Henry Crabb Robinson


Book Description

Henry Crabb Robinson (1775-1867) earned his place in literary history as a perceptive diarist from 1811 onwards. Drawing substantially on hitherto unpublished manuscript sources, this book discusses his formal and informal engagement with a wide variety of English and European literature prior to this point. Robinson emerges as a pioneering literary critic whose unique philosophical erudition underpinned his activity as a cross-cultural disseminator of literature during the early Romantic period. A Dissenter barred from the English universities, Robinson educated himself thoroughly during his teenage years and began to publish in radical journals. Godwin's philosophy subsequently inspired his first theory of literature. When in Germany from 1800 to 1805, he became the leading British scholar of Kant, whose philosophy informed his discussions of Goethe, Schiller, Lessing, and August Wilhelm Schlegel. After his return to London, Robinson aided Hazlitt's understanding of Kant and, thus, Hazlitt's early career as a writer. His distinctive comparative criticism further enabled him to draw compelling parallels between Wordsworth, Blake, and Herder, and to discern 'moral excellence' in Christian Leberecht Heyne's Amathonte. This also prompted Robinson's transmission of Friedrich Schlegel and Jean Paul in 1811, as well as a profound exchange of ideas with Coleridge. In this new study, Philipp Hunnekuhl finds that Robinson's ingenious adaptation of Kantian aesthetic autonomy into a revolutionary theory of literature's moral relevance anticipated the current 'ethical turn' in literary studies.




Blake, Coleridge, Wordsworth, Lamb, Etc


Book Description

Excerpt from Blake, Coleridge, Wordsworth, Lamb, Etc: Being Selections From the Remains of Henry Crabb Robinson As a boy he was thrilled by the news that the Bastille had fallen, and his Jacobinism was tempered only by his encounters with French refugees. He sympathized with Home Tooke, with Hardy and with Thelwall, and was at first an ardent admirer of Godwin, with whom he long remained on friendly terms. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Life of Samuel Taylor Coleridge


Book Description

Rosemary Ashton explores the many facets of Samuel Taylor Coleridge's complex personality, by turns poet, critic, thinker, enchanting companion, feckless husband, fabled conversationalist and guilt-ridden opium addict.




Jerusalem!


Book Description

‘Truly astonishing in its detail … this must be one of the most illuminating and enlightening biographies to date.’ Michael Eavis cbe, Founder of the Glastonbury Festival A brilliant new biography of the mystic poet and artist William Blake – and the first to explore his startlingly original quest for spiritual truth, as well as the profound lessons he has for us all today. The hymn ‘Jerusalem’, with its famous words by William Blake, stirs our hearts with its evocation of a new holy city built in ‘England’s green and pleasant land’. However, until now, the spiritual essence of William Blake has been buried under myriad inadequate biographies, college dissertations and arts commentaries, written by people who have missed the luminescent keys to Blake’s symbolism and liberating spirit. Any attempt to uncover the ‘real’ Blake is thwarted by his status as a legend or ‘national treasure’. In Jerusalem! Tobias Churton expertly takes you beyond this superficial façade, showing you Blake the esoteric genius – a myth-maker, brilliantly using symbols and theology to express his unique insights into the nature of body, mind and spirit. Churton is not only deeply knowledgeable about Blake’s life and times, but also uses his shared values with Blake to enter into his labyrinth of thought and feeling. Challenging the conventional views of Blake as either a ‘romantic poet’ or a rebel with ideas about free sex, Tobias Churton’s startling new biography reveals, at last, the real William Blake in all his glory, so that anyone who sings ‘Jerusalem’ in future will see its beauty with renewed understanding. With access to a large body of never-before-published records – letters, diaries, pamphlets and books – Tobias Churton casts unprecedented light and perspective on William Blake’s life and times. Blake’s writing – heartfelt, vivid and profound – accounts for his status as one of the best-loved poets writing in English. Americans need no reminding that Blake inspired Ralph Waldo Emerson and American visionary Walt Whitman. Yet he spent the larger part of his creative career being ridiculed and suppressed. In Jerusalem! Churton conjures a superb portrait of Blake’s London, and in particular the rivalries of the cultural community in which the poet-artist was often misunderstood. He argues that Blake believed Man does not ‘belong’ to society; rather,we are all members of the Divine Body, co-existent with God. He was concerned with a total spiritual revival – what had gone wrong with Man, and how to put it right. Blake’s message has proved to be as challenging to today’s readers as it was to his contemporaries. Blake perceived, so far ahead of his time, that the philosophy of materialism would dominate the world – a culture from which we now yearn to break free. Jerusalem! is unashamedly ambitious in its scope and objective. Churton ends once and for all the persistent notion of Blake as a startling peculiarity, whilst emancipating him from the labels of ‘Romantic poet’ or ‘national treasure’. Even if it means sacrificing some cherished illusions or uncovering a few painful surprises, this compelling biography reveals, for the first time, the true spirit of William Blake.




A Blake Bibliography


Book Description

A Blake Bibliography was first published in 1964. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The aim of this book is to list every reference to William Blake published between 1757 and 1863 and every criticism and edition of his works from the beginning to the present. Partly because of the deluge of scholarship in the last forty years, it includes perhaps twice as many titles as Sir Geoffrey Keynes's great bibliography of 1921. An introductory essay on the history of Blake scholarship puts the most significant works into perspective, indicates the best work that has been done, and points to some neglected areas. In addition, all the most important references and many of the less significant ones are briefly annotated as to subject and value. Because many of the works are difficult to locate, specimen copies of all works published before 1831 have been traced to specific libraries. Each of Blake's manuscripts is also traced to its present owner. Two areas which have received relatively novel attention are early references to Blake (before 1863) and important sale and exhibition catalogues of his works. In both areas there are significant number of important entries which have not been noticed before by Blake scholars. The section on Blake's engravings for commercial works receives especially detailed treatment. A few of the titles listed here have not been described previously in connection with Blake.




Marginalia: Camden to Hutton


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Marginalia


Book Description