Blake's Drama


Book Description

Blake's Drama challenges conventional views of William Blake's multimedia work by reinterpreting it as theatrical performance. Viewed in its dramatic contexts, this art form is shown to provoke an active spectatorship and to depict identity as paradoxically essential and constructed, revealing Blake's investments in drama, action, and the body.




Delilah Green Doesn't Care


Book Description

A clever and steamy queer romantic comedy about taking chances and accepting love—with all its complications—from the author of Astrid Parker Doesn't Fail. Delilah Green swore she would never go back to Bright Falls—nothing is there for her but memories of a lonely childhood where she was little more than a burden to her cold and distant stepfamily. Her life is in New York, with her photography career finally gaining steam and her bed never empty. Sure, it’s a different woman every night, but that’s just fine with her. When Delilah’s estranged stepsister, Astrid, pressures her into photographing her wedding with a guilt trip and a five-figure check, Delilah finds herself back in the godforsaken town that she used to call home. She plans to breeze in and out, but then she sees Claire Sutherland, one of Astrid’s stuck-up besties, and decides that maybe there’s some fun (and a little retribution) to be had in Bright Falls, after all. Having raised her eleven-year-old daughter mostly on her own while dealing with her unreliable ex and running a bookstore, Claire Sutherland depends upon a life without surprises. And Delilah Green is an unwelcome surprise…at first. Though they’ve known each other for years, they don’t really know each other—so Claire is unsettled when Delilah figures out exactly what buttons to push. When they’re forced together during a gauntlet of wedding preparations—including a plot to save Astrid from her horrible fiancé—Claire isn’t sure she has the strength to resist Delilah’s charms. Even worse, she’s starting to think she doesn’t want to...




The Guest Book


Book Description

Instant New York Times Bestseller Longlisted for Andrew Carnegie Medal for Excellence 2020 New England Society Book Award Winner for Fiction “The Guest Book is monumental in a way that few novels dare attempt.” —The Washington Post The thought-provoking new novel by New York Times bestselling author Sarah Blake An exquisitely written, poignant family saga that illuminates the great divide, the gulf that separates the rich and poor, black and white, Protestant and Jew. Spanning three generations, The Guest Book deftly examines the life and legacy of one unforgettable family as they navigate the evolving social and political landscape from Crockett’s Island, their family retreat off the coast of Maine. Blake masterfully lays bare the memories and mistakes each generation makes while coming to terms with what it means to inherit the past.




Astrid Parker Doesn't Fail


Book Description

An interior designer who is never without the perfect plan learns to renovate her love life without one in this new romantic comedy by Ashley Herring Blake, author of Delilah Green Doesn't Care. Perfect for fans of Alexandria Bellefleur, Casey McQuiston and Rosie Danan. For Astrid Parker, failure is unacceptable. Ever since she broke up with her fiancé a year ago, she's been focused on her career. So when Pru Everwood asks her to be the designer for the Everwood Inn's renovation, which will be featured on a hugely popular home makeover show, Astrid is thrilled. Not only will the project distract her from her failed engagement and help her struggling business, but her perpetually displeased mother might finally give her a nod of approval. However, Astrid never planned on Jordan Everwood, Pru's granddaughter and the lead carpenter for the renovation, who despises every modern design decision Astrid makes. Jordan is determined to preserve the history of her family's inn, particularly as the rest of her life is in shambles. When that determination turns into some light sabotage to ruffle Astrid's perfect little feathers, the showrunners ask them to play up the tension. But somewhere along the way, their dislike for each other evolves into something quite different, and Astrid must decide what success truly means. Is she going to pursue the life that she's expected to lead or the one that she really wants? Why readers love Ashley Herring Blake . . . 'A hot, frothy romcom with a relatable heart beating at its centre. I can't wait for the rest of the series!' Talia Hibbert 'A truly exquisite romance . . . I'm wildly in love with this book' Rachel Lynn Solomon 'A swoon-worthy, laugh-out-loud romp of a romance' Kosoko Jackson 'Snappy banter and seriously scorching chemistry; you'll need a very cold shower after this read!' Lana Harper 'Charming and entertaining . . . Blake's masterful blend of sexual tension and growing affection will have readers swooning' Karelia Stetz-Waters 'Snarky, steamy, and swoony in equal measure, I never wanted this book to end' Meryl Wilsner




Blake, Gender and Culture


Book Description

Blake's combination of verse and design invites interdisciplinary study. The essays in this collection approach his work from a variety of perspectives including masculinity, performance, plant biology, empire, politics and sexuality.




