Blackwood's Edinburgh Magazine, Vol. 65


Book Description

Excerpt from Blackwood's Edinburgh Magazine, Vol. 65: January-June, 1849 Observe, for a tiara! We shall see anon what the price of sugar will be when the English colonies are destroyed and the slave plantations have the monopoly of the market in their hands. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Masculinity in the Modern West


Book Description

What does it mean to be a man? To be manly? How has this changed throughout history? This text examines the manly stereotype, which stresses courage and athletic comportment, which from the 18th century onwards became representative of normative modern society.




Blackwood's Edinburgh Magazine, Vol. 66


Book Description

Excerpt from Blackwood's Edinburgh Magazine, Vol. 66: July-December, 1849 Sauna. I now there is nothing you dislike so much as personal observations non'm. On myself to myself - not at all on others. Sauna. Yet I cannot help telling you to your face, sir, that you are one of the finest looking old men roam Elderly gentlemen, if you please, sir. Sauna. In Britain, in Europe, in the World. I am perfectly serious, air. You are. Norm. You needed not to as on were perfectly serious; for I suffer no man to be ironical on Me, Mr. Ul er. I am. Miller. Such a change since we came to Cladich! Seward was equally shocked, with myself, at your looks on board the Steamer. So lean - se bent - ao allow - so haggard - in a word - se aged l. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Revisiting Italy


Book Description

With the rise of mass tourism, Italy became increasingly accessible to Victorian women travellers not only as a locus of artistic culture but also as a site of political enquiry. Despite being outwardly denied a political voice in Britain, many female tourists were conspicuous in their commitment to the Italian campaign for national independence, or Risorgimento (1815–61). Revisiting Italy brings several previously unexamined travel accounts by women to light during a decisive period in this political campaign. Revealing the wider currency of the Risorgimento in British literature, Butler situates once-popular but now-marginalized writers: Clotilda Stisted, Janet Robertson, Mary Pasqualino, Selina Bunbury, Margaret Dunbar and Frances Minto Elliot alongside more prominent figures: the Shelley-Byron circle, the Brownings, Florence Nightingale and the Kemble sisters. Going beyond the travel book, she analyses a variety of forms of travel writing including unpublished letters, privately printed accounts and periodical serials. Revisiting Italy focuses on the convergence of political advocacy, gender ideologies, national identity and literary authority in women’s travel writing. Whether promoting nationalism through a maternal lens, politicizing the pilgrimage motif or reviving gothic representations of a revolutionary Italy, it identifies shared touristic discourses as temporally contingent, shaped by commercial pressures and the volatile political climate at home and abroad.