Black Literature Criticism: Achebe-Dumas


Book Description

Most of the authors and writings covered in Gale's Black Literature Criticism: Excerpts of the Most Significant Works of Black Authors over the Past 200 Years (1992) and its one-volume supplement (1998) were published prior to 1950, hence this new set of three volumes focusing on African-American (and some African and Caribbean) writers and works published since 1950. It includes coverage of 80 writers whose works are considered canon and have therefore been subjected to major critiques, as well as writers who have appeared in major anthologies and encyclopedias of African American literature. Each author entry includes an introduction that covers biographical details, the major literary interests of the author, descriptions and summaries of the author's best known works, and critical commentary about the author's achievement, status, and importance; a chronological list of principal works; and multiple excerpts of criticism, including book reviews, academic studies of individual works, and comparative studies, arranged chronologically to give a sense of how critical reception evolved over time; and, finally, a further reading list. Also included are author, nationality, and title indexes, comprehensive for these volumes together with the predecessors mentioned above. Annotation.




Black Literature Criticism: Achebe-Dumas


Book Description

Focuses on writers and works published since 1950. The majority of the authors surveyed are African American, but representative African and Caribbean authors are also included.







Black Literature and Literary Theory


Book Description

The imaginative literature of African and Afro-American authors writing in Western languages has long been seen as standing outside the Western literary canon. In fact, however, black literature not only has a complex formal relation to that canon, but tends to revise and reflect Western rhetorical strategies even more than it echoes black vernacular literary forms. This book, first published in 1984, is divided into two sections, thus clarifying the nature of black literary theory on the one hand, and the features of black literary practice on the other. Rather than merely applying contemporary Western theory to black literature, these critics instead challenge and redefine the theory in order to make fresh, stimulating comments not only on black criticism and literature but also on the general state of criticism today.




Theory of African Literature


Book Description

This groundbreaking work, first published in 1989, was one of the first to challenge the conventional critical assessment of African literature, and remains highly influential today. Amuta's key argument is that African literature can be discussed only within the wider framework of the dismantling of colonial rule and Western hegemony in Africa. In exploring the possibility of a dialectical, alternative critical base, he draws upon both classical Marxist aesthetics and the theories of African culture espoused by Fanon, Cabral and Ngugi. From these explorations, Amuta derives a new language of criticism, which is then applied to works by modern African writers as diverse as Achebe, Ousmane, Agostinho Neto and Dennis Brutus. Amuta's highly original and innovative approach remains relevant not only for assessing the literature of developing countries, but for Marxist and postcolonial theories of literary criticism more generally. The author's elegance of argument and clarity of exposition makes this a distinguished and lasting contribution to debates around cultural expression in postcolonial Africa.




Black Literature Criticism


Book Description

Focuses on writers and works published since 1950. The majority of the authors surveyed are African American, but representative African and Caribbean authors are also included.




A Spirit of Dialogue


Book Description

A groundbreaking study, A Spirit of Dialogue examines through extensive, interdisciplinary research, theory, and close reading the intricate reconstructions, extensions, and resonances of the West African myth of spirit children, the "Born-to-Die," in contemporary African American neo-slave narratives. Arguing that the myth, called "Ogbañje" in Igbo language and "àbíkú" in Yoruba, has had over thirty years of uncharted presence in African American literature, Okonkwo advances a compelling case absent in extant scholarship. He traces Ogbañje/the Born-to-Die's appearance in African American texts to a convergence of factors. They include but are not limited to: the impact of Chinua Achebe's Things Fall Apart; the 1960s emergence of the contemporary neo-slave narrative; the 1960s and 1970s black consciousness/Black Power movement and the cultural agenda, gendered politics, and centripetal philosophy of the Black Arts movement's nationalist aesthetic; African American identity questions of the post-civil rights and the multicultural eras; and the thematic shifts, as well as the African diaspora orientation of African American fiction of the post-nationalist aesthetic period. A Spirit of Dialogue focuses on the sometimes neglected and understudied works of four canonical African American writers: Octavia E. Butler's Wild Seed and Mind of My Mind, Tananarive Due's The Between, John Edgar Wideman's The Cattle Killing, and Toni Morrison's Sula and Beloved. Okonkwo demonstrates persuasively how the mythic spirit child informs the content and form of these novels, offering Butler, Due, Wideman, and Morrison a non-occidental "code" by which to engage collectively with the various issues integral to the history experience of African-descended people. The paradigm functions, then, as the nexus of a life-affirmative dialogue among the six novels, as well as between them and other works of African religious and literary imagination, particularly Things Fall Apart and Ben Okri's The Famished Road.




An Analysis of Toni Morrison's Playing in the Dark


Book Description

Toni Morrison’s Playing in the Dark: Whiteness and the Literary Imagination is a seminal piece of literary criticism, and a masterclass in the critical thinking skill of interpretation. Interpretation plays a vital role in critical thinking: it focuses on interrogating accepted meanings and laying down clear definitions on which a strong argument can be built. Both history and literary history in the US have frequently revolved around understanding how Americans define themselves and each other, and Morrison’s work seeks to investigate, question, and redefine one of the central concepts in American history and American literary history: color.. Morrison turned to the classics of American literature to ask how authors had chosen to define the terms ‘black’ and ‘white.’ Instead of accepting traditional interpretations of these works, Morrison examined the way in which ‘whiteness’ defines itself through ‘blackness,’ and vice versa. Black bondage and the myths of black inferiority and savagery, she showed, allowed white America to indulge its own defining myths – viewing itself as free, civilized, and innocent. A classic of subtle and incisive interpretation, Playing in the Dark shows just how crucial and how complex simple-looking definitions can be.




Figures in Black


Book Description

Argues that Black literature cannot be characterized strictly as social realism, and offers a textual analysis of works by eighteenth- to twentieth-century Black writers.




Black Literature Criticism


Book Description

V.1 Achebe - Ellison -- V.2 Emecheta - Malcolm X. -- V.3 Marshall - Young, Indexes.