The Book of Job


Book Description

With a new introduction by Michael Marqusee.










Illustrations of the Book of Job


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




A Guide to the Books of William Blake for Innocent and Experienced Readers


Book Description

The writings of William Blake were not understood by his contemporaries or the Victorians, and it was only in 1910, with the publication of Joseph Wicksteed's Blake's Vision of the Book of Job, that the long process of comprehending Blake's works seriously began. Part 1 of the present work consists of twelve chapters that are primarily intended to lead the reader who has little or no acquaintance with Blake's more difficult works through all his books. These consist of Poetical Sketches, Songs of Innocence and of Experience, three early prose tractates, the eleven shorter prophetic books (including The Marriage of Heaven and Hell), the lyrics of the Pickering Manuscript, The Four Zoas, Milton, Jerusalem, The Gates of Paradise, The Ghost of Abel and Illustrations of The Book of Job. The reader who wishes to explore a work more fully can proceed to Part II, where a headnote outlines the main scholarly views of its structure and meaning. There are two indexes providing ready access to explanations of terms and proper names.




Encounter with the Self


Book Description

Penetrating commentary on the Job story as a numinous, archetypal event, and as a paradigm for conflicts of duty that can lead to enhanced consciousness.







The Book of Job (With All the Original Illustrations)


Book Description

William Blake is regarded as one of the greatest creative geniuses of the Romantic era, valued for the visionary power of both his poetry and his art. However, in his own time, he struggled to make ends meet and his work attracted little attention. The book contains a lengthy introduction to the life and work of Black by Norton as was as full page black and white copies of the etchings which Blake between 1823 and 1826 for his illustrated edition of the Book of Job. His Illustrations of the Book tell the Biblical story of Job, one of the books of the Hebrew Bible. It relates his trials at the hands of Satan, his discussions with friends on the origins and nature of his suffering, his challenge to God, and finally a response from God. The book is a didactic poem set in a prose frame and has been included in lists of the greatest books in world literature. William Blake (1757 – 1827) was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age. His paintings and poetry have been characterised as part of the Romantic movement and "Pre-Romantic", for its large appearance in the 18th century. Blake was influenced by the ideals and ambitions of the French and American revolutions. Despite these known influences, the singularity of Blake's work makes him difficult to classify.




Revolutions of the Heart


Book Description

Revolutions of the Heart is a genre-bending book where literature, social activism, and mysticism intersect. In this follow-up to Lababidi's first essay collection, Trial by Ink: From Nietzsche to Bellydancing (2010), the author is undergoing an inner change, as is the world around him. The multifaceted meditations in Revolutions—essays, poems, aphorisms, conversations, and even fiction—explore the edifying power of art, Islamophobia and its antidotes, the Egyptian Revolution and its aftermath, American popular culture, and much else in our complex modern world. A series of rich conversations with Lababidi, and his various provocative interlocutors, shed more intimate light on the subjects under discussion. At times serious, playful, and seriously playful, these exuberant exchanges chart the personal evolution of Lababidi from angst-ridden existentialist thinker, besotted with the life of the mind, to someone chastened, drawn to Sufism and seeking to surrender before the primacy of spiritual life. On a political level, as the work of an immigrant and Muslim (living in Trump's divided America and our wounded world), Revolutions is a book of hope and healing, arguing for nuance and compassion, as it attempts to present art as a form of cultural diplomacy and tool for transformation.