Black Coal and Red Bandanas


Book Description

In the early-20th century, strikes and union battles were common in industrial centers throughout the US. But nothing compared to the class warfare of the West Virginia Mine Wars. The origins of this protracted rebellion were in the dictatorial rule of the coal companies over the proud, multi-racial, immigrant and native-born miners of Appalachia. Our illustrated history begins with Mary Harris “Mother” Jones's arrival at the turn of the century. White-haired, matronly, and fiercely socialist, Jones became known as the “miners’ angel,” and helped turn the fledgling United Mine Workers into the nation’s most powerful labor union. “Pray for the dead and fight like hell for the living,” was her famous battle cry. In 1912, miners led by stubborn Frank Keeney struck against harsh conditions in the work camps of Paint and Cabin Creeks. Coal operators responded by enlisting violent Baldwin-Felts guards. The ensuing battles and murderous events caused the governor to declare and execute martial law on a scale unprecedented in the US. On May 19, 1920, in response to evictions by coal company agents, gunshots rang through the streets of a small-town in “Bloody Mingo” county. In an event soon known as the “Matewan Massacre”; the pro-union, quick-draw chief of police Smilin’ Sid Hatfield became an unexpected celebrity—but also a marked man. Events climax with the dramatic Battle of Blair Mountain that pitched the spontaneous Red Neck Army of 10,000 armed strikers against a paid army of gun thugs in the largest labor uprising in US history and the largest armed uprising since the American Civil War. This graphic interpretation of people’s history features unforgettable main characters while also displaying the diverse rank and file workers who stood in solidarity during this struggle.




Blood on the Tracks


Book Description

“We are not worth more, they are not worth less.” This is the mantra of S. Brian Willson and the theme that runs throughout his compelling psycho-historical memoir. Willson’s story begins in small-town, rural America, where he grew up as a “Commie-hating, baseball-loving Baptist,” moves through life-changing experiences in Viet Nam, Nicaragua and elsewhere, and culminates with his commitment to a localized, sustainable lifestyle. In telling his story, Willson provides numerous examples of the types of personal, risk-taking, nonviolent actions he and others have taken in attempts to educate and effect political change: tax refusal—which requires simplification of one’s lifestyle; fasting—done publicly in strategic political and/or therapeutic spiritual contexts; and obstruction tactics—strategically placing one’s body in the way of “business as usual.” It was such actions that thrust Brian Willson into the public eye in the mid-’80s, first as a participant in a high-profile, water-only “Veterans Fast for Life” against the Contra war being waged by his government in Nicaragua. Then, on a fateful day in September 1987, the world watched in horror as Willson was run over by a U.S. government munitions train during a nonviolent blocking action in which he expected to be removed from the tracks and arrested. Losing his legs only strengthened Willson’s identity with millions of unnamed victims of U.S. policy around the world. He provides details of his travels to countries in Latin America and the Middle East and bears witness to the harm done to poor people as well as to the environment by the steamroller of U.S. imperialism. These heart-rending accounts are offered side by side with inspirational stories of nonviolent struggle and the survival of resilient communities Willson’s expanding consciousness also uncovers injustices within his own country, including insights gained through his study and service within the U.S. criminal justice system and personal experiences addressing racial injustices. He discusses coming to terms with his identity as a Viet Nam veteran and the subsequent service he provides to others as director of a veterans outreach center in New England. He draws much inspiration from friends he encounters along the way as he finds himself continually drawn to the path leading to a simpler life that seeks to “do no harm.&rdquo Throughout his personal journey Willson struggles with the question, “Why was it so easy for me, a ’good’ man, to follow orders to travel 9,000 miles from home to participate in killing people who clearly were not a threat to me or any of my fellow citizens?” He eventually comes to the realization that the “American Way of Life” is AWOL from humanity, and that the only way to recover our humanity is by changing our consciousness, one individual at a time, while striving for collective cultural changes toward “less and local.” Thus, Willson offers up his personal story as a metaphorical map for anyone who feels the need to be liberated from the American Way of Life—a guidebook for anyone called by conscience to question continued obedience to vertical power structures while longing to reconnect with the human archetypes of cooperation, equity, mutual respect and empathy.




