Blake's 'Jerusalem' As Visionary Theatre


Book Description

Susanne Sklar engages with the interpretive challenges of William Blake's illuminated epic poem Jerusalem by considering it as a piece of visionary theatre - an imaginative performance in which characters, settings, and imagery are not confined by mundane space and time - allowing readers to find coherence within its complexities.




Blake's Drama


Book Description

Blake's Drama challenges conventional views of William Blake's multimedia work by reinterpreting it as theatrical performance. Viewed in its dramatic contexts, this art form is shown to provoke an active spectatorship and to depict identity as paradoxically essential and constructed, revealing Blake's investments in drama, action, and the body.




The Visionary Art of William Blake


Book Description

William Blake (1757-1827) is considered one of the most singular and brilliant talents that England has ever produced. Celebrated now for the originality of his thinking, painting and verse, he shocked contemporaries by rejecting all forms of organized worship even while adhering to the truth of the Bible. But how did he come to equate Christianity with art? How did he use images and paint to express those radical and prophetic ideas about religion which he came in time to believe? And why did he conceive of Christ himself as an artist: in fact, as the artist, par excellence? These are among the questions which Naomi Billingsley explores in her subtle and wide-ranging new study in art, religion and the history of ideas. Suggesting that Blake expresses through his representations of Jesus a truly distinctive theology of art, and offering detailed readings of Blake's paintings and biblical commentary, she argues that her subject thought of Christ as an artist-archetype. Blake's is thus a distinctively 'Romantic' vision of art in which both the artist and his saviour fundamentally change the way that the world is perceived.




William Blake and the Visionary Law


Book Description

This book examines the difficult relationship between individual intellectual freedom and the legal structures which govern human societies in William Blake’s works, showing that this tension carries a political urgency that has not yet been recognised by scholars in the field. In doing so, it offers a new approach to Blake’s corpus that builds on the literary and cultural historical work of recent decades. Blake’s pronouncements about law may often sound biblical in tone; but this book argues that they directly address (and are informed by) eighteenth-century legal debates concerning the origin of the English common law, the autonomy of the judicature, the increasing legislative role of Parliament, and the emergence of the notions of constitutionalism and natural rights. Through a study of his illuminated books, manuscript works, notebook drafts and annotations, this study considers Blake’s understanding that law is both integral to humanity itself and a core component of its potential fulfilment of the ‘Human Form Divine’.




The Evolution of Blake’s Myth


Book Description

Interpreting Blake has always proved challenging. Hermeneutics, as the on-going negotiation between the horizon of expectations and a given text, hinges on the preconceptions that structure thought. The structure, in turn, is derived from myth, a cultural narrative predicated on a particular set of foundational principles, and organized in terms of the resulting symbolic form. The primary impediment to interpreting Blake has been the failure to recognize that he and much of his audience have thought in terms of two radically different myths. In The Evolution of Blake’s Myth, Sheila A. Spector establishes the dimensions of the myth that structures Blake’s thought. In the first of three parts, she uses Jerusalem, Blake’s most complete book, as the basis for extrapolating the components of the consolidated myth. She then traces the chronological development of the myth from its origin in the late 1780s through its crystallization in Milton. Finally, she demonstrates how Blake used the myth hermeneutically, as the horizon of expectations for interpreting not only his own work, but the Bible and the visionary texts of others, as well.




Radical Prophet


Book Description

Christianity began with the conviction that the old order was finished. The mysterious, elusive and charismatic figure of Jesus proclaimed that a new era, the Kingdom of God, was dawning. Yet despite its success, and the conversion of the empire which had executed its founder, the religion he inspired was soon domesticated, its counter-cultural radicalism tamed, as the Church attempted to control both its doctrines and its followers. Christopher Rowland here shows that this was never the whole story. At the margins, around the edges, sometimes off the religious map, the apocalyptic flame of the New Testament continued to burn. In 1649 the Diggers occupied St George's Hill to put the egalitarianism of Christ into practice. 'You must break these men or they will break you', Oliver Cromwell declared of the 'lunaticks'. This book argues that such revolutionaries had divined the true intent of the enigma who threw over the tables of the money-changers: to summon a new epoch - strange, iconoclastic, uncomfortable and otherworldly. It gives full weight to a remarkable strain of radical religion that simply refuses to die.




Jerusalem


Book Description




Blake, Gender and Culture


Book Description

Blake's combination of verse and design invites interdisciplinary study. The essays in this collection approach his work from a variety of perspectives including masculinity, performance, plant biology, empire, politics and sexuality.




William Blake's Gothic imagination


Book Description

While overlooked by extant studies of the Gothic, William Blake’s literary and visual oeuvre embodies the same obsessions and fears that inform the Gothic revival with which he was contemporary.




The Visual Life of Romantic Theater, 1780-1830


Book Description

Provides fresh perspectives on the Romantic era through a focus on the visual nature and impact of the stage