Biting the Error


Book Description

What is the best way to tell a story? In this anthology, the first-ever collection of essays by innovative, cutting-edge writers on the theme of narration, forty of the continent's top experimental writers describe their engagement with language, storytelling and the world. The anthology includes renowned writers like Kathy Acker, Dennis Cooper, Nicole Brossard, Daphne Marlatt, Lydia Davis and Kevin Killian, writers who have spent years pondering the meaning of storytelling and how storytelling functions in our culture, as well as presenting a new generation of brilliant thinkers and writers, like Christian Bök, Corey Frost, Derek McCormack and Lisa Robertson. Contemporizing the friendly anecdotal style of Montaigne and written by daring writers of different ages, of different origins, from many different regions of the continent, from Mexico to Montreal, these essays run the gamut of mirth, prose poetry, tall tales and playful explorations of reader/writer dynamics. They discuss aesthetics founded on new explorations in the field of narrative, the mystery that is the body, questions of how representation may be torqued to deal with gender and sexuality, the experience of marginalized people, the negotiation between different orders of time, the 'performance' of outlaw subject matter. Brave, energetic and fresh, Biting the Error tells a whole new story about narrative. Biting the Error is edited by Mary Burger, Robert Glück, Camille Roy and Gail Scott, the co-founders of the Narrativity Website Magazine, based at the Poetry Center, San Francisco State University.




No Fighting, No Biting!


Book Description

The merry adventures of two scrapping alligator children—and of Rosa and Willy, their human counterparts. ‘Else Holmelund Minarik, whose Little Bear indicated a uniquely charming talent, has outdone herself here.’ —K.




The Devil and the Detective


Book Description

Robert James, a private detective more interested in chronicling his cases than solving them, gets a midnight call from a young woman whose older husband has been found with a knife in his chest. Murder, corruption, and betrayal ensue, but hapless Robert and his sidekick can't stop drinking and philosophizing long enough to keep up.




Spare Parts Plus Two


Book Description

A welfare cheque floats down the river, a cowboy spreads the Word of the Lord and crotches tick like clocks: the world of Spare Parts is unpredictable, evocative and vividly distorted. Its initial appearance, in 1981, caused a stir; at a time when linear narrative was the m.o. of feminist writing, Gail Scott had the nerve to fracture and dislocate her stories and her language. Spare Parts is as vital as it was twenty years ago. Scott's densely textured tales about the world of growing up female in a small town, where violence lurks just beneath the skin, recreate the uncertainty of life. Their incantatory language and tough imagery are as relevant and crucial now as they were then. This edition adds two new pieces, including 'Bottoms Up', an essay on narrative which first appeared on the 'Narrativity' website Scott co-edits.




Heroine


Book Description

In a bathtub in a rooming house in Montreal in 1980, a woman tries to imagine a new life for herself: a life after a passionate affair with a man while falling for a woman, a life that makes sense after her deep involvement in far left politics during the turbulent seventies of Quebec, a life whose form she knows can only be grasped as she speaks it. A new, revised edition of a seminal work of edgy, experimental feminism. With a foreword by Eileen Myles.




The Swells


Book Description

In this darkly hilarious satire by the inimitable Will Aitken, class war erupts aboard a luxury cruise ship. A boatload of white privilege, The Emerald Tranquility is the most luxurious cruise liner afloat, its passengers some of the richest people in the world. Meanwhile the ship’s crew, overworked and underpaid, live packed tightly together in airless below-deck cabins. The passengers encounter a great number of cataclysms at sea, but no matter the catastrophe, the great ship always sails on. Briony, a globetrotting luxury travel writer, emulates the rich — though homeless and penniless herself — as she hops from gig to all-expenses-paid gig. On her own personal voyage, she encounters Mrs. Moore, an enigmatic woman of advanced age clandestinely fomenting a mutiny on this bountiful ship. With the captain overthrown, roles quickly reverse: the crew become the ship’s new leisure class and the aged passengers learn how to mop floors and scrub toilets. Confused and terrified by the resultant chaos, Briony must decide which lot to cast her fate with in this savage satire of the way we live now.




Verity


Book Description

Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.




Dirty Rotten Strategies


Book Description

Discusses how and why organizations and special interest groups of all kinds attempt to solve the wrong problems with intricate solutions.




Queen Solomon


Book Description

It's just another boring summer for our teenaged narrator — until Barbra arrives. An Ethiopian Jew, Barbra was brought to Israel at age five, a part of Operation Solomon, and now our narrator's well-intentioned father has brought her, as a teen, to their home for the summer. But Barbra isn't the docile and grateful orphan they expect, and soon our narrator, terrified of her and drawn to her in equal measure, finds himself immersed in compulsive psychosexual games with her, as she binge-drinks and lies to his family. Things go terribly wrong, and Barbra flees. But seven years later, as our narrator is getting his life back on track, with a new girlfriend and a master's degree in Holocaust Studies underway, Barbra shows up at our narrator's house once again, her "spiritual teacher" in tow, and our narrator finds his politics, and his sanity, back in question. Queen Solomon is another masterful take on the politics of sex, race, and power from the author of the Believer Book Award–winning Maidenhead.




Paper City


Book Description

In a Paper City write nothing down. So commands this text, which dismantles itself as it charts its own admonished course, navigating the interstices between English and French, the author's two mother tongues. Through the disquieting absence of the letters characters n and b, and the narrator's attempt to uncover and record their lives, Stephens confronts and challenges human proscription through the untranslatibility of experience, with ironic and apocalyptic consequences. Beneath this thin narrative runs an undercurrent of horror that decries the deliberate plunder of the City resulting from an absolute disregard for history's relationship to the body's fictions - what n and b term 'art lost to numbers.'