Barred for Life


Book Description

“The Bars represent me finding my people. We were like a tribe. Together we are strong whereas before we felt weak and ostracized.” Barred for Life is a photo documentary cataloging the legacy of Punk Rock pioneers Black Flag, through stories, interviews, and photographs of diehard fans who wear their iconic logo, The Bars, conspicuously tattooed upon their skin. Author Stewart Ebersole provides a personal narrative describing what made the existence of Punk Rock such an important facet of his and many other people’s lives, and the role that Black Flag’s actions and music played in soundtracking the ups and downs of living as cultural outsiders. “The Bars say ‘I’m not one of them,’ and it also lets the right people know that I am one of them.” Stark black-and-white portraits provide visual testimony to the thesis that Black Flag’s factual Punk-pioneering role and their hyper-distilled mythology are now more prevalent worldwide then when the band was in service. An extensive tour of North America and Western Europe documents dedicated fans bearing Bars-on-skin and other Black Flag iconography. Nearly four hundred “Barred” fans lined up, smiled/frowned for the camera, and issued their stories for the permanent record. “It is the black flag of anarchism, and that is the opposite of the white flag of surrender.” Barred for Life expands its own scope by presenting interviews with former Black Flag members and those close to the band. Interviews with alumni Dez Cadena, Ron Reyes, Kira Roessler, Keith Morris, and Chuck Dukowski, as well as photographers Glen E. Friedman and Ed Colver, and the man responsible for tattooing The Bars on more than a few Black Flag players, Rick Spellman, round out and spotlight aspects of Black Flag’s vicious live performances, forward-thinking work ethic, and indisputable reputation for acting as both champions and iconoclastic destroyers of the Punk Rock culture they helped to create. “When I see The Bars I think ‘Black Flag the band,’ but they also represent an entire movement of people that are not going to conform. They are part of a culture of people that stand up for themselves.”




Revolutionary Mothering


Book Description

Inspired by the legacy of radical and queer black feminists of the 1970s and ’80s, Revolutionary Mothering places marginalized mothers of color at the center of a world of necessary transformation. The challenges we face as movements working for racial, economic, reproductive, gender, and food justice, as well as anti-violence, anti-imperialist, and queer liberation are the same challenges that many mothers face every day. Oppressed mothers create a generous space for life in the face of life-threatening limits, activate a powerful vision of the future while navigating tangible concerns in the present, move beyond individual narratives of choice toward collective solutions, live for more than ourselves, and remain accountable to a future that we cannot always see. Revolutionary Mothering is a movement-shifting anthology committed to birthing new worlds, full of faith and hope for what we can raise up together. Contributors include June Jordan, Malkia A. Cyril, Esteli Juarez, Cynthia Dewi Oka, Fabiola Sandoval, Sumayyah Talibah, Victoria Law, Tara Villalba, Lola Mondragón, Christy NaMee Eriksen, Norma Angelica Marrun, Vivian Chin, Rachel Broadwater, Autumn Brown, Layne Russell, Noemi Martinez, Katie Kaput, alba onofrio, Gabriela Sandoval, Cheryl Boyce Taylor, Ariel Gore, Claire Barrera, Lisa Factora-Borchers, Fabielle Georges, H. Bindy K. Kang, Terri Nilliasca, Irene Lara, Panquetzani, Mamas of Color Rising, tk karakashian tunchez, Arielle Julia Brown, Lindsey Campbell, Micaela Cadena, and Karen Su.




Until the Rulers Obey


Book Description

Until the Rulers Obey brings together voices from the movements behind the wave of change that swept Latin America at the turn of the twenty-first century. These movements have galvanized long-silent—or silenced—sectors of society: indigenous people, campesinos, students, the LGBT community, the unemployed, and all those left out of the promised utopia of a globalized economy. They have deployed a wide range of strategies and actions, sometimes building schools or clinics, sometimes occupying factories or fields, sometimes building and occupying political parties to take the reins of the state, and sometimes resisting government policies in order to protect their newfound power in community. This unique collection of interviews features five dozen leaders and grassroots activists from fifteen countries presenting their work and debating pressing questions of power, organizational forms, and relations with the state. They have mobilized on a wide range of issues: fighting against mines and agribusiness and for living space, rural and urban; for social space won through recognition of language, culture, and equal participation; for community and environmental survival. The book is organized in chapters by country with each chapter introduced by a solidarity activist, writer, or academic with deep knowledge of the place. This indispensable compilation of primary source material gives participants, students, and observers of social movements a chance to learn from their experience. Contributors include ACOGUATE, Luis Ballesteros, Marc Becker, Margi Clarke, Benjamin Dangl, Mar Daza, Mickey Ellinger, Michael Fox, J. Heyward, Raphael Hoetmer, Hilary Klein, Diego Benegas Loyo, Courtney Martinez, Chuck Morse, Mario A. Murillo, Phil Neff, Fabíola Ortiz dos Santos, Hernán Ouviña, Margot Pepper, Adrienne Pine, Marcy Rein, Christy Rodgers, Clifton Ross, Susan Spronk, Marie Trigona, Jeffery R. Webber, and Raúl Zibechi.