Blake's 'Jerusalem' As Visionary Theatre


Book Description

Before etching Jerusalem William Blake wrote about creating 'the grandest poem that this world contains.' Blake's avowed intention in constructing the work was to move readers from a solely rational way of being (called Ulro) to one that is highly imaginative (called Eden/Eternity), with each word chosen to suit 'the mouth of a true Orator.' Rational interpretation is of limited use when reading this multifaceted epic and its non-linear structure presents a perennial challenge for readers. Susanne Sklar engages with the interpretive challenges of Jerusalem by considering it as a piece of visionary theatre —an imaginative performance in which characters, settings, and imagery are not confined by mundane space and time— allowing readers to find coherence within its complexities. With his characters, Blake's readers can participate imaginatively in what Blake calls 'the Divine Body, the Saviour's Kingdom,' a way of being in which all things interconnect: spiritually, ecologically, socially, and erotically. Imaginatively engaging with Jerusalem involves close textual reading and analysis. The first part of this book discusses the notion of visionary theatre, and the theological, literary, and historical antecedents of Jerusalem's imagery, characters, and settings. Particular attention is paid to the theological context of Blake's Jesus ('the Divine Body'), and Jerusalem, the heroine of his poem. This prepares the ground for a scene-by-scene commentary of the entire illuminated work. Jerusalem tells the story of Albion's fall, many rescue attempts, escalating violence and oppression, and a surprising apocalypse —in which all living things, awakening, are transfigured in ferocious forgiveness.




Blake and Conflict


Book Description

Famously, Blake believed that 'without contraries' there could be no 'progression'. Conflict was integral to his artistic vision, and his style, but it had more to do with critical engagement than any urge to victory. The essays in this volume look at conflict as it marked Blake's thinking on politics, religion and the visual arts.




Blake, Nation and Empire


Book Description

This book examines Blake's work in the context of discourses of nation and empire, of the construction of a public sphere, and restores the longevity to his artistic career by placing emphasis on his work in the 1820s. Relevant contexts include technology, sentimentalism, Ireland and Catholic Emancipation, missionary prospectuses and body politics.




Queer Blake


Book Description

Numerous claims have been made for a sexual Blake, from post-lapsarian pessimist to free-loving hippie. Queer Blake raises a flag for the weird, perverse, camp and gay directions of the artist's life and work. The contributors occupy diverse positions, illustrating what fresh interpretations result when heterosexuality is ditched as an ideal.




Blake's 7: A Critical Guide to Series 1-4


Book Description

Political satire, comic strip action adventure, science fiction, space opera, Orwellian dystopia, costume drama, Western...Drawing on a range of genres, Terry Nation's Blake's 7 resists categorisation or labelling; a ground-breaking piece of television drama. Presenting itself as easy-viewing, early evening entertainment for a (largely) teenage audience - which, on one level, it was - it tackles state-surveillance, propaganda, corruption, genocide, revolution, and terrorism. Avengers expert Rodney Marshall turns his attention to Blake's 7, offering unauthorised, entertaining, thought-provoking critical guides to all fifty-two episodes in Series 1-4. Horizon (the official Blake's 7 fan club) moderator Alex Pinfold has added a Foreword to this third edition, while television historian Matthew Lee has penned an essay on Terry Nation and Blake's 7. Combining dark humour, surrealism, shiny surfaces and dramatic depth, Blake's 7 blurs the boundary between hero/villain.