joy of being a man in love with other men. Extracts from the work of well-known writers including Bhupen Khakkar, Kamleshwar and Vishnu Khandekar provide a rare insight into the lives of homosexual men in India s small towns and villages. An extract from Shyam Selvadurai's Funny Boy details an account of growing up gay in war-torn Sri Lanka, while K.C. Ajay, an illiterate taxi driver, gives us an alternate glimpse of love and friendship in Nepal. Pieces such as these along with the poetry of Agha Shahid Ali and Iftikhar Naseem expand the scope of this collection to include writers from South Asia. With wit, passion and courage, these writings bring to the fore the true meaning of yaraana or male friendship and bonding, an often ignored facet of South Asian life and sexuality.




The Unofficial Joke Book Of Uk


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Billoo and Coconut Tree


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In 1973, cartoonist Pran was looking for a school going teenage boy who could feature in the comic strips. Thus he created a boy with a long hair covering his eyes and named him BILLOO. This lanky was liked by the readers so much that the editor of the magazine asked the cartoonist to increase the episodes from one page to two. Billoo is seen roaming the streets with his pet pup - Moti. When he is at home, he is stuck to the TV.Billoo and his gang which includes Gabdu, Jozi, Mono, Bishamber etc; are at loggerheads with Bajarangi, the wrestler and his aide Dhakkan. They are always in search of some excuse to showdown each other. Jozi is friendly to Billoo, but her dad Colonel Three - not - Three doesnot like the boy and always points his gun at him. Billoo and his friends are often seen playing cricket in lanes of the block, and their score is few smashed windows.




Let Me Tell You about Quinta


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