City Is Ours


Book Description

Squatters and autonomous movements have been in the forefront of radical politics in Europe for nearly a half-century—from struggles against urban renewal and gentrification, to large-scale peace and environmental campaigns, to spearheading the antiausterity protests sweeping the continent. Through the compilation of the local movement histories of eight different cities—including Amsterdam, Berlin, and other famous centers of autonomous insurgence along with underdocumented cities such as Poznan and Athens—The City Is Ours paints a broad and complex picture of Europe’s squatting and autonomous movements. Each chapter focuses on one city and provides a clear chronological narrative and analysis accompanied by photographs and illustrations. The chapters focus on the most important events and developments in the history of these movements. Furthermore, they identify the specificities of the local movements and deal with issues such as the relation between politics and subculture, generational shifts, the role of confrontation and violence, and changes in political tactics. All chapters are written by politically-engaged authors who combine academic scrutiny with accessible writing. Readers with an interest in the history of the newest social movements will find plenty to mull over here. Contributors include Nazima Kadir, Gregor Kritidis, Claudio Cattaneo, Enrique Tudela, Alex Vasudevan, Needle Collective and the Bash Street Kids, René Karpantschof, Flemming Mikkelsen, Lucy Finchett-Maddock, Grzegorz Piotrowski, and Robert Foltin.




The Bootleg Coal Rebellion


Book Description

Told with great intimacy and compassion, The Bootleg Coal Rebellion uncovers a long-buried history of resistance and resilience among depression-era miners in Pennsylvania, who sunk their own mines on company grounds and fought police, bankers, coal companies and courts to form a union that would safeguard not just their livelihoods, but protect their collective autonomy as citizens and workers for decades. Community and Labor organizer Mitch Troutman brings this explosive and accessible American tale to life through the bootleggers’ own words. Scholars, historians, organizers and activists will celebrate this story of the people who literally seized mountains and stood their ground to create the Equalization movement, the miners’ union democracy movement, and the Communist-led Unemployed Councils of the anthracite region. This epic story of work, love and community stands as a testament to the power of collective action; a story that is sorely needed as communities today rise to confront neoliberal policies ravaging our planet.




Sober Living for the Revolution


Book Description

Examining the multigenerational impact of punk rock music, this international survey of the political-punk straight edge movement - which has persisted as a drug-free, hardcore subculture for more than 25 years - traces its history from 1980s Washington, DC, to today. Asserting that drugs are not necessarily rebellious and that not all rebels do...




Understanding Jim Crow


Book Description

For many people, especially those who came of age after landmark civil rights legislation was passed, it is difficult to understand what it was like to be an African American living under Jim Crow segregation in the United States. Most young Americans have little or no knowledge about restrictive covenants, literacy tests, poll taxes, lynchings, and other oppressive features of the Jim Crow racial hierarchy. Even those who have some familiarity with the period may initially view racist segregation and injustices as mere relics of a distant, shameful past. A proper understanding of race relations in this country must include a solid knowledge of Jim Crow—how it emerged, what it was like, how it ended, and its impact on the culture. Understanding Jim Crow introduces readers to the Jim Crow Museum of Racist Memorabilia, a collection of more than ten thousand contemptible collectibles that are used to engage visitors in intense and intelligent discussions about race, race relations, and racism. The items are offensive. They were meant to be offensive. The items in the Jim Crow Museum served to dehumanize blacks and legitimized patterns of prejudice, discrimination, and segregation. Using racist objects as teaching tools seems counterintuitive—and, quite frankly, needlessly risky. Many Americans are already apprehensive discussing race relations, especially in settings where their ideas are challenged. The museum and this book exist to help overcome our collective trepidation and reluctance to talk about race. Fully illustrated, and with context provided by the museum’s founder and director David Pilgrim, Understanding Jim Crow is both a grisly tour through America’s past and an auspicious starting point for racial understanding and healing.




Breaking the Spell


Book Description

Breaking the Spell offers the first full-length study that charts the historical trajectory of anarchist-inflected video activism from the late 1960s to the present. Two predominant trends emerge from this social movement-based video activism: 1) anarchist-inflected processes increasingly structure its production, distribution, and exhibition practices; and 2) video does not simply represent collective actions and events, but also serves as a form of activist practice in and of itself from the moment of recording to its later distribution and exhibition. Video plays an increasingly important role among activists in the growing global resistance against neoliberal capitalism. As various radical theorists have pointed out, subjectivity itself becomes a key terrain of struggle as capitalism increasingly structures and mines it through social media sites, cell phone technology, and new “flexible” work and living patterns. As a result, alternative media production becomes a central location where new collective forms of subjectivity can be created to challenge aspects of neoliberalism. Chris Robé’s book fills in historical gaps by bringing to light unexplored video activist groups like the Cascadia Forest Defenders, eco-video activists from Eugene, Oregon; Mobile Voices, Latino day laborers harnessing cell phone technology to combat racism and police harassment in Los Angeles; and Outta Your Backpack Media, indigenous youth from the Southwest who use video to celebrate their culture and fight against marginalization. This groundbreaking study also deepens our understanding of more well-researched movements like AIDS video activism, Paper Tiger Television, and Indymedia by situating them within a longer history and wider context of radical video activism.